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Ifá

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A divination tray on which cowrie shells rests, as are used for Ifá divination

Ifá is a divination system originating from Yorubaland in West Africa. It originates within the traditional religion of the Yoruba people although is also practised by followers of West African Vodun and in African diasporic religions like Cuban Santería.

According to Ifá teaching, the divinatory system is overseen by an orisha spirit, Orunmila, who is believed to have given it to humanity. Ifá is organised as an initiatory tradition, with an initiate called a babaláwo or bokɔnɔ. Traditionally, these are all-male, although women have been initiated in Cuba and Mexico. Its oracular literary body is made up of 256 volumes (signs) that are divided into two categories, the first called Ojú Odù or main Odù that consists of 16 chapters. The second category is composed of 240 chapters called Amúlù Odù (omoluos), these are composed through the combination of the main Odù. They use either the divining chain known as Ọ̀pẹ̀lẹ̀, or the sacred palm (Elaeis guineensis) or kola nuts called Ikin, on the wooden divination tray called Ọpọ́n Ifá to mathematically calculate which Odu to use for what problem.

Ifá is first recorded among the Yoruba people of West Africa. The expansion of Yoruba influence over neighbouring peoples resulted in the spread of Ifá, for instance to Fon people practising West African Vodun. As a result of the Atlantic slave trade, enslaved initiates of Ifá were transported to the Americas. There, Ifá survived in Cuba, where it developed an overlap with Afro-Cuban religious traditions such as Santería and Abakuá. Growing transnational links between Africa and the Americas during the 1970s also saw attempts by West African babalawos to train and initiate people in countries like Brazil and the United States.

Definitions

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There are regional differences in the system. In West Africa there are both Yoruba and Fon versions of the practice, the latter commonly called Fá.[1] The Yoruba system of Ifá is deemed more time consuming, and requires more sacrifices, than the Fá system among the Fon.[2] In the Fon-dominated Ouidah, therefore, some people think of Yoruba Ifá as being more potent than their own local system.[3] Some people who have been initiated into Fon-style Fá thus later go through additional ceremonies to be initiated into Yoruba-style Ifá.[4]

Belief

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Sixteen Principal Odu
Name 1 2 3 4
Ogbè I I I I
Ọ̀yẹ̀kú II II II II
Ìwòrì II I I II
Òdí I II II I
Ìrosùn I I II II
Ọ̀wọ́nrín II II I I
Ọ̀bàrà I II II II
Ọ̀kànràn II II II I
Ògúndá I I I II
Ọ̀ṣá II I I I
Ìká II I II II
Òtúúrúpọ̀n II II I II
Òtúrá I II I I
Ìrẹ̀tẹ̀ I I II I
Ọ̀ṣẹ́ I II I II
Òfún (Ọ̀ràngún) II I II I
Sixteen Principal Afa-du (Yeveh Vodou)
Name 1 2 3 4
Eji-Ogbe I I I I
Ọyeku-Meji II II II II
Iwori-Meji II I I II
Odi-Meji I II II I
Irosun-Meji I I II II
Ọwanrin-Meji II II I I
Ọbara-Meji I II II II
Ọkanran-Meji II II II I
Ogunda-Meji I I I II
Ọsa-Meji II I I I
Ika-Meji II I II II
Oturupon-Meji II II I II
Otura-Meji I II I I
Irete-Maji I I II I
Ọse-Meji I II I II
Ofun meji II I II I

Theology

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In Yorubaland, divination gives priests unreserved access to the teachings of Ọ̀rúnmìlà.[5] Among the Fon, Ọ̀rúnmìlà is known as Fá.[6]

Eshu is the one said to lend ashe to the oracle during provision of direction and/or clarification of counsel. Eshu is also the one that holds the keys to one's ire (fortune or blessing)[7] and thus acts as Oluwinni (one's Creditor): he can grant ire or remove it.[8] Ifá divination rites provide an avenue of communication to the spiritual realm and the intent of one's destiny.[9]

Among the Fon, it is the female spirit Gbădu who is regarded as the source of Fá's power.[10] She is deemed to be the wife of Fá.[11] Her presence is required for new initiations.[12] She is believed to offer significant protection for people but her veneration is thought dangerous unless a person is initiated.[12] It is for instance believed that women must be kept apart from her presence, for if they get near her they may be struck barren or die.[11]

System

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Odù Ifá

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Ifá consists of 256 binary signs.[1] The Yoruba term odù instead appears in Fon as a .[2]

