In this Book

The Twilight of the Avant-Garde: Spanish Poetry 1980–2000

Book
by Jonathan Mayhew
2009
Published by: Liverpool University Press
summary
Twilight of the Avant-Garde: Spanish Poetry 1980-2000 addresses the central problem of contemporary Spanish poetry: the attempt to preserve the scope and ambitiousness of modernist poetry at the end of the twentieth century. Jonathan Mayhew first offers a critical analysis of the called 'poetry of experience' of Luis García Montero, a tendency that is based on the supposed obsolescence of the modernist poetics of the first half of the century. While the 'poetry of experience' presents itself as a progressive attempt to 'normalise' poetry, to make it accessible to the common reader, Mayhew views it as a reactionary move that ultimately reduces poetry to the status of a minor genre. The author then turns his attention to the poetry of José Angel Valente and Antonio Gamoneda, whose poetry embodies the continuation of modernism, and to the work of younger women poets of the last two decades of the twentieth century. Throughout this controversial and provocative book, Mayhew challenges received notions about the value of poetic language in relation to the larger culture and society. It turns out that the cultural ambition of modernist poetics is still highly relevant even in an age in which more cynical views of literature seem prevalent. Ultimately, Mayhew writes as an advocate for the survival of more challenging and ambitious modes of poetic writing in the postmodern age. An Open Access edition of this work is available on the OAPEN Library.

Table of Contents

Cover

Title Page, Copyright

pp. i-iii

Contents

pp. iv-v

Acknowledgments

pp. vi-vii

Preface

pp. 9-14

PART One. The Avant-Garde and its Discontents: The Place of Poetry in Contemporary Spanish Culture

Aesthetic Conservatism in Recent Spanish Poetry

pp. 17-31

Three Apologies for Poetry

pp. 32-48

Poetry, Politics, and Power

pp. 49-62

PART Two. Valente, Gamoneda, and the “Generation of the 1950s”

In Search of Ordinary Language: Revisiting the “Generation of the 1950s”

pp. 65-82

José Ángel Valente’s Lectura de Paul Celan: Translation and the Heideggerian Tradition in Spain

pp. 83-102

Antonio Gamoneda’s Libro de los venenos:The Limits of Genre

pp. 103-118

PART Three. Women Poets of the 1980s and 1990s

Gender Under Erasure (Amparo Amorós,Luisa Castro)

pp. 121-131

Desire Deferred: Ana Rossetti’s Punto umbrío

pp. 132-144

Concha García: The End of Epiphany

pp. 145-155

Lola Velasco’s El movimiento de las flores and the Limits of Criticism

pp. 156-164

Afterword

pp. 165-168

Bibliography

pp. 169-174

Index

pp. 175-179
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