2024

Kuhn, A., Llinares, D. and Neely, S. (2024) Reflections on researching cinema memory and the (r)evolution of digital archiving. Participations: Journal of Audience and Reception Studies, 20(1), pp. 117-138.

Neely, S. (2024) Bogancloch. [Film]

2023

Özyılmaz, Ö. and Neely, S. (2023) The story of Tell England (1931) in Turkey: transcultural remakes and the early sound era. Historical Journal of Film, Radio and Television, 43(3), pp. 668-684. (doi: 10.1080/01439685.2023.2173381)

Neely, S. (2023) Me and my mom's camera: family archives and collaborative memory work. In: Ingham, M. B. N., Milic, N., Kantas, V., Andersdotter, S. and Lowe, P. (eds.) Handbook of Research on the Relationship Between Autobiographical Memory and Photography. IGI Global: Hershey, PA, pp. 417-435. ISBN 9781668453377 (doi: 10.4018/978-1-6684-5337-7.ch019)

Neely, S. and Sorrell Charlesworth, N. (Eds.) (2023) Dreamfactory. Lune. 6 [Edited Journal]

Neely, S. and Fowler, L. (2023) Being in a Place - A Portrait of Margaret Tait. [Film]

2020

Neely, S. (Ed.) (2020) Margaret Tait: Personae. LUX: London. ISBN 9780992884079

Goode, I. , Neely, S. , Brown, C. and Munro, E. (2020) The media of modernity: film and new media in the Highlands & Islands 1946-1971: introduction. Northern Scotland, 11(1), pp. 1-10. (doi: 10.3366/nor.2020.0201)

Neely, S. (2020) The story of the reel that went for a swim’: cinema memory and the history of the Highlands and Islands Film Guild as narrated through oral history interviews and its surrounding metadata. Northern Scotland, 11(1), pp. 42-59. (doi: 10.3366/nor.2020.0204)

Neely, S. (2020) “The skailing of the picters”: The coming of the talkies in small rural townships in Scotland. Journal of British Cinema and Television, 17(2), pp. 254-272. (doi: 10.3366/jbctv.2020.0522)

2019

Neely, S. and Smith, S. (2019) The art of maximal ventriloquy: femininity as labour in the films of Rachel MacLean. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image. Bloomsbury: London and New York, pp. 165-178. ISBN 9781784537005 (doi: 10.5040/9781350124295.ch-009)

Neely, S. (2019) 'Reel to Rattling Reel': telling stories about rural cinema-going in Scotland. Participations: Journal of Audience and Reception Studies, 16(1), pp. 778-795.

Neely, S. (2019) Persistence of vision: 'Blue Black Permanent' and the enduring legacy of Margaret Tait's life and work. Bottle Imp(25),

Neely, S. and Velez-Serna, M. (2019) Introduction: from silent to sound: cinema in Scotland in the 1930s. Visual Culture in Britain, 20(3), pp. 195-201. (doi: 10.1080/14714787.2019.1687330)

2018

Neely, S. (2018) Tantalising fragments: Scotland’s voice in the early talkies in Britain and Jenny Gilbertson’s The Rugged Island: A Shetland Lyric (1934). Music, Sound, and the Moving Image, 12(2), pp. 171-195. (doi: 10.3828/msmi.2018.10)

Neely, S. and Paul, N. (Eds.) (2018) Reel to Rattling Reel: Stories and Poems About Memories of Cinema-Going. Cranachan: Stornoway. ISBN 9781911279389

2017

Neely, S. (2017) Discoveries in the biscuit tin: the role of archives and collections in the history of artists’ moving image in Scotland. Moving Image Review and Art Journal, 6(1-2), pp. 132-147. (doi: 10.1386/miraj.6.1-2.132_1)

Neely, S. (2017) Between Categories: the Films of Margaret Tait: Portraits, Poetry, Sound and Place. Series: Studies in the history and culture of Scotland, 7. Peter Lang: Oxford. ISBN 9783034318549 (doi: 10.3726/978-3-0353-0724-5)

2015

Neely, S. (2015) ‘My Heart Beat for the Wilderness’: Isobel Wylie Hutchison, Jenny Gilbertson, Margaret Tait and other twentieth-century Scottish women filmmakers. In: MacKenzie, S. and Stenport, A. W. (eds.) Films on Ice: Cinemas of the Arctic. Edinburgh University Press: Edinburgh, pp. 299-309. ISBN 9780748694174 (doi: 10.3366/edinburgh/9780748694174.003.0024)

2014

Neely, S. (2014) Sisters of documentary: the influence of Ruby Grierson and Marion Grierson on documentary in the 1930s. Media Education Journal(55), pp. 28-31.

