doctorwholittle
Joined Sep 2000
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Reviews19
doctorwholittle's rating
Filmation has gotten its ample share of criticism of their somewhat slap-dash animation, and not undeservedly (although the same can be said for pretty much every animation studio producing Saturday morning fare). Their animation did improve in the '70s as they, somewhat surprisingly, adopted rather expensive and intesively-detailed rotoscoping technology to their bag of tricks. This upgrade was evident, if overly overused, in their later offerings of Tarzan, Zorro, The Lone Ranger, and so forth.
None of these come close to comparing to the masterpiece that is "Flash Gordon - The Greatest Adventure of All".
While the animation style is utterly familiar as being Filmation's, there is a subtle grace here that is not evident in even their better Saturday morning productions. There are actually entire passages where the lip movements match the dialog. What you have to understand is that Filmation was not known for this type of detail, so to the initiated, it's nothing short of breathtaking to behold.
The story is extremely faithful to the comics and mythos, while having some darker, more realistic elements added, another pleasant surprise.
While initially intended as a live action feature, costs mandated it be animated, and it's much better for it. NBC were so impressed that they shelved this movie in favour of ponying up more geld for a Saturday morning series (not going into that here), finally airing it in 1982, three years later.
This can be found on YouTube, as well as other places around the web, so it isn't difficult to locate, but it would be wonderful to have a proper, official blu-ray release.
None of these come close to comparing to the masterpiece that is "Flash Gordon - The Greatest Adventure of All".
While the animation style is utterly familiar as being Filmation's, there is a subtle grace here that is not evident in even their better Saturday morning productions. There are actually entire passages where the lip movements match the dialog. What you have to understand is that Filmation was not known for this type of detail, so to the initiated, it's nothing short of breathtaking to behold.
The story is extremely faithful to the comics and mythos, while having some darker, more realistic elements added, another pleasant surprise.
While initially intended as a live action feature, costs mandated it be animated, and it's much better for it. NBC were so impressed that they shelved this movie in favour of ponying up more geld for a Saturday morning series (not going into that here), finally airing it in 1982, three years later.
This can be found on YouTube, as well as other places around the web, so it isn't difficult to locate, but it would be wonderful to have a proper, official blu-ray release.
It's always a gamble when a book is adapted to screen. It's more of a gamble when a popular book is adapted to screen.
However, when you take a book that's got "CULT" written all over it, that's where your real problems begin.
I've only read a few of James Axler's "DEATHLANDS" books, but enough to know they definitely took some liberties. A major character from the group was completely omitted (Doc Tanner), and a good deal of the backstory was changed, but not really enough to ruin the movie for me. Oscar-worthy, it ain't, but it's nowhere nearly as bad as a lot of people are making it out to be.
What puzzles me is people who claim to read the series are complaining about the rather tepid dialogue. Well, what books HAVE you been reading?! The dialogue in the "DEATHLANDS" series is about as sophomoric as any adventure series (barring "THE DESTROYER" and DL's "sister" series, "OUTLANDERS"). The terms "fireblast", "nukesh*tting", just to cite a couple of examples, pepper the prose throughout these books. Not exactly Henry James.
But, I digress...
Vincent Spano, never one of my favourite actors, actually did a passable turn as Ryan Cawdor, 'though I would've preferred him to be more like the introspective "Snake Plissken" clone the character was created to resemble. Jenya Lano was admirably cast as Krysty Wroth, even if the on screen version was a bit too timid. Cliff Saunders, physically a bit too Phil Collins-esquire to accurately portray the gaunt Armourer, JB Dix, did a good turn, though a bit more talkative than his literary counterpart. A lot of other complaints were that the characters were too "goody-goody". Well, that's as may be, but it's also one of the primary reasons why the "DEATHLANDS" series has a C U L T following instead of mainstream. If these characters were constantly as ruthless on screen as they are in the books, the creators of the movie / proposed TV series would be hard-pressed to get as large a viewership as they'd be aiming to attract.
The villains (and some of the protagonists) were over-the-top, but no more so than in any of the books I've read thus far. While some of these people gave shuddering performances, it strikes me as pretty much spot-on in comparison to the the four books in the series I've read thus far. The violence was toned down SEVERELY, as was the obligatory sex scene between Ryan & Krysty, but, as it's a made-for-cable movie, it's about what I expected, and actually, some of the more graphic scenes they left in really surprised me.
