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Body-snatching aliens attempt to navigate love in the modern world in genre-bending comedy The Becomers, and exclusive new images reveal just how goopy and gross the body hopping can be.

Dark Star Pictures releases The Becomers in theaters on August 23, 2024.

In The Becomers: “Dropped to Earth and escaping their dying planet, the two extraterrestrials (played by a sequence of actors) seek each other out —jumping from body to body— on our planet while becoming increasingly drawn into the madness of modern-day America.

Written, directed, and edited by Zach Clark (Little Sister), the film was shot in Chicago and stars Molly Plunk (Little Sister, Profane), Mike Lopez (All Jacked Up and Full of Worms, Crimes Against Humanity), Frank V. Ross (Drinking Buddies), Isabel Alamin, and Keith Kelly, and features the voice Russell Mael, lead singer of the explosive pop-rock band Sparks. The Becomers is produced by Joe Swanberg (Depraved, The Rental), and Edwin Linker (Saint Frances,...

Blackout.I had saved my question about Killers of the Flower Moon (2023) until the last possible minute. Larry Fessenden, a disarmingly amiable man with an edge to his self-deprecating humor I recognized only too well, has a new werewolf movie out. If you know Larry’s movies—No Telling (1991), Habit (1995), Wendigo (2001), The Last Winter (2006), Beneath (2013), Depraved (2019), and now Blackout (2023)—you know it’s never just a matter of a monster. As we dug into its story of a lycanthropic curse doubling as a metaphor for an artist’s alcoholism and a town’s despair at a recent solar eclipse, I could see Larry the filmmaker turn into Larry the eager, devoted student and fan under the half-light of the black sun.Fessenden appears in the final minutes of Scorsese’s Killers of the Flower Moon (2023), like a harbinger of the future’s unforgiving gaze, as an actor on the mid-century...

In 2019, indie horror filmmaker Larry Fessenden reimagined Frankenstein with a contemporary lens in Depraved. His follow-up, Blackout, takes his exploration of classic movie monsters further with a unique take on the Wolf Man. Alcoholism and lycanthropy afflict an artist in Blackout, the title’s dual meaning apparent, but Fessenden takes it a step further by exploring the volatile nature of a community and the catastrophic yet absurdly funny toll a monster’s destruction wreaks on a small town.

Talbot Falls artist Charley (Alex Hurt) is at a significant crossroads. His binge drinking has made a mess of his life and relationships, including former love Sharon (Addison Timlin) and her ruthlessly power-crazed dad Hammond (Marshall Bell). His drinking has left him prone to blackouts, complicating matters when he begins to suspect he may be the werewolf savagely ripping people apart during the Full Moon. Never mind that he has deep-seated father...

Larry Fessenden is back with new werewolf horror movie Blackout, which is Now Available on Digital/VOD at home courtesy of Dark Sky Films.

Blackout is the third film in Fessenden’s monster trilogy, following Habit (vampires) and Depraved (Frankenstein). Watch a clip below for a sneak peek at his latest monster!

The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf. He distances himself from those he loves and sinks deeper into solitude, his flashes of memory of his nighttime grisly acts manifested through his artwork.

Fessenden tells us, “I am interested in finding new truths in the classic monster tropes of my youth. The essence of each creature dictates the milieu of the film, and of course, the werewolf is both out of control and regretful so that duality shaped my story.

Stars: Alex Hurt, Addison Timlin, Marshall Bell, Rigo Garay, Michael Buscemi, James Le Gros, Barbara Crampton | Written and Directed by Larry Fessenden

With his latest film, Blackout (not to be confused with The Blackout), Larry Fessenden finally gets around to tackling the werewolf mythos. He’s dealt with vampires in Habit, Frankenstein and his creation in Depraved, and even the Wendigo in the film of the same name. Now he ventures to Talbot Falls, I wonder where he got that name from, for a tale of lycanthropy, small town corruption and what it means to be human.