In Fon, the sacred palm nuts are called fádékwín.[13] A "divining chain" is referred to in Yoruba as a òpèlè and in Fon as an akplɛ.[2] It may comprise eight halves of a nut, tied together.[14] The way in which it falls then reveals one of 256 possible signs.[14]

To perform the divination, the babalawo will often be seated on a mat.[15] Before casting the divining chain the diviner may sing to call forth Fá.[14] In Fon, the divining tray is called a fátɛ.[16] In West Africa, the quality of the fátɛ may indicate the babalawo's financial success; some who have a small client base may use only a plastic or cardboard tray, while those with access to greater funds may pay for an elaborate, purpose built wooden fátɛ.[17]

Another ritual object is known to the Yoruba as Ǫpá Ǫșun and to the Fon as a fásɛn.[18] This consists of a metal staff, four to five feet tall, that is capped at the top with a metal disk and sometimes a metal rooster.[19] When a fásɛn is created, it is washed in specific leaves and the blood of 16 giant snails; this task is performed by women, secluded from the view of men.[20] Any chickens sacrificed to the fásɛn are only eaten by women.[20]

There are sixteen major books in the Odu Ifá literary corpus. When combined, there are a total of 256 Odu (a collection of sixteen, each of which has sixteen alternatives ⇔ 162, or 44) that are believed to reference all situations, circumstances, actions and consequences in life based on the uncountable ese (or "poetic tutorials") relative to the 256 Odu coding. These form the basis of traditional Yoruba spiritual knowledge and are the foundation of all Yoruba divination systems. Ifá proverbs, stories, and poetry are not written down. Rather, they are passed down orally from one babalawo to another. Yoruba people consult Ifá for divine intervention and spiritual guidance.[21]

The Messenger sign of Ifá

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Ceremonial offerings in Ifá

In addition to the sixteen fundamental signs, Ifá divination includes a major sign, which is the combination of Ọse and Otura, from right to left (Ọse-Tura).

Ọse-Tura
I I
II II
I I
I II

That sign must be written each time a ritual is performed: Ọse-Tura is the messenger and the carrier of the sacrifice. It is closely associated with the god Èṣù in the system of Ifá. That Messenger sign was known in Arab and Latin medieval geomancy as the Morning Star.[22]

Babalawos

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A babalawo photographed in West Africa

An initiate of Ifá is called a babaláwo in Yoruba and a bokɔnɔ in Fon.[23]

Traditionally only heterosexual men are allowed to become babalawos,[24] with women and homosexual males being excluded.[25] In both Cuba and the United States, however, babalawos have initiated their openly gay sons.[26] Moreover, despite the traditional prohibition on women taking on this role,[27] the scholar of religion Mary Ann Clark noted that by the early 21st century, female practitioners were "becoming institutionalized in some religious communities" in the United States, where they were known as either iyalawo (mother of secrets) or iyanifá (mother of Ifá).[28] Female practitioners have also been reported in Mexico.[29]

Four babalawos photographed in 2021

The restriction on female initiation is explained through the story that the òrìṣà Orula was furious that Yemayá, his wife, had used his tabla divining board and subsequently decided to ban women from ever touching it again.[30] Among the Fon, one tradition maintains that women do not need to be initiated into the traditions of the female spirit Gbădu—who is Fá's wife—because they already have the power of creation within them.[11] According to Fon diviners, keeping women and Gbădu apart ensures a conceptual state of coolness.[11] This extends to a taboo on women eating any of the meat from animals sacrificed to Gbădu.[10]

Once an individual is initiated as a babalawo they are given a pot containing various items, including palm nuts, which is believed to be the literal embodiment of Orula.[31] Babalawos provide offerings to Orula, including animal sacrifices and gifts of money.[32] In Cuba, Ifá typically involves the casting of consecrated palm nuts to answer a question. The babalawo then interprets the message of the nuts depending on how they have fallen; there are 256 possible configurations in the Ifá system, which the babalawo is expected to have memorised.[33] Individuals approach the babalawo seeking guidance, often on financial matters, at which the diviner will consult Orula through the established divinatory method.[34] In turn, those visiting the babalawos pay them for their services.[35]

