site categories

Pete Hammond
Awards Columnist/Chief Film Critic
Contact or follow this author
Pete, widely considered to be one of the pre-eminent awards analysts for both film and television, has for the past 14 years been Deadline's Awards Columnist covering the year-round Oscar and Emmy seasons. He is also Deadline's Chief Film Critic, having previously reviewed films for MovieLine, Boxoffice magazine, Backstage, Hollywood.com and Maxim, as well as Leonard Maltin’s Movie Guide for which he was a contributing editor. In addition to writing, Pete is also host of the PBS SoCal Cinema Series and the weekly PBS television series "Must See Movies." He previously held producing positions at "Entertainment Tonight", "Extra," "Access Hollywood," "The Arsenio Hall Show," "The Martin Short Show" and AMC Networks and is the recipient of five Emmy nominations for writing. Pete is only the second journalist to have received the Publicists Guild of America’s Press Award twice, in 1996 and 2013.
More From Pete Hammond
‘A Working Man’ Review: Jason Statham Battles Russian Mob In Familiar Violent Action Vehicle
With a Jason Statham-starring movie you know upfront what to expect. A Working Man is no different. In fact, I don’t know why they bother to give these movies titles. Just call it Jason Statham and put a number after that for all the inevitable…
-
By Pete Hammond
-
-
1 Comments Comment on ‘A Working Man’ Review: Jason Statham Battles Russian Mob In Familiar Violent Action Vehicle
‘Locked’ Review: Anthony Hopkins Terrorizes Bill Skarsgard In An SUV From Hell
You would not be crazy if you confused Steven Knight’s 2013 man-confined-in-a-car movie Locke with director David Yarovesky’s new thriller Locked, which has Bill SkarsgÃ¥rd trapped in a nightmare car with no way out. The former had Tom Hardy as a…
-
By Pete Hammond
-
‘Snow White’ Review: Rachel Zegler & Gal Gadot Breathe New Life Into Disney Live-Action Reboot Of The “Fairest Of Them All”
After raiding the crown jewels for just about every live-action reboot imaginable, Disney has finally gotten around to the one that started it all, the 1937 classic Snow White and the Seven Dwarfs. That film represents Walt Disney’s first-ever…
-
By Pete Hammond
-
SXSW 2025: All Of Deadline’s Movie Reviews
The 2025 SXSW Film & TV Festival kicked off Friday, March 7 in Austin with world and North American premieres of movies in 11 sections, TV shows in three sections and several short film and virtual reality programs.
This year’s festival launched with opening-night film Another Simple Favor…
‘Bunny’ Review: Manic NYC East Village Tenement Comedy Goes Off The Wall In Search Of Laughs And Gets Them – SXSW
One of the unexpected pleasures of this year’s vast SXSW slate of movies is Bunny, a kind of zany comic throwback to extreme indie New York City-centric movies that find a manic energy and rhythm that lets them exist on their own breathless cloud, with…
-
By Pete Hammond
-
‘The Rivals Of Amziah King’ Review: Matthew McConaughey And Kurt Russell In Bee Movie Crime Thriller – SXSW
In 2020 I reviewed a film premiering on Amazon called The Vast of Night, a small southwestern town drama that felt part Twilight Zone, part Close Encounters of the Third Kind. Its debuting filmmaker was Andrew Patterson, and I started my review…
-
By Pete Hammond
-
‘LifeHack’ Review: Latest Movie In Computer Screenlife Genre Is Best Yet, A Rocking And Riveting Cryptocurrency Heist Film – SXSW
Firmly established in the digital age as its own genre, Screenlife comprises movies taking place in their entirety on computer screens. A real pioneer in this medium is filmmaker-producer Timur Bekmambetov, who has shepherded some of the best-known and…
-
By Pete Hammond
-
‘Fantasy Life’ Review: Writer/Director/Actor Matthew Shear Takes His Own Anxieties And Turns Into A Triple-Threat Filmmaker – SXSW
It is probably no accident that among Matthew Shear’s acting credits are no less than four movies directed by New York filmmaker extraordinaire Noah Baumbach, or that one of his most recent is another angst-ridden Jewish comedy, Between the Temples…
-
By Pete Hammond
-
‘The Astronaut’ Review: Kate Mara’s Close Encounters Come Back To Haunt In Modest Sci-Fi Psychological Thriller – SXSW
Think Close Encounters of the Third Kind meets Arrival meets E.T. The Extra Terrestrial meets The Martian meets Gravity and you pretty much have the cinematic inspirations for the latest outer-space entry known simply as The Astronaut, although you have…
-
By Pete Hammond
-
‘The Threesome’ Review: Zoey Deutch Shines In Rom-Com With Complications – SXSW
The title of the new rom-com The Threesome is certainly eye-catching, but the sexual tripling it suggests is just a starting point for a plot that could probably be dragged out for a full season on The Young & the Restless.
Fortunately, the…
-
By Pete Hammond
-
‘The Electric State’ Review: The Russo Brothers Enlist Chris Pratt And Millie Bobby Brown In A Robot Uprising For Netflix’s Latest Big-Budget Sci-Fi Extravaganza
Netflix teams with Joe and Anthony Russo again for a large-scale, blockbuster-style sci-fi adventure that seems tailor-made for Imax, except you will be watching it on your couch. Hopefully your TV is really big.
With elements of 2023’s The Creator…
-
By Pete Hammond
-
‘The Rule Of Jenny Pen’ Review: A Master Class In Acting As John Lithgow Terrorizes Geoffrey Rush In A Nursing Home Full Of Elder Abuse
Whenever you get veteran stars on the level of John Lithgow and Geoffrey Rush in leading roles on screen, attention must be paid.
This teaming, and opportunity for Lithgow (79) and Rush (73) in an industry that doesn’t often offer this kind of…
-
By Pete Hammond
-
Next page of stories
More Stories
Sidebar
Newswire
PMC
Deadline is a part of Penske Media Corporation. © 2025 Deadline Hollywood, LLC. All Rights Reserved.
Powered by WordPress.com VIPSite
ad