Showing posts with label martin luther king jr. Show all posts
Showing posts with label martin luther king jr. Show all posts

Monday, 5 January 2015

The CopyKat - and let the copyright year begin

One of the key moments which is missing from Selma, the new film about Martin Luther King, Jr. are the actual words spoken by King. This is because it seems the King estate would not license the copyright in the speeches, including the iconic 1963 “I Have a Dream”, to filmmaker Ava DuVernay. According to the Washington Post, the King estate has licensed the film rights to King's speeches to DreamWorks, with Steven Spielberg producing any resulting films. DuVernay said that she never even asked for the rights to King's speeches "because we knew those rights are already gone, they're with Spielberg." She added that she knew that there were strings attached to the rights: "with those rights came a certain collaboration." In other words says one commentator, the King estate uses its control over the copyright to control how King is portrayed - or as gigaom puts it "the King family aggressively enforces copyright at all turns, unleashing lawyers in the direction of anyone who seeks to use the civil rights icon’s speeches or images without permission." The fact that the words of one of the most important speeches ever given, at the time to over a quarter of million civil rights protesters in Washington, is potenially being restricted by copyright law might surprise some - and horrify more. 

The top 10 Domains subjected to DMCA Piracy Takedowns in 2014 according to torrentfreak.com and  google.com are (with lead complainant and number of requests)

1 4shared.com   8,345,559  (BPI labels)
2 rapidgator.net 7,838,757 (NBC Universal)
3 uploaded.net 5,412,519 (FOX_
4 dilandau.eu  4,913,298 (BPI labels) * 
5 GoSong.net 4,484,310 (BPI labels)
6 zippyshare      3,074,988  (Topple Track)
7 Muzofon.com 2,835,660 (BPI labels)
8 myfreemp3.cc 2,699,706 (BPI labels)
9 myfreemp3.eu 2,453,694 (BPI labels)
10 vmusice.net 2,303,615 (BPI labels)
[*site dead]

Forbes have an interesting list of top 10 music industry predictions for 2015 including (1) Apple launching a new music service, (3) The digital pie getting larger and (4) Downloads continuing to slide. More interestingly and in at (6) in the prediction: "Artists find the right villain. Numerous artists see the various streaming platforms as the ones responsible for their tiny royalty payments, but many begin to see the light that it’s really the record label middle man that enjoys the majority of that income. As a result, artist’s attorneys negotiate new agreements with record labels to make the split a bit more equitable, but the record labels still continue to be favored. I doubt the last but! Labels do indeed take the lions share of digtital revenues but many of those artistes who have challenged old contracts have ended up with settlements which are - even without the benefit of hindsight - appalling and hardly equitable with the major labels clinging onto old fashioned (and hugely beneficial to the labels) 'per unit sold' royalty rates wherever possible.  More here and here

A new report released reveals that core copyright industries in the U.S. generated over $1.1 trillion dollars of economic output in 2013, accounting for 6.71% of the entire economy. The study, Copyright Industries in the U.S. Economy: The Report, also details that the core copyright industries employed nearly 5.5 million workers in 2013, accounting for over 4% of the entire U.S. workforce, and nearly 5% of total private employment in the U.S. These workers earn on average 34% higher wages than other U.S. workers. More on Mi2N here.


Indian composer Ilayaraja has alleged that acclaimed film director Shankar has violated his copyright by “remixing and rearranging ”Ooru Vittu Ooru Vandhu" in the recently released film Kappal without permission. The song was originally used in the 1989 hit film Karagaattakkaaran. Whilst the Hindu reports that Shankar had entered into an agreement with Agi Music Pvt Ltd to acquire the licence to remix the song, the plaintiff says "Agi Music Pvt Ltd has no ownership or publishing rights in respect of the song."

And Beijing Today reports that popular romance screenwriter Qiong Yao won her lawsuit against fellow screenwriter Yu Zheng for plagiarism in the Third Intermediate People’s Court of Beijing. The court  (25.12.14) found that Yu’s Gong Suo Liancheng was an unlicensed adaptation of Qiong’s popular Meihua Lao and awarded her 5 million yuan and a public apology from Yu and four other defendants named in the lawsuit.


John Tenniel  1820-1914
And finally some different perspectives on copyright law reform are buzzing around the internet - against the general feeling that it is the content industries who are driving copyright reform to protect their own interests, we have TorrentFreak telling us "Strangely unreported by mainstream media, there is a major revision of the copyright monopoly underway in the European Union. And the person in charge, Julia Reda, is a Pirate Party representative. The tide is turning" and Science 2.0 saying "Imagine you were asked to write a law that encouraged creativity.  What would it look like? Whatever your answer, it’s pretty clear that it wouldn’t look like copyright" and Cory Doctorow outlines "A New Deal for Copyright" hereAlso in the news, Japan's copyright law revisions for e-books and digital publishing get some attention here and here - Canadian reforms get lots attention - some of it here and here and here and Spain is also in the news here and here.

Saturday, 31 August 2013

The CopyKat - your weekend copyright catchup

Renowned photographer Estevan Oriol has filed a lawsuit against Swedish fashion brand H&M and fashion house Brandy Melville for the use of his copyrighted image "L.A. Fingers." The 1995 photo depicts a female model's long, ring-clad fingers forming the letters "L.A." - for Los Angeles. The image has since become iconic and has been legally published worldwide in various magazines and Oriol's own branded clothing. His lawsuit alleges that both H&M and Brandy Melville "grossly infringed" on his protected works, using his photograph on a series of t-shirts that have been sold and continue to sell at their respective retail stores worldwide. "If you put my photograph side-by-side with their re-creation of my image, anyone would tell you they are one in the same... they clearly copied my image" Oriol said, with his lawyers adding “On behalf of artists and creators everywhere, we will vigorously seek out and aggressively pursue legal action against anyone who improperly uses an image at the expense of an artist".  You can compare the images here.

