The Chilean Patagonia, often called the End of the World, has a post-apocalyptic quality. These are the men who live there, in near-total isolation. https://lnkd.in/eBriagxB
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The New Yorker is a national weekly magazine that offers a signature mix of reporting and commentary on politics, foreign affairs, business, technology, popular culture, and the arts, along with humor, fiction, poetry, and cartoons. Founded in 1925, The New Yorker publishes the best writers of its time and has received more National Magazine Awards than any other magazine, for its groundbreaking reporting, authoritative analysis, and creative inspiration. The New Yorker takes readers beyond the weekly print magazine with the web, mobile, tablet, social media, and signature events. The New Yorker is at once a classic and at the leading edge.
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Earlier this month, a case against Meta, the parent company of Instagram and Facebook, went to trial. It alleged that the company had perpetrated a range of harms, most notably that its products “exploit and manipulate its most vulnerable consumers: teenagers and children.” On Wednesday, Meta reached a settlement: it would pay more than $12 billion, over ten years, and make a slew of changes to its platforms—including sweeping restrictions on teen-age use. “There is much more to be done in the fight to make technology platforms safe, especially for children,” Nathaniel Lubin writes. Still, “the possibility that we will see a different internet, one that shifts from an attention economy to an intentional one, has gotten brighter.” Lubin unpacks the victories and limitations of the Meta settlement: https://lnkd.in/eWVr8uCv
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When Hanif Abdurraqib was a kid, he imagined that he and his friends would grow up to live in the exact same neighborhood, on the exact same street. “It seemed logical!” he writes. Of course, in the real world, they’ve ended up scattered across different states and different time zones. “But we also live within the black and blue bubbles of a group chat that has, in a way, become its own neighborhood, its own universe,” he counters. Abdurraqib writes about two of his group chats, in which members share pop-culture musings, photos of their families, drafts of poems, and memes from the TV show “Severance.” “Their central function,” he writes, “is as a reminder that we’re thinking of one another.”
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The widespread desire to believe in Lindsay Clancy's total innocence stems from a real reaction to the ways that the needs of women—especially mothers—in desperate circumstances are ignored, Jessica Winter writes. https://lnkd.in/eJzfyS4B
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The idea that Canada could join the E.U. used to be a fringe topic of conversation. Donald Trump’s trade war with the country has pushed it into the mainstream. https://lnkd.in/eUDMDSCT
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Mahmoud Khalil protested Israel as a student at Columbia. Now he’s on the verge of being kicked out of the country. “I did nothing illegal, so of course I will do whatever I can to stay,” he told Andrew Marantz, in a recent Profile: https://lnkd.in/eiPnxXd8
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As A.I. becomes increasingly unpopular among voters, the politics of data centers are scrambling political lines across the country. “I’ve never seen engagement like this on any normal development issue,” a county supervisor in Southern Wisconsin said, about his constituents’ response to the planned construction of a data center. “People don’t like that they didn’t have a vote on whether social media could take over our society. And now people see A.I. getting ready to take things over and potentially upset lives, upset society, upset jobs, and they want the ability to have a say in that.” Read about the impact data centers are having in elections across the country—and especially in the Wisconsin governor’s race: https://lnkd.in/ew3-ycue
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How Roy Cohn taught Donald Trump to ignore the rules, avoid a paper trail, and make up a good story for the media. https://lnkd.in/eFJz8icg
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The photographer Melissa Auf der Maur, who played bass for Hole and the Smashing Pumpkins, captured a moment in which one generation’s subculture became the next generation’s mainstream. See more of her images: https://lnkd.in/ezhgxycz
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