2012

Neely, S. (Ed.) (2012) Margaret Tait: Poetry, Stories and Writings. Carcanet Press Limited: Manchester. ISBN 9781847771599

Neely, S. (2012) Making bodies visible: post-feminism and the pornographication of online identities. In: Gournelos, T. and Gunkel, D. J. (eds.) Transgression 2.0: Media, Culture, and the Politics of a Digital Age. Bloomsbury Publishing, pp. 101-117. ISBN 9781441168337 (doi: 10.5040/9781628928457.ch-006)

2010

Neely, S. (2010) Virtually commercial sex. In: Boyle, K. (ed.) Everyday Pornography. Routledge: Abingdon, Oxon ; New York, NY, pp. 90-102. ISBN 9780415543781

2009

Neely, S. (2009) ”Ploughing a lonely furrow”: Margaret Tait and ‘professional’ filmmaking practices in 1950s Scotland. In: Craven, I. (ed.) Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars Publishing, pp. 301-326. ISBN 9781443813440

Neely, S. and Riach, A. (2009) Demons in the machine: experimental film, poetry and modernism in twentieth-century Scotland. In: Murray, J., Farley, F. and Stoneman, R. (eds.) Scottish Cinema Now. Cambridge Scholars Publishing, pp. 1-19. ISBN 9781443803311

Neely, S. and Sillars, J. (2009) New media/ new media studies. Media Education Journal,

2008

Neely, S. (2008) Stalking the image: Margaret Tait and intimate filmmaking practices. Screen, 49(2), pp. 216-221. (doi: 10.1093/screen/hjn029)

Neely, S. (2008) Contemporary Scottish cinema. In: Blain, N. and Hutchison, D. (eds.) The Media in Scotland. Edinburgh University Press: Edinburgh, pp. 151-165. ISBN 9780748627998

Neely, S. (2008) ”People, not issues”: Adapting Bernard MacLaverty’s Cal. In: Allen, R. C. and Regan, S. (eds.) Irelands of the Mind : Memory and Identity in Modern Irish Culture. Cambridge Scholars Publishing, pp. 129-141. ISBN 9781847184221

2007

Gibson, G. and Neely, S. (2007) Scottish television drama and parochial representation. In: Schoene, B. (ed.) The Edinburgh Companion to Contemporary Scottish Literature. Edinburgh University Press: Edinburgh, pp. 106-113. ISBN 9780748623952

2005

Neely, S. (2005) Scotland, heritage and devolving British cinema. Screen, 46(2), pp. 241-246. (doi: 10.1093/screen/46.2.241)

Neely, S. (2005) The conquering heritage of British cinema studies and the "Celtic fringe". In: Rockett, K. and Hill, J. (eds.) National Cinema and Beyond. Series: Studies in Irish film series (2). Four Courts Press: Dublin, pp. 47-56. ISBN 1851829245

2004

Maley, W. and Neely, S. (2004) "Almost afraid to know itself": Macbeth and cinematic Scotland. In: Bell, E. and Miller, G. (eds.) Scotland in Theory: Reflections on Culture & Literature. Series: Scottish cultural review of language and literature (1). Rodopi: Amsterdam, pp. 97-106. ISBN 9789042010284

Neely, S. (2004) Cultural ventriloquism: the voice-over in adaptations of contemporary Irish and Scottish literature. In: Rockett, K. and Hill, J. (eds.) National Cinema and Beyond. Series: Studies in Irish film series (1). Four Courts Press: Dublin, pp. 125-134. ISBN 1851828737

2001

Neely, S. (2001) Cool intentions: the literary classic, the teenpic and the 'chick flick'. In: Cartmell, D., Hunter, I.Q. and Whelehan, I. (eds.) Retrovisions: Reinventing the Past in Film and Fiction. Series: Film/fiction (6). Pluto Press: London ; Sterling, Virginia, pp. 74-86. ISBN 9780745315836