Blackout begins traditionally enough for a horror film with a couple having sex outdoors, running afoul of a large, hairy creature before introducing us to Charley. He’s an artist with a drinking problem, or at least that’s what he tells people is the cause of his monthly blackouts. Of course, he,...

We are now one full month into Spring 2024, which kicked off on Tuesday, March 19 and comes to an end with the start of Summer on Thursday, June 20. This year’s summer movie season has a whole bunch of exciting horror highlights, including A Quiet Place: Day One, MaXXXine, and Alien: Romulus, but let’s hold that particular thought until June rolls around.

We’re here today to talk about Spring 2024 and the many horrors we still have left before the weather gets warmer and we find ourselves in the heat of one hell of a spooky summer.

Here are 12 horror movies you don’t want to miss in Spring 2024!

Sting – April 12

Two words: Spider Horror. Writer/Director Kiah Roache-Turner (Wyrmwood) hopes to induce eight-legged terror with his brand new horror movie Sting, only in theaters April 12.

Of particular note, Sting features practical spider effects from 5-time Academy Award Winner Weta Workshop,...

Plot: Infected by the bite of a werewolf, a man sets out to bring down a shady businessman before arranging the end of his own life.

Review: Larry Fessenden has over 100 acting credits to his name, and if you’ve been following the horror genre over the last few decades there’s a good chance you’ve seen him show up in something, whether it be a Ti West movie, Stake Land, Late Phases, You’re Next, or the movie I first noticed him in, Session 9. He’s also a prolific producer, and has directing credits stretching back to the 1980s – most of those credits being on horror movies. Over the course of his career, he has told stories of vampires, the Wendigo, a man-eating fish, and even came up with his own take on Frankenstein’s Monster with his 2019 film Depraved. Continuing down the path of putting his stamp on the concept of classic monsters,...

It’s always a big week for the genre when a horror icon slashes back into our lives, and this week marks the return of killer doll “Chucky” to the small screen. But he’s not coming alone…

Here’s all the new horror releasing April 8, 2024 – April 14, 2024!

For daily reminders about new horror releases, be sure to follow @HorrorCalendar.

Director Lawrence Fowler has been carving out his own little space on the indie horror scene with the Jack in the Box franchise, which began with 2019’s The Jack in the Box and continued with 2022’s The Jack in the Box: Awakening. Up next? The Jack in the Box Rises.

The brand new sequel comes to VOD and DVD Today from 4 Digital Media.

In this third installment, “When Raven is sent to an all-girls boarding school, she unleashes a demon from a mysterious vintage Jack-in-the-box hidden on the school grounds.

Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between.

Today we talk to an independent film legend. Some have called him the “East Coast Roger Corman,” though that’s short-changing Larry Fessenden a bit. Though his production company Glass Eye Pix has been around since the mid-80s, Fessenden made a name for himself with the mid-90s indie horror classic Habit, in which he wrote, directed, and starred as an alcoholic New Yorker who starts dating a vampire. Or so he thinks.

Fessenden has a new movie available on VOD on April 12––Blackout––as we speak, one that connects to both Habit and his 2019 film Depraved. We talk about this with Fessenden, as well as his love for the classic Universal Monster Films, the evolving...

Dark Sky Films will be giving Blackout, the latest genre film from writer/director Larry Fessenden, a one week theatrical release at the IFC Center in New York City beginning on March 13th, and that theatrical engagement will feature special cast appearances and a Q&a. The film will then be receiving a nationwide release on digital platforms and VOD as of April 12th. In anticipation of those release dates, a trailer for Blackout has been unveiled, and you can check it out in the embed above.

Blackout has the following synopsis: Painter Charley wakes up in an upstate motel where he appears to have been living for some time. After he packs and leaves he encounters various people in the small town where everybody knows your name. Charley is saying goodbye to the estranged love of his life, Sharon, and settling his affairs with a manic urgency that culminates...

