Showing posts with label songs. Show all posts
Showing posts with label songs. Show all posts

Friday, 24 August 2012

How Nietzsche rescued Kanye West from infringement claim

Kanye feels Stronger after the ruling
US musician/film director/fashion designer Kanye West is well-known not just to gossip lovers (recently because of his relationship with socialite/reality TV star/model/actress Kim Kardashian), but also to copyright aficionados. 
A few months ago this Blog reported news of a copyright infringement claim brought against Kanye and Jay-Z by soul veteran Syl Johnson over 1967 song Different Strokes, which ended up with a settlement between the parties (see here and here).
Now Kanye is back on the copyright scene, with a fresh judgment of the US Court of Appeals for the 7th Circuit (a summary is also available here), which ruled in his favour in an action for copyright infringement brought by music producer Vincent Peters (professionally known as Vince P).
Background
In 2006, Vince P wrote, recorded, and distributed a song entitled Stronger. The song’s title comes from a key line in its hook (refrain or chorus).
As recalled by Justice Wood, who delivered the Opinion of the Court, the line draws from Friedrich Nietzsche’s quote from his 1889 Twilightof the Idols: “What does not kill me, makes me stronger.”
German philosopher Nietzsche
After writing this song (which describes the competitive nature of the hip-hop and rap world), Vince P sent it to producer John Monopoly, a close friend and producer to Kanye West. Monopoly was apparently impressed with Vince P's work and agreed to be his producer. Eventually, however, the proposed collaboration foundered.
As it often happens in these cases, shortly thereafter (in 2007), Kanye West released a song entitled ... Stronger. This, besides sampling from electronic duo Daft Punk's Harder Better Faster, features a hook that repeats Nietzsche's quote and, according to Vince P, other suspicious similarities. West's song was very successful: it earned the No 1 spot in several Billboard charts, the single sold over three million copies, and it eventually earned West a Grammy for Best Rap Solo Performance.
Following unsuccessful attempts to contact West, Vince P thought of first registering his own version of Stronger with the US Copyright Office [as recalled by the Court, copyright registration, while not jurisdictional, is a substantive requirement of infringement litigation] and then filed a lawsuit against West.
Both the District Court and the Court of Appeal dismissed Vince P's claim, holding that the two songs were not similar enough to support a valid claim of copyright infringement.
The findings of the Court
As recalled by Justice Wood, proving infringement of a copyright owner’s exclusive right under 17 USC §106(1) (the reproduction right) requires evidence of
(1) ownership of a valid copyright, and
(2) copying of constituent elements of the work that are original.
Vince P succeeded in providing prima facie evidence of his ownership in the whole of the lyrics to his song. Thus, the Court turned its attention to the question of copying. 
"The standard for copying is surprisingly muddled", pointed out the Court. Where direct evidence - such as an admission of copying - is not available, a plaintiff may prove copying by showing that:
(a) the defendant had the opportunity to copy the original (often called “access”) and
(b) the two works are “substantially similar” [and similarities concern protectable elements].
Because of Monopoly, West had an opportunity to copy Vince P's song. Therefore, the question was whether he actually did that and, if so, to what extent. 
Substantial similarity
What "substantial similarity" is about?
(photo by Diane Arbus)
To address this issue, the Court first reviewed the differences among the Circuits about the relation between proof of access and evidence of similarity, and then considered whether the similarities alleged by Vince P sustained a valid claim of infringement.
Three features of Kanye West's Stronger formed the basis of Vince P’s argument that West’s song infringed his:
(i) First, he noted that the hooks of both songs derive from the same common maxim and that they implement similar rhyme schemes (stronger, wronger, etc).
(ii) Second, he pointed to the songs’ shared title, which again derives from Nietzsche.
(iii) Finally, he noted that both songs contain “incongruous” references to the UK model Kate Moss, who is not usually featured in rap or hip-hop lyrics.
(i) and (ii): Nietzsche’s quote, rhyme schemes and title
Despite the fact that both songs quote from a 19th century German philosopher might, at first blush, seem to be an unusual coincidence, West correctly noted that the aphorism has been repeatedly invoked in song lyrics over the past century (if you don't believe it, watch this YouTube video here). Therefore, neither the Nietzsche's quote nor the title (which was also used by Britney Spears) led to a finding of infringement.
As to Vince P's claim that West’s song infringes on the rhyme pattern he used in the hook, the Court recalled that copyright protects actual expression, not methods of expression. Therefore Vince P could not claim copyright over a tercet. 
Reference to Kate Moss as paragon of 
female beauty is a trite one, 
held the Court
(iii): Kate Moss
Coming to the songs’ references to Kate Moss, in Vince P’s song, the line is “Trying to get a model chick like Kate Moss”; in West’s it is “You could be my black Kate Moss tonight.
Vince P argued that his lyrical reference to Kate Moss “as a paragon of female beauty” is so unique as to “undermine the possibility of coincidental similarity.”
The Court rejected this view and held that, in the first place, the lines are entirely different. In the second, analogising to models as a shorthand for beauty is commonplace in our society. The particular selection of Kate Moss, who is very famous in her own right, added little to the creative choice. 

