DawsonChu

Exquisite photography combined with a steady rhythm makes the film look rigorous and affectionate. The deliberate jumping rhythm and rebellious spirit of the previous works were completely suppressed. Perhaps Godard lost his initial rationality in serious inquiry, or this film is a film paper written in poetry. When the functional lines changed from preaching to expression, Godard eventually emerged from the popular wave.

It can be seen that the director and the screenwriter are not satisfied with simply completing a fairy tale, but the world view is too limited. The film was stuffed with too many dramatic elements, but the arrangement between the main line and the secondary line did not constitute a uniform style, nor did it have enough persuasive logic support. The over-functionalized emotional flow rendering attempts to use "coincidence" to compensate for the constraints of this play, but in fact has little effect. From this perspective, the setting of "Fantastic beasts and where to find them" is both gimmick and cumbersome.

After the elegant ruins were buried, what was left behind was a touch of innocence, a unique collection of American culture. The powerful expression of visual language makes many of the slightly rough plots in the original work more convincing, so every time the story is about to become cliché, there will be an appropriate reversal. Therefore, the cunning of being a craftsman and the sincerity of being a poet seem to have reached a near perfect resonance in this film.