Initiation

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Initiation as a babalawo requires a payment to the initiator and is typically regarded as highly expensive.[36] In Benin, Fá initiation usually takes less than a week, whereas initiations into the cults of other vodún may take several weeks or months.[37] A distinction is made between an initiation that called yǐ Fá ("to receive Fá"), which is often seen as a "first initiation" into Fá's veneration, which offers his protection, and the priestly initiation, at which a person is said to Fázùnyí ("receive Fá's forest").[38]

Among the Fon, the sacred forest of Fá is called fázùn;[14] this is differentiated from ordinary forest by shredded palm fronds, known in Fon as asàn and in Yoruba as màrìwò.[19] It will be here that new initiates are led; they will be accompanied with animals for sacrifice, by existing initiates singing praise songs, and by a person leading the way carrying a fásɛn.[18] A figurine of the spirit Lɛgbá may be brought along for the ritual, invoking this deity to guard the initiates' passage into the forest. Offerings will be given to him, and divination employed to check that he accepts them.[19]

In the forest, the new initiate will be given a kola nut to eat, to bring him in communion with Fá.[39] All present may then place their hands together on the fásɛn, to which a rooster may then be sacrificed.[40] The newcomer's eyes will be washed in a herbal mixture called Gbădùsin.[41] The neophyte will then be blindfolded and then into the sacred grove of the fázùn, where the secret teachings of Fá are revealed to them.[16] Divination will be used to determine under which of the 256 signs their priesthood will be born. The selected sign indicates which spirits they should pay particular attention to and which taboos they must observe:[23] this may involve avoiding certain foods, the wearing of certain colours, or engaging in specific actions.[42] The initiate's head will then be shaved as a symbol of their initiation and they will be ritually bathed and wrapped in white cloth.[43] A celebration follows, in which a goat may be sacrificed to Fá and the participants eat its meat.[43]

The initiate may receive a small bundle, the kpɔli, containing secret ingredients corresponding to their personal du.[44] They may also receive a small vessel to house their palm nuts and a small stone, the ken, to protect them from witchcraft.[44]

History

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West African origins

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The 16-principle system has its earliest history in West Africa. Each Niger–Congo-speaking ethnic group that practices it has its own myths of origin; Yoruba religion suggests that it was founded by Orunmila in Ilé-Ifẹ̀ when he initiated himself and then he initiated his students, Akoda and Aseda. According to the book The History of the Yorubas from the Earliest of Times to the British Protectorate (1921) by Nigerian historian Samuel Johnson and Obadiah Johnson, it was Arugba, the mother of Onibogi, the 8th Alaafin of Oyo, who introduced Oyo to Ifá in the late 1400s. She initiated the Alado of Ato and conferred on him the right to initiate others. The Alado, in turn, initiated the priests of Oyo and that was how Ifá came to be in the Oyo empire.[45]

Ifá originated among the Yoruba peoples.[4] The linguist Wande Abimbola argued that Ifá probably derived from a simpler divinatory system, diloggun; this contrasts with the belief of some babalawos that diloggun was based on Ifá.[46]

Between circa 1727 and 1823, the kingdom of Dahomey was a vassal state of the Yoruba-dominated Oyo Empire to the east, thus resulting in much religious interchange.[47] In this period, the Fon people of Dahomey adopted Ifá as well as the Oró and Egungun cults from the Yoruba.[47] Ifá was present in Dahomey by the reign of its fifth ruler, Tegbesú, who ruled from c.1732 to 1774, and was well established at the royal palace by the reign of Gezò, which lasted from 1818 to 1858.[48]

According to William Bascom,[49] "an indication of the importance of Ifá to the [Yoruba] religious system as a whole is the fact that the most striking religious syncretisms resulting from European contact are to be found in a church established in Lagos in 1934, the Ijọ Ọ̀rúnmila Adulawọ, which was founded on the premise that the teachings of Ifa constitute the Yoruba Bible." It was also set up in Porto-Novo (Benin) the same year.[50] According to Erwan Dianteill,[51] the Church of Ifá is still active in 2024, in Nigeria and Benin, with around 2000 followers in Lagos, Porto-Novo and Cotonou.

