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Qur'an Recitation Manners and Tajweed

The document outlines the proper manners and rules for reciting the Qur'an, emphasizing sincerity, Tajweed application, and understanding the verses. It categorizes mistakes in Tajweed into clear and hidden types, detailing their implications and examples. Additionally, it covers the significance of Isti’aadhah and Basmallah, articulation points, and Tashkeel for correct pronunciation.

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0% found this document useful (0 votes)
183 views10 pages

Qur'an Recitation Manners and Tajweed

The document outlines the proper manners and rules for reciting the Qur'an, emphasizing sincerity, Tajweed application, and understanding the verses. It categorizes mistakes in Tajweed into clear and hidden types, detailing their implications and examples. Additionally, it covers the significance of Isti’aadhah and Basmallah, articulation points, and Tashkeel for correct pronunciation.

Uploaded by

kkqummm
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Manners of Reciting the Qur'an

1. Strive to be sincere.
2. Consistently recite and study the Qur'an.

Manners to Be Observed During Recitation

1. Seek refuge in Allah from Shaitaan.

2. Beautify Allah’s word with the application of Tajweed


(i.e., Makharij, Sifaat, and rules).

3. Ponder over the meaning of the verses of the Qur'an.

Mistakes in Tajweed (‫ )لحن‬Lahan

When reciting the Qur'an, there are two types of mistakes one
might fall into:

Types of Mistakes:

1. Mistakes Clear (‫)لحن جلى‬

○ A type of mistake that is very obvious and easily


identified by both the knowledgeable and the
ordinary person who does not know Tajweed.

○ A big mistake that changes the meaning of the


Qur'anic words.
○ It must be avoided and is considered haraam
(forbidden).

○ Examples include changing a letter, adding a


letter, dropping a letter, changing a harakah,
changing a Mutahharik letter to a sakin letter, and
changing a sakin letter to a mutaharrik letter.

2. Mistakes Hidden (‫)لحن خفى‬

○ A type of mistake that is not obvious and


considered a small mistake.

○ It does not change the meaning of the Qur'anic


words and is Makrooh (disliked).

○ Examples include mixing up Tafkheem and


Tarqeeq and the rules of noon sakin and tanween.

Ways of Reciting Isti’aadhah (‫)استعاذه‬

1. The reader says the Isti’aadhah loudly if the Tilawah is


done loudly and someone is listening to them and
during turns the first person reads loudly.
2. The reader says the Isti’aadhah silently when they are
reciting in turns; only the first person reads loudly and
the rest of them read silently. The reader is in Salah.

The Benefit of Saying Isti’aadhah (‫)استعاذه‬


‫الر ِجي ِْم‬
َّ ‫ْطان‬
ِ ‫شي‬ ُ َ‫أ‬
ِ ‫ع ْوذُ ِب ه‬
َّ ‫اّٰلل ِمنَ ال‬

● The benefit of saying Isti’aadhah (seeking refuge) is to


keep away from the mischief of Shaitaan while reading
the Qur'an.
● Seeking refuge should be done before the beginning of
any recitation of the Qur'an and should be repeated if
you are interrupted during your recitation.

Basmallah (‫)بسمله‬

In the name of Allah, the most gracious, the most merciful.

‫بسم هللا الرحمن الرحيم‬

Ways of Reciting Basmallah

1. At the beginning of a Surah, recite the Basmallah at the


start of each Surah except Surah Tawbah.

2. Between two Surahs, recite the Basmallah when


transitioning from one Surah to the next.

3. At the end of one Surah to the next:

○ Stop after the first Surah, then recite Basmallah


and continue.

○ Continue directly without stopping.

○ Pause after the Basmallah before starting the next


Surah.
Heavy (Tafkheem) and Light (Tarqeeq) Letters

● Tafkheem Meaning: There are seven heavy letters in


Arabic out of 29 which are read heavily with a full
mouth. They are ‫ خ‬,‫ ص‬,‫ ض‬,‫ ط‬,‫ ظ‬,‫ غ‬,‫ق‬

● Tarqeeq Meaning: The rest of the letters, excluding the


heavy letters, are light letters which are read with
lightness and the mouth is not filled with its echo.