Larry Fessenden (Habit, Depraved) is back with new werewolf horror movie Blackout, and the official trailer has been unleashed today along with release information.

Dark Sky Films will first bring the modern day werewolf movie to theaters in NYC on March 13, followed by a wider release on Digital/VOD at home on April 12, 2024.

The film’s one week exclusive NYC theatrical engagement will take place at the IFC Center beginning March 13th, and it will feature special cast appearances and a Q&a.

Blackout marks the second pairing of Glass Eye Pix, the New York production shingle headed by Fessenden, and Yellow Veil Pictures, having previously collaborated successfully on world sales for Fessenden’s 2019 Depraved, which was released by IFC Midnight in the US.

The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf.

Body-snatching aliens attempt to navigate love in the modern world in genre-bending comedy The Becomers, and Dark Star Pictures announced today that they’ve acquired it for release.

In The Becomers: “Dropped to Earth and escaping their dying planet, the two extraterrestrials (played by a sequence of actors) seek each other out —jumping from body to body— on our planet while becoming increasingly drawn into the madness of modern-day America.

Written, directed, and edited by Zach Clark (Little Sister), the film was shot in Chicago and stars Molly Plunk (Little Sister, Profane), Mike Lopez (All Jacked Up and Full of Worms, Crimes Against Humanity), Frank V. Ross (Drinking Buddies), Isabel Alamin, and Keith Kelly, and features the voice Russell Mael, lead singer of the explosive pop-rock band Sparks. The Becomers is produced by Joe Swanberg (Depraved, The Rental), and Edwin Linker (Saint Frances, Queen of Earth) of Slasher Films.

Clark...

Author Mary Shelley has inspired horror creators since the 1800s, but never like Lisa Frankenstein. Zelda Williams brings Diablo Cody's undead teen romance to life like the second coming of early Tim Burton, harvesting an uncanny gothic romance from spare human parts. It's caught somewhere between Riverdale, Edward Scissorhands, and Warm Bodies, a good crossroads to call home. Williams and Cody inject surges of teen girl empowerment through their morbidly adorable Frankenstein tale, which can feel like a hammy 1980s sitcom, yet transcends expectations with an avalanche of campy, almost wall-breaking silliness.

Kathryn Newton shines as the horror-loving Lisa Swallows, a high school recluse who rarely speaks after the axe murder of her mother. Lisa now lives as a black sheep with her cheerleader stepsister "Taffy" (Liza Soberano), high-strung stepmother Janet (Carla Gugino), and easygoing father Dale (Joe Chrest). Taffy tries to help socialize her squirrely new sibling, but...

Larry Fessenden (Wendigo, Habit, Depraved) is back with a new werewolf horror movie titled Blackout, and THR reports today that it’s found a home at Dark Sky Films.

Dark Sky Films has acquired North American rights to Blackout, and they’re aiming to release Fessenden’s latest in theaters and on Digital outlets in the first quarter of 2024.

Blackout marks the second pairing of Glass Eye Pix, the New York production shingle headed by Fessenden, and Yellow Veil Pictures, having previously collaborated successfully on world sales for Fessenden’s 2019 Depraved, which was released by IFC Midnight in the US.

The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf. He distances himself from those he loves and sinks deeper into solitude, his flashes of memory of his nighttime grisly acts manifested through...

The following post contains spoilers about "Killers of the Flower Moon."

The horrors inflicted upon the Osage people during a string of ghastly murders throughout the 1920s are among the worst atrocities ever committed against Indigenous Americans. Anyone familiar with U.S. history during the Old West will know that's saying a lot. Based upon the 2017 book by David Grann, director Martin Scorsese's "Killers of the Flower Moon" uncovers the systematic infiltration of nefarious white men into the lives and affairs of the Indigenous Osage Nation after vast deposits of oil were found on their land. The enormous wealth the Osage possessed led to a string of mysterious deaths that were always deemed accidental or never investigated in the first place. 