Of the foreigners coming to West Africa for initiation into Vodún, the largest group sought initiation into Fá.[52]

Ifá in Cuba

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In Cuba, Ifá came to be used in the Afro-Cuban religion of Santería.[53] There, it is the most complex and prestigious divinatory system used in the religion.[54] The two are closely linked, sharing the same mythology and conception of the universe,[55] with Orula or Ọ̀rúnmila having a prominent place within Santería.[56] In Cuba, Ifá nevertheless also retains a separate existence from Santería.[56] Many Cuban babalawos are also santeros, or male initiates of Santería,[57] although it is not uncommon for babalawos to perceive themselves as being superior to santeros.[58] Although the presence of babalawos is not required for Santería ceremonies, they often attend in their capacity as diviners.[59] Other Cuban babalawos have been initiates of the Abakuá society.[60]

At the time of the Cuban Revolution in 1959, there were an estimated 200 babalawos active on Cuba; by the 1990s, Cuban babalawos were claiming that they numbered tens of thousands on the island.[60] In the 1980s, Cuban babalawos created the organisation Ifá Yesterday, Ifá Today, Ifá Tomorrow, the first Cuban institution to represent the priesthood of an Afro-Cuban religion.[61] Following the Soviet Union's collapse in the 1990s, Cuba's government declared that the island was entering a "Special Period" in which new economic measures would be necessary. As part of this, it selectively supported Afro-Cuban and Santería traditions, partly out of a desire to boost tourism;[62] priests of Santería, Ifá, and Palo all took part in government-sponsored tours for foreigners desiring initiation into such traditions.[63]

Ifá in the United States

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Cuban migrants took Ifá to the United States. There, during the 1960s, a small group of babalawos dominated the Santería scene in New York. Their dominance was challenged by new Cuban migrants who arrived between 1965 and 1973 and who, although initiated santeros and santeras, were not babalawos.[64] The ethnomusicologist María Teresa Vélez noted that "two types of ocha house arose: those that still relied on the babalaos and did not question any of their prerogatives, and those that became independent of the babalaos for most of their ritual activities," with these latter houses often being run by women.[65]

In 1978, Ifá ceremonies took place in Miami, Florida, overseen by the Nigerian babalawo Ifayẹmi Elébùìbọn Awise of Osogbo. He was assisted in this by two Cuban babalawos, Luis Fernández-Pelón and José-Miguel Gómez, both of whom were Abakuá members.[60] In the 1980s, the Chicago-based Philip and Vassa Newmarket established their Ifa Foundation of North and Latin America. Departing from established tradition, they offered "bloodless" initiations that welcomed those who were unwilling to engage in animal sacrifice.[66]

Ifá in Brazil

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Although surviving in Cuban Santería, Ifá did not remain part of a Brazilian religion that owed much to Yoruba traditions, Candomblé.[67] In Candomblé, dilogun instead forms the primary method of divination employed by its initiates.[68] One of the earliest practitioners of Ifá in Brazil was the French ethnographer Pierre Verger, who had become a babalawo in West Africa and who was also involved in Candomblé.[69]

As a result of growing links between Brazil and Nigeria, in the 1970s various educational efforts to promote understandings of Yoruba culture were established in Brazilian cities. This included the Yoruba Culture Research and Study Centre, founded in 1977 by Fernandes Portugal, and which brought in Nigerian teachers to run a course teaching Ifá.[70] The closing ceremony took place in January 1978, attended by 14 students who were granted the status of omo (son of) Ifá.[71] One of these pupils, a Candomblé initiate named José Nilton Vianna Reis (Torodê de Ogun), later went on to become a babalawo nine years later, before setting out his own Ifá teaching course in 1984.[72]

Reception

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In 2008, UNESCO added Ifá to its list of the "Masterpieces of the Oral and Intangible Heritage of Humanity".[4][73]

Around 2002, the 256 signs of Ifá inspired American mathematician Frank "Tony" Dodd Smith Jr. to name the voudons, or the 256-dimensional hypercomplex numbers, after Vodun.[74]