Mnemonic for Heavy Letters: ‫خص ضغط قظ‬

The Disjoined Letters

There are 6 ‘Disjoined Letters’ in Arabic alphabets, which do


not join onto any letter after them (to the left of them). However,
they join with other letters from the right. The disjoined letters
are: ‫ و‬,‫ ز‬,‫ ر‬,‫ ذ‬,‫ د‬,‫ا‬

Makhraj

● Linguistic Definition: To exit or a place where


something comes from. Makhaarij is the plural of the
word Makhraj.
● Applied Definition: The point of articulation; the place
from where the letter sound exits. The area of speech
has been divided into 5 parts and 17 articulation points.
Areas of Articulation:

1. Al Jawf (‫)الجوف‬

○ Meaning: It is the empty space in the mouth.

○ Letters: 1 letter Alif and 3 sounds.

■ Alif Madd: Alif preceded by a fatha. ‫با‬

■ Yaa Madd: Yaa sakin preceded by a kasrah.


‫بى‬

■ Waaw sakin is preceded by a dammah. ‫بو‬

2. Al Halq (‫)الحلق‬

○ Meaning: It is the throat.

○ Letters: This area has 3 points of articulation and 6


letters.

➔ ‫أقصى الحلق‬

■ Aqsal Halq (the deepest part of the throat): ,‫ء‬


‫ه‬

➔ ‫وسط الحلق‬

■ Wasatul Halq (the middle part of the throat):


‫ ح‬,‫ع‬

➔ ‫أدنى الحلق‬

■ Adnal Halq (the upper part of the throat): ‫ خ‬,‫غ‬


3. Al Lisaan (‫)اللسان‬

○ Meaning: It is the tongue.

○ Letters: The tongue contains 18 letters, 4 parts,


and 10 points of articulation.

➔ ‫أقصى اللسان‬

Aqsal Lisaan is the deepest/ farthest from the throat part of the
tongue. Letters emit from this area: ‫ ك‬, ‫ق‬

➔ ‫وسط اللسان‬

Wasatul Lisaan the middle part of the tongue. Letters emit from
this area: ‫ج ش ي‬

➔ ‫حافة اللسان‬

Haaffatul Lisaan the sides/edges of the tongue. Letters emit


from this area:‫ ل‬, ‫ض‬،

➔ Taraful Lisaan the tip of part of the tongue. Letters emit from
this area:

‫نر‬

‫تدط‬

‫ثذظ‬

‫زسص‬
★ The lips ‫الشفتان‬

Meaning It is the lips Letters It has 4 letters and 2 articulation


points. ➔ Letters emit from this area :

‫بم‬

‫ف‬

‫و‬

➔ The Nasal Cavity ‫الخيشوم‬

Meaning -It is the sound that comes from the nose.

Letters emit from this area : ‫ّم ّن‬

The sound of these letters come from the nose; we call it


ghunnah. Ghunnah is not a letter rather it is a characteristic and
a sound.