As the murders piled up, men like Ernest Burkhart (Leonardo DiCaprio) and Bill Smith (Jason Isbell) married into Osage families and waited patiently for their share of the...

Stop Making Sense, the remastered concert film that sowed delight at TIFF, opens on 300 Imax screens in the U.S., Canada, U.K. and Ireland. Locations Stateside number 260 ahead of a nationwide release next week.

The 1984 Talking Heads extravaganza from Jonathan Demme is presented in its new iteration by A24 — meaning the decades-old movie can now extend its reach to a new, younger audience that is A24’s core fan base. Opening numbers are hard to gauge since there aren’t many comps but there are parties, discos, stars and sellouts with film looking at about $1.5 million, including Thursday previews.

A 40th anniversary large-format special premiere screening at the Toronto Film Festival earlier this month had people dancing in the aisles and broke Imax records. It was the company’s highest grossing live event, earning $640.8k and selling out 25 screens across 165 Imax locations in North America and the BFI Imax in London.

Submarine Entertainment is picking up worldwide sales rights on Chris Skotchdopole’s feature directorial debut “Crumb Catcher.” The move comes just ahead of the darkly comic thriller’s Fantastic Fest world premiere.

Skotchdopole wrote, directed, edited, and produced the movie and Submarine Entertainment, a notable sales and production company, will launch sales out of the festival, which runs from Sept. 21 to Sept. 28 at the Alamo Drafthouse South Lamar in Austin, Texas. “Crumb Catcher” was described by Fantastic Fest programmer Anna Bogutskaya as a “chamber piece that melds extreme anxiety with the worst salesmanship imaginable.” The film follows a newlywed couple held captive by an entrepreneur desperate to finance his outlandish invention with a blackmail plot.

With ten years of experience working with Glass Eye Pix, the New York independent genre production outfit led by horror auteur Larry Fessenden, Skotchdopole has amassed numerous credits on several films, including working as the cinematographer on Fessenden’s “Depraved,...

In the world of horror, few creatures have captured the imagination quite like The Werewolf. From the classic Universal Monster movies to the 80s hits so good even the Academy Awards had to take notice, the werewolf has always been a symbol of the wild, untamed nature within us all. Larry Fessenden, a name synonymous with indie horror, has unleashed his own take on the werewolf mythos with Blackout which recently celebrated its World Premiere at the 2023 Fantasia Film Festival.

In Blackout a Fine Arts painter finds himself tangled in a hairy situation, convinced that he's a werewolf causing chaos in a small American town during the full moon. That's right, Fessenden has painted a picture where the full moon isn't just for romantic nights but a time for unleashing the beast within.

“I've always loved werewolves […but] The werewolf story is always a little harder to get right”

Fessenden's fascination with werewolves is no secret.

Lights, camera, howls! Larry Fessenden's latest indie gem Blackout recently celebrated its World Premiere at the 2023 Fantasia Film Festival. An expansion of Fessenden's contemporary remix of the Universal Classic Monster stories (a welcome choice with the failed Dark Universe project on the back burner for the foreseeable future), Blackout stars Alex Hurt as the cursed hairball, with supporting performances from genre icon Barbara Crampton (also appearing at Fantasia in Joe Lynch's Suitable Flesh), Rigo Garay (The Leech), Jeremy Holm (The Ranger), and Marshall Bell (Total Recall) as small-town America's asshole extraordinaire.

Charley Barrett is an artist and struggling alcoholic who is desperate to get his life in order before the next full moon. Perpetually 24 hours from leaving town for good, Charley attempts to make amends with the loved ones he's hurt through his addiction, and atone for the corporate sins of his father that threaten to destroy his hometown.

