niz
Joined Feb 2001
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Reviews46
niz's rating
A bizarre J-"horror" from the one-time golden boy of the genre Takashi Shimizu -- and oh, how the mighty have fallen. His stint in Hollywood helming Sarah Michelle Gellar movies has either sapped his abilities or his mind. Shock Labyrinth feels like a re-tread of the circular storytelling of the original Ju-On films, but with much worse acting, much less gore, and a poor-quality, murky 3D effect shrouding everything in a thick fog. Plot is deliberately dream-like (read: confusing), some kids re-visit a haunted house fairground attraction where "something horrible" happened to them years ago, only for the weirdness to get kick-started again. Put it this way, if you're scared of plush rabbit toys, this is the horror film for you. Everyone else, stay away.
A real surprise: who would have thought a kids film starring an ex-WWF wrestler could be this good? While the mainstream laps up the antics of Tony Jaa and Jeeja "CHOCOLATE" Yanin, the Thai film industry continues to create fresh, original, and very well made films that don't get as much attention: see SARS WARS for another example. SOMTUM is a light-hearted action comedy that mixes some fantastic kick-boxing action (both in and out of the ring) with some gentle, endearing and, very funny comedy sequences to great effect.
While Nathan Jones, as the naive tourist who "hulks up" at the taste of the spicy "somtum" dish, is a nice screen presence, the stars of the show are the two young Thai girls he befriends. Nawarat Techarathanaprasert shows a good command of English as the street urchin with a penchant for theft, but Sasisa Jindamanee, as her muay-thai kick-boxer older sister, is a total revelation! I urge Pracha Pinkaew and/or Panna Rittikrai to have her square off against Jeeja Yanin in a film as soon as possible: she's that good! The film itself is well-written, well-constructed, and solidly acted: even the "farang" actors, normally an afterthought, do well. There are two awesome cameos: Danny Chupong (BORN TO FIGHT, DYNAMITE WARRIOR) has a brilliant Jackie Chan-style kitchen-battle, and Kessarin "Nui" Ektawatkula (Chupong's sister in BORN TO FIGHT) is hilarious as a market-stall hawker using fruit-and-veg-kwon-do to beat up the bad guys.
While Nathan Jones, as the naive tourist who "hulks up" at the taste of the spicy "somtum" dish, is a nice screen presence, the stars of the show are the two young Thai girls he befriends. Nawarat Techarathanaprasert shows a good command of English as the street urchin with a penchant for theft, but Sasisa Jindamanee, as her muay-thai kick-boxer older sister, is a total revelation! I urge Pracha Pinkaew and/or Panna Rittikrai to have her square off against Jeeja Yanin in a film as soon as possible: she's that good! The film itself is well-written, well-constructed, and solidly acted: even the "farang" actors, normally an afterthought, do well. There are two awesome cameos: Danny Chupong (BORN TO FIGHT, DYNAMITE WARRIOR) has a brilliant Jackie Chan-style kitchen-battle, and Kessarin "Nui" Ektawatkula (Chupong's sister in BORN TO FIGHT) is hilarious as a market-stall hawker using fruit-and-veg-kwon-do to beat up the bad guys.
Remember the 1987 high-school comedy classic THREE O' CLOCK HIGH? It seems the makers of SEE YOU AFTER SCHOOL do, as the plot is exactly the same: a new boy in school accidentally tangles with school bully and is challenged to fight after school, and the rest of the film deals with his increasingly desperate schemes to avoid the fight.
It might be plagiarism, but it still provides a very solid foundation for some good, funny comedy, in the typically "cruel", physically violent, painful style that has become the hallmark of Korean comedies like MY SASSY GIRL, ATTACK THE GAS STATION and SAVE THE GREEN PLANET. The horrors of school are mined effectively in a film that will have universal appeal, both to fans of Korean cinema, and fans of the 1980s high-school comedies that Hollywood used to churn out.
It might be plagiarism, but it still provides a very solid foundation for some good, funny comedy, in the typically "cruel", physically violent, painful style that has become the hallmark of Korean comedies like MY SASSY GIRL, ATTACK THE GAS STATION and SAVE THE GREEN PLANET. The horrors of school are mined effectively in a film that will have universal appeal, both to fans of Korean cinema, and fans of the 1980s high-school comedies that Hollywood used to churn out.