Alone (Why Must I Be Alone)

"Alone (Why Must I Be Alone)" is a popular song written by Morty Craft. Craft owned a record label, and produced the recording by the Shepherd Sisters on that label. The lyrics were written by Craft's wife, Selma.

While it was the only hit for The Shepherd Sisters (as The Sheps) in the United States (reaching #18 on the Billboard charts on November 11, 1957), in the United Kingdom it was one of a number of hits for Petula Clark (reaching #8 on the UK charts) before she became famous internationally. The Shepherd Sisters' version also charted in the UK, reaching #14, and another version, by The Southlanders, reached #17 on the UK chart.

A remake of the song by The Four Seasons charted in 1964, reaching its peak Billboard Hot 100 position at #28, on July 18. "Alone (Why Must I Be Alone" also went to #8 on the Canadian singles chart. It was the act's last hit single on Vee Jay Records, as The Four Seasons left the label at the beginning of 1964 in a royalty dispute. The Four Seasons recording of the song features a refrain that is whistled.

Love Amongst Ruin (album)

Love Amongst Ruin is the self-titled debut studio album by Love Amongst Ruin. It was released on September 13, 2010.

Background

Writing and recording

After departingPlacebo in October 2007, Steve Hewitt enlisted Lamb bassist Jon Thorne and his brother Nick Hewitt to begin writing and demoing new music at his home studio. Hewitt explained that he decided to write with Jon Thorne because he "wanted to play rock drums against somebody playing upright bass. And that’s what we did and the first thing we ever wrote was "Running"".Julian Cope collaborator Donald Ross Skinner was brought in to oversee and co-produce the recording sessions and the collective relocated to Moles Studio in Bath for three recording sessions with producer Paul Corkett over the summer of 2008. The sessions yielded ten songs, on which Steve performed drums and lead vocals. Mixing began in September and continued for six months before the album was mastered by Brian Gardner in April 2009.

"Bring Me Down (You Don't)" was to be included on the album, but legal trouble with publishers of the band Can resulted in the track being replaced with "Come On Say It". An acoustic version of the song was later released for free via SoundCloud in November 2011. "Come On Say It" featured then-band members Steve Hove, Laurie Ross and Keith York and was mixed ten weeks before the album's release. Other songs which were recorded, but didn't make the cut for the album, were cover versions of "Got To Give It Up" (Thin Lizzy) and "Rise" (Public Image Ltd), the latter being released for free via SoundCloud in July 2012.

Alone (1931 film)

Alone (Russian: Одна, meaning "Alone"), also known in English by the transliterated Russian title Odna, is a Soviet film released in 1931. It was written and directed by Leonid Trauberg and Grigori Kozintsev. It was originally planned as a silent film, but it was eventually released with a soundtrack comprising sound effects, some dialogue (recorded after the filming) and a full orchestral score by Dmitri Shostakovich. The film, about a young teacher sent to work in Siberia, is in a realist mode and addresses three political topics then current: education, technology, and the elimination of the kulaks.

Plot

The film tells the story of a newly graduated Leningrad teacher, Yelena Kuzmina (played by Yelena Alexandrovna Kuzmina). She goes furniture shopping with her fiance, Petya, and in a fantasy sequence she imagines teaching a class of neat, obedient city schoolchildren. Instead, she is assigned to work in the Altai mountains of Siberia. Reluctant to leave, she appeals to remain in the city. Although her request is granted (by a faceless Nadezhda Krupskaya, seen only from behind), she is eventually spurred by the government's condemnation of 'cowards' such as her to accept the post.

Uzak

Uzak is a 2002 Turkish film directed by Nuri Bilge Ceylan. It was released as Distant in North America, a literal translation of its title.

Plot

Uzak tells the story of Yusuf (Mehmet Emin Toprak), a young factory worker who loses his job and travels to Istanbul to stay with his relative Mahmut (Muzaffer Özdemir) while looking for a job. Mahmut is a relatively wealthy and intellectual photographer, whereas Yusuf is almost illiterate, uneducated, and unsophisticated. The two do not get along well. Yusuf assumes that he will easily find work as a sailor, but there are no jobs, and he has no sense of direction or energy. Meanwhile, Mahmut, despite his wealth, is aimless too: his job, which consists of photographing tiles, is dull and inartistic, he can barely express emotions towards his ex-wife or his lover, and while he pretends to enjoy intellectual filmmakers like Andrei Tarkovsky, he switches channels to watch porn as soon as Yusuf leaves the room.

Mahmut attempts to bond with Yusuf and recapture his love of art by taking him on a drive to photograph the beautiful Turkish countryside, but the attempt is a failure on both counts. At the end of the film, Yusuf leaves without telling Mahmut, who is left to sit by the docks, watching the ships on his own.

View (album)

View is the debut album by bassist Bryan Beller, known for his work with Mike Keneally, Steve Vai and Dethklok. The album was released in 2003 under Onion Boy Records. The album featured guest composers such as John Patitucci and Wes Wehmiller.

Track listing

Personnel

Extended Personnel

Model–view–controller

Model–view–controller (MVC) is a software architectural pattern mostly (but not exclusively) for implementing user interfaces on computers. It divides a given software application into three interconnected parts, so as to separate internal representations of information from the ways that information is presented to or accepted from the user.

Traditionally used for desktop graphical user interfaces (GUIs), this architecture has become extremely popular for designing web applications.

History

MVC was one of the seminal insights in the early development of graphical user interfaces, and one of the first approaches to describe and implement software constructs in terms of their responsibilities.

Trygve Reenskaug introduced MVC into Smalltalk-76 while visiting the Xerox Palo Alto Research Center (PARC) in the 1970s. In the 1980s, Jim Althoff and others implemented a version of MVC for the Smalltalk-80 class library. It was only later, in a 1988 article in The Journal of Object Technology (JOT), that MVC was expressed as a general concept.

View (Buddhism)

View or position (Pali diṭṭhi, Sanskrit dṛṣṭi) is a central idea in Buddhism. In Buddhist thought, in contrast with the commonsense understanding, a view is not a simple, abstract collection of propositions, but a charged interpretation of experience which intensely shapes and affects thought, sensation, and action. Having the proper mental attitude toward views is therefore considered an integral part of the Buddhist path.

Positions

Views are produced by and in turn produce mental conditioning. They are symptoms of conditioning, rather than neutral alternatives individuals can dispassionately choose. The Buddha, according to the discourses, having attained the state of unconditioned mind, is said to have "passed beyond the bondage, tie, greed, obsession, acceptance, attachment, and lust of view."

The Buddha of the early discourses often refers to the negative effect of attachment to speculative or fixed views, dogmatic opinions, or even correct views if not personally known to be true. In describing the highly diverse intellectual landscape of his day, he is said to have referred to "the wrangling of views, the jungle of views." He assumed an unsympathetic attitude toward speculative and religious thought in general. In a set of poems in the Sutta Nipata, the Buddha states that he himself has no viewpoint. According to Steven Collins, these poems distill the style of teaching that was concerned less with the content of views and theories than with the psychological state of those who hold them.