Conclusion
Having examined all these issues, the Court dismissed Vince P’s claim as unfounded. This blogger thinks that the judgment sounds about right. It can be said that Vince P's claim failed over lack of originality of the parts of the song  Kanye West allegedly copied from his version of Stronger. As commented in the FindLaw Blog, "You don't hear Nietzsche's ghost whining about everyone ripping him off. That's because - as the lyrics of the song you copyrighted would suggest - what doesn't kill you makes you stronger."

Friday, 23 December 2011

Kanye West and Jay-Z no wanna give up the throne

S(a)mple joy?
Chicago soul singer Syl Johnson was not pleased when, back in the summer of this year, he heard a track from his 1967 song Different Strokes sampled in Kanye West and Jay-Z's The Joy from the deluxe version of their joint album Watch The Throne.

Different Strokes has been sampled by several artists, including Michael Jackson, Will Smith, Kid Rock and Tupac Shakur. Representatives for West -- claims Mr Johnson, who is a veteran of copyright battles -- first attempted to obtain permission to use an excerpt of the song for his 2010 album My Beautiful Dark Twisted Fantasy. However, because they were unable to obtain permission in time for the release of the album, no sampling of the song was included there.

In August 2011, West and Jay-Z released new album Watch The Throne, which includes The Joy.

In October, Johnson filed suit against the hip-hop duo plus Rock-A-Fella Records, UMG and Def Jam before the U.S. District Court for the Northern District of Illinois Eastern Division. He claimed that defendant's conduct infringed -- inter alia -- 17 U.S.C. §106 and they were liable under 17 U.S.C. §501. He asked the Court to order a full accounting from defendants arising out of the sales and publishing activities relating to any of his rights, as well as punitive damages for the alleged sample usage.

A few days ago, West and Jay-Z indicated how they intend to fight the lawsuit. In particular, they challenge Johnson's standing in bringing the claim and question whether Johnson's sound recording is protected by federal copyright since it was made before 1972, when the law changed to cover sound recordings. Sound recordings fixed before February 15, 1972, were generally protected by common law or in some cases by statutes enacted in certain states but were not protected by federal copyright law. The defendants also suggest they may have had a licence to use it. According to their Answer:
"Any claim based on the alleged use of Plaintiffs' recording is barred because, inter alia, (a) the allegedly copied portion of the Plaintiff's recording is not part of the musical composition; and, if it is part of the composition, (b) is not protectable and/or (c) any use was de minimis."
Earlier this month, Syl Johnson was nominated for two Grammy Awards for Best Historical Album and Best Liner Notes for Syl Johnson: Complete Mythology. "Should have been three [Kanye West and Jay-Z were nominated for Best Rap Album Watch The Throne]", he told Billboard.
"I don't know why Kanye didn't get with me first," said Johnson, "the man knows me and my daughter ... [Kanye] said he wanted to meet with me and apologize - since I sued him -- but I didn't sue him to be smart, I sued him because that's the right thing to do man, I'm a musician."