17 Articulation points of Arabic Letters

·
· The letter Alif and Madd letters (letters of elongation)
are pronounced from al jawf.
· ‫ ه ء‬are pronounced from the Aqsal Halq.
· ‫ ح ع‬are pronounced from the Wasatul Halq.
· ‫ غ خ‬are pronounced from the Adnal Halq
· ‫ ق‬is pronounced from Aqsal Lisaan touching the soft
palate.
· ‫ ك‬is pronounced from Aqsal Lisaan touching the hard
palate.
· ‫ ي ش ج‬are pronounced from the Wasatul Lisaan
(middle part of the tongue)
· ‫ ض‬Is articulated by the Haafatul Lisaan (back
sides/edges of the tongue) pressing the upper
molars.
· ‫ ل‬is articulated from the front edges of the tongue
touching the corresponding area of upper premolars.
· ‫ ن‬is articulated by Taraful Lisaan touching the palate.
· The makhraj of the ‫ ر‬is the part of the tongue, slightly
behind the ‫ ن‬touching the palate right above it.
· ‫ ت د ط‬are articulated by taraful lisaan pressing
directly behind the root of upper front teeth.
· ‫ ث ذ ظ‬are pronounced from Taraful Lisaan touching
the edges of upper central incisors.
· ‫ ز س ص‬are articulated by Taraful Lisaan behind the
lower Central Incisors.
· ‫ م ب‬is pronounced by merging the two lips.
· ‫ ف‬is pronounced by the central incisors touching the
wet part of the lower lip.
· ‫ و‬is pronounced by protruding and circling the lips.
· Ghunnah from nasal cavity is applicable in these
when ‫ م & ن‬letters carry a shaddah.
Tashkeel

Introduction To Tashkeel Formation (marks used as phonetic


guides)

Meaning- Tashkeel is to give a word the proper phonetic


sound/aide by using special markings above or below a letter.

Symbol ‫الحركات التنوين شدة سكون المد‬

➔ Harakat Meaning- We have 3 Short Vowels: Fatha, Kasra and


Dammah. The Sound of

● Fatha is “a”

● Kasra is “i”

● Dammah is “u”

Symbol ََ َِ َُ

Count- 1 Note- A letter carrying harakah is called Muttaharik

➔ Tanween Meaning- Tanween is a Noon Sakinah that appears


at the end of a noun, it is like a "n" sound. It is indicated by

doubling the Fatha, Kasrah and Dammah known as Fathatain,


Kasratain and Dammatain

Symbol َ َ َ

Example- ‫ = با‬+ ‫ب‬

Note- A letter carrying tanween is called Munwannah


➔ Sukoon Meaning- The meaning of sukoon is rest or to stop, it
does not have any vowel

Example- ‫ال‬

➔ Al Madd

Meaning- To elongate
counts- 2, 4, 5 and 6
Letters- ‫ا وي‬

Common questions

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Understanding the 17 articulation points of Arabic letters is crucial for achieving correct pronunciation, ensuring each letter is produced from its correct place, which affects the meaning and aesthetic quality of the language. These points are distributed among areas such as Al Jawf (for elongation letters), Al Halq (for deep throat sounds), Al Lisaan (for various tongue sounds), and more, each contributing to distinctive phonetic outputs . Mastering these articulation points prevents mispronunciations that can alter meanings, thus preserving the integrity and perpetuity of the Arabic language and specifically the Qur'an's recitation .

Understanding Makharij is essential for proper Tajweed as it ensures each Arabic letter is pronounced from its specific articulation point, thus preserving the intended meaning and rhythm of words. Makharij are categorized into five main areas: Al Jawf (oral cavity) for madd letters, Al Halq (throat) with three sub-regions for ح, خ, غ and other throat letters, Al Lisaan (tongue) divided into several articulation points including the deepest for ق and ك, the middle for ج, ش, ي, and Taraful Lisaan for letters like ت, د, ط . This precise classification ensures each letter's unique voice and prevents mistakes that could compromise semantic clarity .

In Qur'anic Tajweed, 'heavy' (Tafkheem) and 'light' (Tarqeeq) letters are phonetic distinctions affecting pronunciation. The heavy letters, which include ق, غ, ظ, ط, ض, ص, and خ, are articulated with a full mouth and echo, influencing subsequent vowels to adopt a deeper tone, hence preserving the intended aesthetic and meaning . These letters can be remembered using the mnemonic 'خص ضغط قظ'. Light letters are all other Arabic letters that do not evoke this fullness and must be pronounced delicately to maintain the text's lyrical quality. Mastery of this distinction is essential to preventing recitation errors that could otherwise change the intended tone and rhythm .

