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Madonna and Child is a c. 1460–1465 tempera on panel painting by Giovanni Bellini, signed on the trompe-l'œil parapet (IO[HANN]ES B[ELLI]N[US] F.). It dates from his early phase, when he was still strongly influenced by his father Jacopo and by Andrea Mantegna. The Christ Child holds a fruit, symbolising Original Sin and foreshadowing his Passion. Some art historians feel the haloes and drapery are too archaic for the work to be by Bellini, but the signature's authenticity was confirmed by a 1999 restoration.

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  • Madonna and Child is a c. 1460–1465 tempera on panel painting by Giovanni Bellini, signed on the trompe-l'œil parapet (IO[HANN]ES B[ELLI]N[US] F.). It dates from his early phase, when he was still strongly influenced by his father Jacopo and by Andrea Mantegna. The Christ Child holds a fruit, symbolising Original Sin and foreshadowing his Passion. Some art historians feel the haloes and drapery are too archaic for the work to be by Bellini, but the signature's authenticity was confirmed by a 1999 restoration. It formed part of prince Luigi Alberico Trivulzio's collection, which was originally assigned to Turin in 1935. However, this was disputed by Milan and the work now hangs in Milan in the Pinacoteca del Castello Sforzesco. (en)
  • La Madonna col Bambino, nota altrimenti come Madonna Trivulzio, è un dipinto tempera su tavola (78x50 cm) di Giovanni Bellini, databile al 1460-1465 circa e conservata nella Pinacoteca del Castello Sforzesco a Milano. (it)
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  • 56502029 (xsd:integer)
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  • 1780 (xsd:nonNegativeInteger)
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  • 78 (xsd:integer)
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  • tempera on panel (en)
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  • Madonna and Child (en)
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  • 50 (xsd:integer)
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  • 1460 (xsd:integer)
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  • La Madonna col Bambino, nota altrimenti come Madonna Trivulzio, è un dipinto tempera su tavola (78x50 cm) di Giovanni Bellini, databile al 1460-1465 circa e conservata nella Pinacoteca del Castello Sforzesco a Milano. (it)
  • Madonna and Child is a c. 1460–1465 tempera on panel painting by Giovanni Bellini, signed on the trompe-l'œil parapet (IO[HANN]ES B[ELLI]N[US] F.). It dates from his early phase, when he was still strongly influenced by his father Jacopo and by Andrea Mantegna. The Christ Child holds a fruit, symbolising Original Sin and foreshadowing his Passion. Some art historians feel the haloes and drapery are too archaic for the work to be by Bellini, but the signature's authenticity was confirmed by a 1999 restoration. (en)
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  • Madonna col Bambino (Giovanni Bellini Castello Sforzesco) (it)
  • Madonna and Child (Bellini, Milan, 1460–1465) (en)
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  • Madonna and Child (en)
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