Bridget Jones: Mad About the Boy Movie Review : A rom-com that feels past its prime

Story: After her husband Mark's passing, Bridget Jones adjusts to life as a single mother. Encouraged by her friends to start dating again, she begins a whirlwind romance with 28-year-old Roxster.

Review: After nine years, the ‘Bridget Jones’ series returns with a film that reflects the present day. While still humorous, the fourth installment feels like it’s running out of steam. The story follows Bridget Jones (Renée Zellweger), now a single mother to 8-year-old Billy and 5-year-old Mabel after her husband Mark’s death in a Sudan explosion. Overwhelmed by her friends' constant probing about her love life, she realizes her life is in chaos and decides to start fresh. She takes a job as a TV producer and begins a fling with Roxster (Leo Woodall), a young biochemistry student who rescues her kids from a tree. At the same time, she forms a bond with Mr. Wallakar (Chiwetel Ejiofor), a science teacher at her children's school. But things take an unexpected turn when Roxster starts ghosting her.

Watching the film, it feels as though it is shifting away from its original audience, now aiming at a Gen Z demographic. The standout moments come from Hugh Grant’s brief appearance, while the central romance—between an older woman and a younger man—feels repetitive, having been explored in recent films like ‘Babygirl’ and ‘A Family Affair.’ The storyline lacks freshness, relying on clichés rather than novelty. In fact, the dynamic between Bridget and Mr. Wallakar proves to be far more engaging and appealing.

Renée Zellweger’s portrayal of Bridget Jones in this installment doesn’t quite match the charm of her earlier performance. Her delivery feels uneven, missing the spark that made the character so beloved. Leo Woodall’s character feels underwritten, mostly there to show off his physique, and his chemistry with Zellweger lacks depth. Instead, it’s Chiwetel Ejiofor and Hugh Grant who bring energy to the film. Ejiofor shines as Mr. Wallakar, with his scenes alongside Zellweger standing out as the film’s highlights. Grant, in his brief return as Daniel, adds humour and charisma. Still, it’s Emma Thompson as Dr. Rawlings who leaves the strongest impression, making the most of her limited screen time.

This romantic comedy is a mixed bag filled with familiar rom-com tropes. While it has its moments of charm and sparkle, they are scattered and fleeting. It may resonate with younger audiences, but those who helped make the first film a cult classic might find it disappointing.