Basmallah, meaning 'In the name of Allah, the most gracious, the most merciful,' is significant in Qur'anic recitation as it invokes the name of Allah, setting an appropriate and reverent tone for recitation. It should be recited at the beginning of every Surah except Surah Tawbah. When transitioning between Surahs, Basmallah can be recited with three methods: stopping after the first Surah and then continuing, directly transitioning without stopping, or pausing after saying Basmallah before starting the next Surah . These practices ensure the continuity and respect within the overall recitation process .

Arabic nasality, particularly involving the ghunnah sound produced from letters م and ن with shaddah, poses structural and phonetic challenges due to its characteristic of emanating from the nasal cavity, thus blending with surrounding phonetic elements. This characteristic requires precise control during pronunciation as the nasal sound must be sustained accurately to maintain linguistic fluency and phonetic balance . Nasality adds a layer of complexity to articulation as it intersects with other vocal traits without representing a distinct letter, demanding deliberate attention from speakers to preserve both word integrity and rhythm in speech and recitation .

Isti’aadhah serves the purpose of seeking refuge with Allah from the mischief of Shaitaan during Qur'anic recitation. This spiritual safeguard ensures focus and protection from distractions . It should be recited at the beginning of any Qur'anic session and is to be repeated if the recitation is interrupted. Loud recitation of Isti’aadhah is appropriate when the Tilawah (reading) is done audibly with others listening, whereas silent recitation is maintained in private or turn-based recitation .

Key manners when reciting the Qur'an include striving for sincerity, consistently reciting and studying the Qur'an, seeking refuge in Allah from Shaitaan, and beautifying Allah’s word with the application of Tajweed. Sincerity ensures the purity of one's intentions, while consistent recitation fosters familiarity with the Qur’an’s message. Seeking refuge in Allah protects from distraction and misguidance by Shaitaan . Tajweed application, which includes understanding Makharij and Sifaat, is crucial as it ensures the accurate pronunciation and interpretation, thereby maintaining the Qur'an's meaning and elegance .

Tashkeel in Arabic serves as phonetic guides that significantly influence reading comprehension and pronunciation. Tashkeel includes harakat (short vowels), tanween (end sounds), shaddah (indicates gemination), and sukoon (indicates a non-vowel sound), enabling readers to determine proper pronunciation, word forms, and meanings that are otherwise ambiguous due to the language's consonantal nature . They eliminate ambiguities in pronunciation by specifying vowel sounds and syllable emphasis, crucial for accurate Qur'anic recitation and general Arabic literacy. Thus, Tashkeel is integral in transforming texts from visually minimalist to phonemically rich representations, enhancing comprehension and linguistic precision .

Tajweed mistakes are classified into clear mistakes (لحن ج لى) and hidden mistakes (لحن خفى). Clear mistakes alter the meaning of the words, making them forbidden (haraam). Such errors are obvious to both learners and proficient reciters, including changes to letters or vowels . These must be avoided to preserve the Qur'an's authenticity. Hidden mistakes, on the other hand, do not change the meaning and are considered makrooh (disliked). They mainly involve subtleties in articulation or tone, such as occasionally misapplying rules of noon sakin and tanween or failing to distinguish between heavy and light letters . Understanding and correcting these mistakes is vital to upholding the integrity of Qur’anic language and proper pronunciation.

Disjoined letters in the Arabic script, such as ا, د, ذ, ر, ز, and و, play a critical role in maintaining textual structure and legibility. These letters can join with preceding letters but not with following ones, inherently impacting word formation by marking natural pauses or transitions, crucial in Qur'anic text where verbal fluidity and clarity are paramount . Understanding these structural constraints helps in proper word formation and recitation, preventing script misinterpretations and ensuring the continuity and accuracy of the Qur'an's scriptural integrity. This structural understanding emphasizes the precision necessary in Qur'anic orthography and phonetic guidance .

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