The cinematography was visually startling and very effective, giving the edginess to the Deathlands that the books convey. It's unfortunate that their budget was only around $2 million, but given that's all they had to work with, they have my kudos in spades for even getting it made, let alone seen by anyone.
"HOMEWARD BOUND", the 5th book in the "DEATHLANDS" series, was the director's personal choice from what I read. It was a nice idea, but I think it might've been a bit too ambitious for a debut movie. As far as post-apocalyptic scenarios, the first book in the series, "Pilgimage to Hell", prob'ly would've made a much better choice. The readers are still introduced to the characters one at a time, but there's still some mystery to them, whereas "HOMEWARD BOUND" tries to explain way too much at one time. Had this gone to series, "HB" would've been more apropos as the first season's cliffhanger / second season's opener.
All-in-all, however, it's somewhat heartening to see that the writers and director actually drew from the source material instead of merely paying lip service to it. It gives me hope that they may one day re-do a DL movie, or move on to "OUTLANDERS" with better results.
Yes, this movie could've been a lot better, but it also could've been a lot WORSE.
However, when you take a book that's got "CULT" written all over it, that's where your real problems begin.
I've only read a few of James Axler's "DEATHLANDS" books, but enough to know they definitely took some liberties. A major character from the group was completely omitted (Doc Tanner), and a good deal of the backstory was changed, but not really enough to ruin the movie for me. Oscar-worthy, it ain't, but it's nowhere nearly as bad as a lot of people are making it out to be.
What puzzles me is people who claim to read the series are complaining about the rather tepid dialogue. Well, what books HAVE you been reading?! The dialogue in the "DEATHLANDS" series is about as sophomoric as any adventure series (barring "THE DESTROYER" and DL's "sister" series, "OUTLANDERS"). The terms "fireblast", "nukesh*tting", just to cite a couple of examples, pepper the prose throughout these books. Not exactly Henry James.
But, I digress...
Vincent Spano, never one of my favourite actors, actually did a passable turn as Ryan Cawdor, 'though I would've preferred him to be more like the introspective "Snake Plissken" clone the character was created to resemble. Jenya Lano was admirably cast as Krysty Wroth, even if the on screen version was a bit too timid. Cliff Saunders, physically a bit too Phil Collins-esquire to accurately portray the gaunt Armourer, JB Dix, did a good turn, though a bit more talkative than his literary counterpart. A lot of other complaints were that the characters were too "goody-goody". Well, that's as may be, but it's also one of the primary reasons why the "DEATHLANDS" series has a C U L T following instead of mainstream. If these characters were constantly as ruthless on screen as they are in the books, the creators of the movie / proposed TV series would be hard-pressed to get as large a viewership as they'd be aiming to attract.
The villains (and some of the protagonists) were over-the-top, but no more so than in any of the books I've read thus far. While some of these people gave shuddering performances, it strikes me as pretty much spot-on in comparison to the the four books in the series I've read thus far. The violence was toned down SEVERELY, as was the obligatory sex scene between Ryan & Krysty, but, as it's a made-for-cable movie, it's about what I expected, and actually, some of the more graphic scenes they left in really surprised me.
The cinematography was visually startling and very effective, giving the edginess to the Deathlands that the books convey. It's unfortunate that their budget was only around $2 million, but given that's all they had to work with, they have my kudos in spades for even getting it made, let alone seen by anyone.
"HOMEWARD BOUND", the 5th book in the "DEATHLANDS" series, was the director's personal choice from what I read. It was a nice idea, but I think it might've been a bit too ambitious for a debut movie. As far as post-apocalyptic scenarios, the first book in the series, "Pilgimage to Hell", prob'ly would've made a much better choice. The readers are still introduced to the characters one at a time, but there's still some mystery to them, whereas "HOMEWARD BOUND" tries to explain way too much at one time. Had this gone to series, "HB" would've been more apropos as the first season's cliffhanger / second season's opener.
All-in-all, however, it's somewhat heartening to see that the writers and director actually drew from the source material instead of merely paying lip service to it. It gives me hope that they may one day re-do a DL movie, or move on to "OUTLANDERS" with better results.
Yes, this movie could've been a lot better, but it also could've been a lot WORSE.