Filmmaker and horror stalwart Larry Fessenden has dedicated an extensive career to independent horror. Fessenden continues to deliver unique interpretations of familiar movie monsters, from the vampiric Habit to a modern Frankenstein retelling with 2019’s Depraved. His latest, Blackout, brings a contemporary horror drama centered around a Wolfman.

Blackout, which just debuted at Fantasia International Film Festival (our review), follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf.

After the film’s premiere, Bloody Disgusting spoke with the multi-hyphenate writer/director/editor/producer about his love of monsters, his old-fashioned werewolf, and what he’d love to tackle next.

Blackout may be modern in storytelling, but its werewolf harkens back to the bipedal Wolfmen of the ’30s and ’40s. That was always Fessenden’s vision.

He explains his werewolf design, “Ever since I was little,...

Indie horror icon Larry Fessenden is back in the director’s chair with Blackout, a film about the pain of addition and becoming something you don’t want to be. Having tackled vampires in 1995’s Habit and Frankenstein’s monster in 2019’s Depraved, Fessenden finally has his werewolf movie in the solid creature feature Blackout. Opening with a classic stalking sequence following a pair of adventurous lovers in a field, Blackout introduces us to the werewolf terror immediately as the monster tears the canoodlers to shreds before the opening credits roll. We quickly move on to meet Charley Bartlett (Alex Hurt), the above-mentioned monster, only he’s currently in human form and obviously in search of absolution for his many sins. He’s determined to not only set things right...

[Read the whole post on screenanarchy.com...]...

Larry Fessenden is back with a new werewolf horror movie titled Blackout, and Bloody Disgusting has some exclusive first-look imagery to share today.

Check out the images below and read on for everything you need to know…

Blackout marks the second pairing of Glass Eye Pix, the New York production shingle headed by Fessenden, and Yellow Veil Pictures, having previously collaborated successfully on world sales for Fessenden’s 2019 Depraved, which was released by IFC Midnight in the US.

The film follows small town artist Charley (Alex Hurt), a tortured man whose drinking binges blur with his sneaking suspicion that he might likely be a werewolf. He distances himself from those he loves and sinks deeper into solitude, his flashes of memory of his nighttime grisly acts manifested through his artwork

Blackout is the third film in Fessenden’s monster trilogy, following Habit (vampires) and Depraved (Frankenstein). This film continues...

Exclusive: Arthouse distro Circle Collective has acquired worldwide rights to Luca Balser’s (Uncut Gems) NYC anthology film What Doesn’t Float, starring and produced by Pauline Chalamet (Sex Lives of College Girls), and shot by DPs Sean Price Williams (Good Time) and Hunter Zimny (Good Time).

The film is set to make its world premiere at the Lighthouse Film Festival this month and will be released theatrically in the U.S. from September with an international fest tour planned in the fall/winter.

What Doesn’t Float stars Chalamet, genre filmmaker and actor Larry Fessenden (Depraved), and Keith Poulson (Pvt Chat) as New Yorkers at their wit’s end. Script comes from Shauna Fitzgerald and Rachel Walden (Funny Pages) also produces.

The project is the first from NYC-based production company Gummy Films, headed by Chalamet, Balser and Walden who last month attended the Cannes Film Festival with their short film Lemon Tree...

He may have been preceded by characters like Lord Ruthven and Carmilla, but Dracula is still the quintessential vampire, with Bram Stoker’s iconic novel boasting over two hundred cinematic adaptations and inspiring most modern vampire media. That being said, vampire movies have long worked their way out from beneath the shadow of Stoker’s gothic opus, offering up insanely varied stories about our favorite blood-sucking beasts.

And with Chris McKay’s upcoming Renfield proving that there are still fresh spins to be had on the Dracula formula, we’ve decided to come up with a list celebrating six of the most under-appreciated vampire movies out there. After all, there’s nothing like discovering a hidden gem within a sea of similar genre flicks.

To be featured on this list, a movie needs to be specifically about vampires (that means no other supernatural creatures like werewolves) and has to approach...