SoundExchange, the US non-profit that collects royalties for musicians from satellite radio firms, Internet radio services and cable music channels, said it has filed a suit against SiriusXM seeking to recover what it calls "massive underpayment" of digital royalties over a six-year period. The organisation said the satellite radio firm underpaid by "$50 to $100 million or more" by taking a number of impermissible deductions and exemptions in calculating its royalty payments from 2007-2012.

The Consumer Council of Fiji's CEO Premila Kumar has said that copyright is an important consumer issue and that unbalanced copyright laws and practices hurt consumers — not pirates. Speaking at the 2013 Copyright workshop organised by the Fiji Performing Rights Association last Friday, Kumar said there was always conflict between “protection” and “access” that had made copyright a much more visible and important issue for consumers especially in the digital age adding “It is now a question of striking a fair balance between creators, copyright owners and consumers”. Kumar says that piracy and the selling of counterfeit goods are two major issues the public is facing in Fiji. The Fiji Police Force is also calling for the amendment of the copyright law in Fiji. Legal director Superintendent Sakeo Raikaci said Fiji was using the Copyright Act 1999 and there was a need for clear and distinct laws and more powers to deal with piracy and that Fiji police are investigating ways to improve copyright laws to make it easier to prosecute offenders.

Filmmaker Tyler Perry and distribution partner Lionsgate have been successful in having a copyright lawsuit against their film Good Deeds dismissed. Author Terri Vanessa Donald (aka Tlo Red'ness) filed the suit last November, claiming the film infringed on her 2007 book Bad Apples Can Be Good Fruit. She claimed to have sent a copy of her book to Perry's company years before Good Deeds went into production. A judge ruled that the similarities Donald pointed out between her book and the film, a romance between a wealthy man and a woman who has experienced hardship, was not sufficient to sustain a copyright infringement claim.


PRS for Music reminds all of its authors and composers, and the 1709 Blog,  that from the1st  November 2013 a legislative change will alter the way the term of UK copyright protection for a co-written work is calculated. From this date the term of protection for the music and words within the co-written work will now expire 70 years after the death of the last surviving author of that work (composer or lyricist) rather than the current provisions where music and words within a co-written work are treated as separate copyright works with their own individual term of protection. The new law applies to co-written works made:
  • on or after 1 November 2013;
  • before 1 November 2013, where the musical work and/or words are still in copyright in UK on 31 October 2013;
  • before 1 November 2013, where music or the words are protected in at least one member state of the European Economic Area on 1 November 2013.
Victoria Espinel, the USA's "copyright czar" until two weeks ago, has been named president of 
The Software Alliance, which goes by the acronym BSA, the anti-piracy trade group that lobbies governments on behalf of the software industry - 

The Hollywood Reporter tells us that cyberlocker service HotFile - which has been described as "more egregious" than Napster, Grokster and Limewire and "indistinguishable" from Megaupload - has been found liable for copyright infringement in an action brought by the the Motion Picture Association of America on behalf of five member studios. The copyright infringement suit, filed  in 2011, alleged that the company paid incentives to those who uploaded popular files to the system, that were widely shared. Its affiliate program still offers payment "calculated based on a percentage of the total value of premium accounts purchased by users who download the affiliate's uploaded files."
The summary judgment, which also found Hotfile boss Anton Titov personally liable for infringement, gave U.S. District Judge Kathleen Williams the chabce to look at the 'safe harbor' provisions of the DCMA and an opportunity to address the kinds of questions that have come up in the Supreme Court's Grokster decision, as well as Viacom's dispute with YouTube and Universal Music's dispute with Veoh;  Namely, what kind of knowledge and control is necessary before an Internet Service Provider has a legal duty to clean up copyright infringements on a network with the judge noting that "Hotfile was successful in large part because it did not control infringement activity on its system." The judgment is not available as yet but watch this space - as soon as it is (in 14 days time) we will get our claws into it - the MPAA said "This case marked the first time that a US court has ruled on whether so-called cyberlockers like Hotfile can be held liable for their infringing business practices".  Techdirt have a different opinion saying the Florida court made "a horrifically dangerous ruling" and "the risk of massive harm to innovation and the safe harbor protections under the DMCA is very, very real".

And finally, on the anniversary of the Dr Martin Luther King's "I Have a Dream" speech, which was delivered 50 years ago in August 28th 1963, before a crowd of several hundred thousand in Washington - one of the most important speeches of the 20th century - opinions are flying around the internet suggesting that "not one word can be uttered in public without stirring at least the slight possibility of a lawsuit, unless authorization to say it is obtained first" and "even reciting the speech in public, let alone posting a video of the speech, may raise the question of copyright infringement". Dr King's Estate own the copyright and by some accounts, has been aggressive about protecting the copyright: King's heirs sued CBS in 1996 after the television network began selling a videotape that included excerpts of the speech The case was settled out of court and The New York Times reported CBS agreed to make a tax-deductible payment to the Martin Luther King Jr. Center for Nonviolent Social Change in Atlanta. The decision, made on appeal, reversed a lower court decision that the video of the speech was in the public domain as a “general publication” but the Estate is now facing growing criticism from those who feel the iconic video, considered one of the most important cultural and historical moments of the 20th Century, should be easily found - and that copyright law should not make it difficult to see the entire 17-minute speech online.