References

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Citations

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  1. ^ a b Landry 2019, p. 25.
  2. ^ a b c Landry 2019, p. 26.
  3. ^ Landry 2019, pp. 26, 155.
  4. ^ a b c Landry 2019, p. 154.
  5. ^ Lijadu, E. M. Ifá: ImọLe Rẹ Ti I Ṣe Ipile Isin Ni Ilẹ Yoruba. Ado-Ekiti: Omolayo Standard Press, 1898. 1972.
  6. ^ Landry 2019, p. 101.
  7. ^ "Ase Ire :: What is Ase Ire?".
  8. ^ [1] Archived September 25, 2015, at the Wayback Machine
  9. ^ Adéẹ̀kọ́, Adélékè. "'Writing' and 'Reference' in Ifá Divination Chants." Oral Tradition 25, no. 2 (2010).
  10. ^ a b Landry 2019, p. 34.
  11. ^ a b c d Landry 2019, p. 49.
  12. ^ a b Landry 2019, p. 38.
  13. ^ Landry 2019, p. 73.
  14. ^ a b c d Landry 2019, p. 52.
  15. ^ Landry 2019, pp. 26, 52.
  16. ^ a b Landry 2019, p. 79.
  17. ^ Landry 2019, p. 177.
  18. ^ a b Landry 2019, p. 68.
  19. ^ a b c Landry 2019, p. 69.
  20. ^ a b Landry 2019, p. 176.
  21. ^ Karade, Baba I. (2020). The Handbook of Yoruba Religious Concepts. Red Wheel/Weiser. ISBN 9781578636679 – via Google Scholar.
  22. ^ Dianteill, E. (2022). Venus, Issa, and the Moon Dog, International Journal of Divination and Prognostication, 3(2), 125-170. doi: https://doi.org/10.1163/25899201-12340025
  23. ^ a b Landry 2019, p. 80.
  24. ^ Holbraad 2005, p. 234; Holbraad 2012, p. 90.
  25. ^ Pérez y Mena 1998, p. 21; Clark 2005, pp. 21–22.
  26. ^ Pérez y Mena 1998, p. 20.
  27. ^ Wedel 2004, p. 157; Fernández Olmos & Paravisini-Gebert 2011, p. 61.
  28. ^ Clark 2005, p. 27.
  29. ^ Papenfuss 2023, p. 390.
  30. ^ Fernández Olmos & Paravisini-Gebert 2011, pp. 52–53.
  31. ^ Holbraad 2012, pp. 90–91.
  32. ^ Holbraad 2005, p. 237–238.
  33. ^ Wedel 2004, p. 92; Holbraad 2012, p. 91.
  34. ^ Holbraad 2005, p. 234.
  35. ^ Holbraad 2005, pp. 234–235.
  36. ^ Holbraad 2005, pp. 235–236.
  37. ^ Landry 2019, p. 143.
  38. ^ Landry 2019, p. 180.
  39. ^ Landry 2019, p. 74.
  40. ^ Landry 2019, pp. 75–76.
  41. ^ Landry 2019, pp. 77–78.
  42. ^ Landry 2019, pp. 142–143.
  43. ^ a b Landry 2019, p. 81.
  44. ^ a b Landry 2019, p. 174.
  45. ^ Johnson, Samuel (1921). History of the Yorubas from the Earliest of Times to the Beginning of the British Protectorate. Nigeria Bookshops.
  46. ^ Clark 2005, p. 56.
  47. ^ a b Landry 2019, p. 27.
  48. ^ Landry 2019, p. 57.
  49. ^ Bascom, William (1969). Ifa - Communication between Gods and Men in West Africa. Indianapolis: Indiana University Press. p. 12. ISBN 978-0-253-32890-8.
  50. ^ de Surgy, Albert (June 1996). "L'Eglise de Fa au Bénin". Social Compass. 43 (2): 210. doi:10.1177/003776896043002005. ISSN 0037-7686.
  51. ^ Dianteill, Erwan (2024). "L'Oracle et le Temple - De la géomancie médiévale à l'Église d'Ifa (Nigeria, Bénin)". Les éditions Labor & Fides (in French). Retrieved 2024-02-28.
  52. ^ Landry 2019, p. 173.
  53. ^ Hagedorn 2001, p. 104; Holbraad 2012, p. 90.
  54. ^ Fernández Olmos & Paravisini-Gebert 2011, p. 70.
  55. ^ Holbraad 2005, p. 233; Holbraad 2012, p. 90.
  56. ^ a b Hagedorn 2001, p. 104.
  57. ^ Hagedorn 2001, p. 105; Wirtz 2007, p. ix.
  58. ^ Holbraad 2005, pp. 233–234.
  59. ^ Hagedorn 2001, pp. 104–105; Holbraad 2012, p. 90.
  60. ^ a b c Miller 2014, p. 261.
  61. ^ Vélez 2000, p. 93.
  62. ^ Hagedorn 2001, pp. 7–8; Castañeda 2007, p. 148; Wirtz 2007, p. 72.
  63. ^ Hagedorn 2001, p. 8.
  64. ^ Vélez 2000, p. 136-137.
  65. ^ Vélez 2000, p. 137.
  66. ^ Landry 2019, p. 145.
  67. ^ Hayes 2007, p. 303; Capone 2010, p. 43.
  68. ^ Capone 2010, p. 43.
  69. ^ Hayes 2007, p. 303.
  70. ^ Capone 2010, pp. 239–240.
  71. ^ Capone 2010, p. 240.
  72. ^ Capone 2010, pp. 240–241.
  73. ^ "Ifa Divination System". Retrieved 5 July 2017.
  74. ^ de Marrais, Robert P. C. (2002). "Flying Higher Than a Box-Kite: Kite-Chain Middens, Sand Mandalas, and Zero-Divisor Patterns in the 2n-ions Beyond the Sedenions". arXiv:math/0207003.