Brooklyn 45 Poster Released: "Friday, December 27, 1945. Five military veterans gather in the ornate parlour of a Brooklyn brownstone. Best friends since childhood, they’ve reunited to support their troubled host – but when his invitation for cocktails turns into an impromptu séance, the metaphoric ghosts of their past become all-too-literal. Trapped in their host’s lounge, the Greatest Generation now finds themselves put to one final test...with their only route to freedom being more bloodshed."

Starring Anne Ramsay (A League of Their Own), Larry Fessenden (Depraved), Ron E. Rains (The Onion’s Film Standard), Jeremy Holm (House of Cards), Ezra Buzzington (The Hills Have Eyes), Kristina Klebe (Rob Zombie’s Halloween)

**2023 SXSW Film Festival - World Premiere - Midnighters**

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The Laundrymen: The Laundrymen, a new supernatural graphic novel series, has been fully funded on Kickstarter, but you can still preorder your copy at laundrymen.ca

"The Laundrymen follows two mercenary...

Like every good cinephile out there we love ourselves a great movie poster and this 1940s inspired poster for Ted Geoghegan's upcoming Brooklyn 45 is no exception. What a thing of beauty. Geoghegan says that this poster was hand painted by Marc Schoenbach of Sadist Art Designs. Brooklyn 45 is having its world premiere at SXSW this Sunday! Written & Directed By Ted Geoghegan Starring Anne Ramsay (A League of Their Own), Larry Fessenden (Depraved), Ron E. Rains (The Onion’s Film Standard), Jeremy Holm (House of Cards), Ezra Buzzington (The Hills Have Eyes), Kristina Klebe (Rob Zombie’s Halloween) **2023 SXSW Film Festival - World Premiere - Midnighters** Friday, December 27, 1945. Five military veterans gather in the ornate...

[Read the whole post on screenanarchy.com...]...

Unicorn Wars: "It’s Bambi meets Apocalypse Now in this provocative and strangely beautiful horror comedy from acclaimed filmmaker and illustrator Alberto Vazquez (Birdboy: The Forgotten Children), who uses its outrageous candy-colored premise to explore religious zealotry, the tortured legacies of military fascism, and the depths of the soul.

For ages, teddy bears have been locked in an ancestral war against their sworn enemy, the unicorns, with the promise that victory will complete the prophecy and usher in a new era. Aggressive, confident teddy bear Bluet and his sensitive, withdrawn brother Tubby could not be more different. As the rigors and humiliation of teddy bear bootcamp turn to the psychedelic horrors of a combat tour in the Magic Forest, their complicated history and increasingly strained relationship will come to determine the fate of the entire war."

Director/Writer/Art Director: Alberto Vázquez Executive Producers: Chelo Loureiro, Iván Miñambres, Nicolas Schmerkin...

Yellow Veil Pictures announced today they have boarded world sales on Blackout, Larry Fessenden’s werewolf horror film that’s currently in post-production, and have released the first teaser poster. The film wrapped principal photography in the fall in New York’s Hudson Valley and will hit the festival circuit later this year.

Blackout marks the second pairing of Glass Eye Pix, the New York production shingle headed by Fessenden, and Yellow Veil Pictures, having previously collaborated successfully on world sales for Fessenden’s 2019 Depraved, which was released by IFC Midnight in the US to great acclaim.

The film follows a fine-arts painter convinced he is a werewolf wreaking havoc on a small American town every full moon. It is the latest addition to Fessenden’s own Monsterverse, along with his breakout feature, the vampire-themed Independent Spirit Award-Winning feature Habit (1995) and 2019’s Frankenstein riff, Depraved.

Winner of the 1997 Someone to Watch Spirit Award,...

