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Kuhn, Annette, Llinares, Dario and Neely, Sarah ORCID: https://orcid.org/0000-0001-8291-0638 (2024) Reflections on researching cinema memory and the (r)evolution of digital archiving. Participations: Journal of Audience and Reception Studies, 20(1), pp. 117-138.

Tsitsou, Lito (2023) Audience engagement with foreign to English language film, othering, and interpretative frameworks. Participations: Journal of Audience and Reception Studies, 19(2), pp. 245-265.

Wessels, Bridgette ORCID: https://orcid.org/0000-0002-2794-2116 and Tsitsou, Lito (2023) Editor's introduction: The dynamics of film audiences: how they form and develop relationships with film. Participations: Journal of Audience and Reception Studies, 19(2), pp. 201-206.

Wessels, Bridgette ORCID: https://orcid.org/0000-0002-2794-2116 (2023) How audiences form: theorising audiences through how they develop relationships with film. Participations: Journal of Audience and Reception Studies, 19(2), pp. 285-303.

Hanchard, Matthew, Merrington, Peter and Wessels, Bridgette ORCID: https://orcid.org/0000-0002-2794-2116 (2022) The dynamics of audience practices: mobilities of film consumption. Participations: Journal of Audience and Reception Studies, 19(1), pp. 1-15.

Hanchard, Matthew ORCID: https://orcid.org/0000-0003-2460-8638, Merrington, Peter ORCID: https://orcid.org/0000-0002-5646-9460 and Wessels, Bridgette ORCID: https://orcid.org/0000-0002-2794-2116 (2020) Being part of an audience: patterns of contemporary film audience experience. Participations: Journal of Audience and Reception Studies, 17(2), pp. 115-132.

Ramdarshan Bold, Melanie ORCID: https://orcid.org/0000-0001-5558-8807 (2019) Is ‘Everyone welcome’?: Intersectionality, inclusion, and the extension of cultural hierarchies on Emma Watson’s feminist book club, ‘Our shared shelf’. Participations: Journal of Audience and Reception Studies, 16(1), pp. 441-472.

Neely, Sarah ORCID: https://orcid.org/0000-0001-8291-0638 (2019) 'Reel to Rattling Reel': telling stories about rural cinema-going in Scotland. Participations: Journal of Audience and Reception Studies, 16(1), pp. 778-795.

Corbett, Steve and Wessels, Bridgette ORCID: https://orcid.org/0000-0002-2794-2116 (2017) Active audiences and reflexivity: how film audiences form in northern English regions. Participations: Journal of Audience and Reception Studies, 14(2), pp. 63-79.

Boyle, K.E. (2009) Attractions and distractions: mums, babies and 'early' cinemagoing. Participations: Journal of Audience and Reception Studies, 6(2),