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The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany. The painting depicts Jesus and the Apostles during the Last Supper, with Judas, unlike all the other apostles, sitting separately on the near side of the table, as is common in depictions of the Last Supper in Christian art.

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dbo:abstract
  • El refetor de Santa Apollonia (Cenacolo de Sant’Apollonia) pertanyia a l'antic monestir de Santa Apollonia, ara suprimit, un dels cenobis femenins més importants de la ciutat de Florència (Toscana, Itàlia). Es troba al nord del centre històric, prop de San Marco. Actualment és el Museu d'Andrea del Castagno, una entitat independent de la resta de l'antic complex monàstic que des que va quedar desafectat s'utilitza per a diferents finalitats. (ca)
  • The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany. The painting depicts Jesus and the Apostles during the Last Supper, with Judas, unlike all the other apostles, sitting separately on the near side of the table, as is common in depictions of the Last Supper in Christian art. Sant'Apollonia was a Benedictine convent of cloistered nuns, and Castagno's fresco was not publicly known until the convent was suppressed in 1866: Vasari, for example, seems not to have known of the painting. Thus its exclusively female audience should be considered in analyzing the work. Castagno painted a large chamber with life-sized figures that confronted the nuns at every meal. The fresco would have served as a didactic image and an inspiration to meditation on their relationship with Jesus. Painted with a careful attention to naturalistic detail—a sense of real space and light, seemingly tangible details of the setting, and lifelike figures—the work must have spoken forcefully of the continued significance of the Eucharistic meal in their own world. (en)
  • La Cène d'Andrea del Castagno à Sant'Apollonia est une peinture à fresque de 453 × 975 cm d'Andrea del Castagno. Datée de 1445-1450 environ elle est visible au Cenacolo di Sant'Apollonia à Florence, transformé en musée et exposant d'autres œuvres peintes. (fr)
  • Le Cenacolo di Sant'Apollonia est le réfectoire du couvent, devenu musée de Sant'Apollonia à Florence, exposant des œuvres peintes : celle originales des parois comme la Cène d'Andrea del Castagno, et d'autres peintures et sinopie déplacées. (fr)
  • Il Cenacolo di Sant'Apollonia è un museo di Firenze: faceva parte anticamente del complesso omonimo, con accesso in via XXVII Aprile. Dal dicembre 2014 il Ministero per i beni e le attività culturali lo gestisce tramite il Polo museale della Toscana, nel dicembre 2019 divenuto Direzione regionale Musei. (it)
  • L'Ultima Cena è un affresco (453 × 975 cm) di Andrea del Castagno, databile al 1445-1450 circa e conservato nel Museo del Cenacolo di Sant'Apollonia a Firenze. Coronata dalle scene della Resurrezione, Crocifissione e Compianto, di queste ultime, staccate e ricollocate in loco, si conservano anche le sinopie sulla parete opposta. (it)
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  • El refetor de Santa Apollonia (Cenacolo de Sant’Apollonia) pertanyia a l'antic monestir de Santa Apollonia, ara suprimit, un dels cenobis femenins més importants de la ciutat de Florència (Toscana, Itàlia). Es troba al nord del centre històric, prop de San Marco. Actualment és el Museu d'Andrea del Castagno, una entitat independent de la resta de l'antic complex monàstic que des que va quedar desafectat s'utilitza per a diferents finalitats. (ca)
  • La Cène d'Andrea del Castagno à Sant'Apollonia est une peinture à fresque de 453 × 975 cm d'Andrea del Castagno. Datée de 1445-1450 environ elle est visible au Cenacolo di Sant'Apollonia à Florence, transformé en musée et exposant d'autres œuvres peintes. (fr)
  • Le Cenacolo di Sant'Apollonia est le réfectoire du couvent, devenu musée de Sant'Apollonia à Florence, exposant des œuvres peintes : celle originales des parois comme la Cène d'Andrea del Castagno, et d'autres peintures et sinopie déplacées. (fr)
  • Il Cenacolo di Sant'Apollonia è un museo di Firenze: faceva parte anticamente del complesso omonimo, con accesso in via XXVII Aprile. Dal dicembre 2014 il Ministero per i beni e le attività culturali lo gestisce tramite il Polo museale della Toscana, nel dicembre 2019 divenuto Direzione regionale Musei. (it)
  • L'Ultima Cena è un affresco (453 × 975 cm) di Andrea del Castagno, databile al 1445-1450 circa e conservato nel Museo del Cenacolo di Sant'Apollonia a Firenze. Coronata dalle scene della Resurrezione, Crocifissione e Compianto, di queste ultime, staccate e ricollocate in loco, si conservano anche le sinopie sulla parete opposta. (it)
  • The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany. The painting depicts Jesus and the Apostles during the Last Supper, with Judas, unlike all the other apostles, sitting separately on the near side of the table, as is common in depictions of the Last Supper in Christian art. (en)
rdfs:label
  • Refetor de Santa Apollonia (ca)
  • Cène d'Andrea del Castagno (fr)
  • Cenacolo di Sant'Apollonia (fr)
  • Museo del Cenacolo di Sant'Apollonia (it)
  • Ultima cena (Andrea del Castagno) (it)
  • Last Supper (del Castagno) (en)
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