Sources

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  • Capone, Stefania (2010). Searching for Africa in Brazil: Power and Tradition in Candomblé. Translated by Lucy Lyall Grant. Durham and London: Duke University Press. ISBN 978-0-8223-4636-4.
  • Castañeda, Angela N. (2007). "The African Diaspora in Mexico: Santería, Tourism, and Representations of the State". In Theodore Louis Trost (ed.). The African Diaspora and the Study of Religion. New York: Palgrave Macmillan. pp. 131–50. doi:10.1057/9780230609938_8. ISBN 978-1403977861.
  • Clark, Mary Ann (2005). Where Men Are Wives And Mothers Rule: Santería Ritual Practices and their Gender Implications. Gainesville: University Press of Florida. ISBN 978-0813028347.
  • Fernández Olmos, Margarite; Paravisini-Gebert, Lizabeth (2011). Creole Religions of the Caribbean: An Introduction from Vodou and Santería to Obeah and Espiritismo (second ed.). New York and London: New York University Press. ISBN 978-0-8147-6228-8.
  • Hagedorn, Katherine J. (2001). Divine Utterances: The Performance of Afro-Cuban Santería. Washington, D.C.: Smithsonian Books. ISBN 978-1560989479.
  • Hayes, Kelly E. (2007). "Black Magic and the Academy: Macumba and Afro-Brazilian "Orthodoxies"". History of Religions. 46 (4): 283–31. doi:10.1086/518811. JSTOR 10.1086/518811.
  • Holbraad, Martin (2005). "Expending Multiplicity: Money in Cuban Ifá Cults". The Journal of the Royal Anthropological Institute. 11 (2): 231–254. doi:10.1111/j.1467-9655.2005.00234.x. JSTOR 3804208.
  • Holbraad, Martin (2012). "Truth Beyond Doubt: Ifá Oracles in Havana". HAU: Journal of Ethnographic Theory. 2 (1): 81–109. doi:10.14318/hau2.1.006. S2CID 143785826.
  • Landry, Timothy R. (2019). Vodún: Secrecy and the Search for Divine Power. Philadelphia: University of Pennsylvania Press. ISBN 978-0812250749.
  • Miller, Ivor L. (2014). "Abakuá Communities in Florida: Members of the Cuban Brotherhood in Exile". In Amanda Carlson and Robin Poynor (ed.). Africa in Florida: Five Hundred Years of African Presence in the Sunshine State. University Press of Florida. pp. 249–275. ISBN 978-0813044576.
  • Papenfuss, Maria (2023). "Santería in Catemaco, Mexico: Hybrid (Re)Configurations of Religious Meaning and Practice". Interdisciplinary Journal for Religion and Transformation in Contemporary Society. 9: 375–94. doi:10.30965/23642807-bja10044.
  • Pérez y Mena, Andrés I. (1998). "Cuban Santería, Haitian Vodun, Puerto Rican Spiritualism: A Multiculturalist Inquiry into Syncretism". Journal for the Scientific Study of Religion. 37 (1): 15–27. doi:10.2307/1388026. JSTOR 1388026.
  • Vélez, María Teresa (2000). Drumming For The Gods: The Life and Times of Felipe Garcia Villamil, Santero, Palero and Abakuá. Studies in Latin American and Caribbean Music. Philadelphia: Temple University Press. ISBN 978-1566397315.
  • Wedel, Johan (2004). Santería Healing: A Journey into the Afro-Cuban World of Divinities, Spirits, and Sorcery. Gainesville: University Press of Florida. ISBN 978-0-8130-2694-7.
  • Wirtz, Kristina (2007). Ritual, Discourse, and Community in Cuban Santería: Speaking a Sacred World. Gainesville: University Press of Florida. ISBN 978-0-8130-3064-7.

Further reading

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