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Experimental music
January 2025
Marianne Faithfull was a towering artist, not just the muse she was painted as
Alexis Petridis
Experimental album of the month
Davis Galvin: Prism review – shape-shifting soundscapes for the horticulturally minded
Orchestra of Futurist Noise Intoners/Ensemble Klang review – anarchic energy
Global album of the month
Ale Hop & Titi Bakorta: Mapambazuko review – Congolese soukous gets a maximalist makeover
Ethel Cain: Perverts review – a gothic follow-up determined to stay underground
Alexis Petridis's album of the week
Ethel Cain: Perverts review – pink noise and punishment as cult star heads underground
December 2024
New music for 2025
Barcelona electro-punk duo Dame Area: ‘Seeing other women playing weird stuff made me want to try’
New music for 2025
‘There is magic in the world. There’s something bigger’: the ecstatic visions of musician Clarissa Connelly
Best music of 2024
Desi rap, deep jungle and truck-stop concrète: five-star albums you may have missed this year
Best music of 2024
The 50 best albums of 2024: No 1 – Charli xcx: Brat (and Brat and It’s Completely Different But Also Still Brat)
Aphex Twin: Music from the Merch Desk (2016-2023) review – Santa’s sack overspills with AFX bounty
Best music of 2024
The 10 best contemporary albums of 2024
‘Like Depeche Mode, but evil’: the sweaty, sexual music of 80s EBM
Best music of 2024
The 10 best folk albums of 2024
London Contemporary Music festival review – anarchic and provocative, sublime and ridiculous
Best music of 2024
The 10 best global albums of 2024
Contemporary album of the month
Leya: I Forget Everything review – sinister soundworlds from maverick avant gardists
Best music of 2024
The 20 best songs of 2024
November 2024
Jungle, funk and 14th-century Arabic astronomers: piano virtuoso Pat Thomas on his journey through jazz
‘I was really not OK’: Bladee on PTSD, Charli xcx and being struck by lightning
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