Yellow Veil Pictures announced it has boarded world sales on Larry Fessenden’s upcoming horror film “Blackout,” and also released the film’s first teaser poster. The film, which is currently in post-production, will begin the festival circuit later in 2023 after finishing its photography in Hudson Valley, New York this past fall.

“Blackout” depicts a painter who, convinced he is a werewolf, creates chaos in a small town at each full moon.

The horror film joins Fessenden’s own “monsterverse,” with the New York-based actor and filmmaker’s vampire-themed breakout feature “Habit” (1995) and Frankenstein-inspired “Depraved” (2019).

“Blackout” is the second partnership between Yellow Veil Pictures, a New York City and Los Angeles-based film sales and distribution company, and Glass Eye Pix, an American independent film studio Fessenden founded where he serves as CEO. The two joined forces on world sales for “Depraved,” which was released by IFC Midnight in the United States.

Second collaboration with Glass Eye Pix after 2019’s Depraved.

Yellow Veil Pictures has boarded world sales on Larry Fessenden’s werewolf horror Blackout and will launch talks with buyers at the EFM later this month.

The film wrapped principal photography last autumn in New York’s Hudson Valley and is currently in post-production. The filmmakers anticipate a festival circuit run later this year.

Blackout marks the second collaboration between Fessenden’s New York production company Glass Eye Pix and Yellow Veil Pictures after Depraved, a 2019 riff on the Frankenstein story which IFC Midnight distributed in the US.

It follows a...

Stars: Abby Quinn, Alexxis Lemire, Shiloh Fernandez, Katey Sagal, Joshua Leonard, Alon McKlveen | Written by Rachel Koller Croft | Directed by Brea Grant

Torn Hearts is actress Brea Grant’s follow-up to her directorial debut, 12 Hour Shift. Here she’s turned her attention to the music industry. And while genre films about the price of fame stretch from The Phantom of the Opera to The Phantom of the Paradise and The 27 Club most of them are set in the world of rock, and frequently heavy metal. The closest I can think to a county-themed one is the Faustian Southern Rock tale Dark Roads 79.

Torn Hearts is both the title of the film and the name of the musical act led by Jordan and Leigh. They’re desperate to go from popular in Nashville to the big time and it looks like they’re about to get their chance as an...

Larry Fessenden in Habit. Image courtesy Glass Eye Pix.In Kelly Reichardt’s Wendy and Lucy (2008), Michelle Williams’ road-tripping heroine has a harrowing nighttime encounter with a derelict played by Larry Fessenden—a witty bit of casting calling back to the latter’s starring role in Reichardt’s 1994 debut, River of Grass. There, a leaner, lankily handsome Fessenden essayed an Everglades variation on Martin Sheen, except that instead of a charismatic crackshot, his character Lee is a hopeless fuckup who can’t handle his borrowed gun; in a genre full of wrong men on the run for murders they never committed, he may be the only one who failed to hit the target in the first place. It’s possible to imagine that Fessenden’s unnamed, unmoored character in Wendy and Lucy is Lee fifteen years later, still on the outside looking in and relocated to the Pacific Northwest. Even if not,...

Larry Fessenden has been instrumental in the evolution and popularity of indie horror, not only through his own directorial efforts via Glass Eye Pix, but by supporting diverse and unique voices as well. Over nearly four decades, Larry Fessenden and Glass Eye Pix have amassed an incredible portfolio of features, shorts, and animation, and it will all be highlighted at in New York at The Museum of Modern Art (MoMA) March 30 through April 19. Featuring an in-person and online program, we have all the details on the special events and screenings, including the premiere of Jack Fessenden's Foxhole!

"Glass Eye Pix, the New York independent production shingle headed by art-horror auteur Larry Fessenden, is pleased to announce that a retrospective of 26 feature films along with numerous shorts, animations, and early works created during its 37 years of operation, is being presented by The Museum of Modern Art (MoMA) March 30 through April...

Ashley Benson, Shiloh Fernandez, Logan Miller, Frank Whaley and Jay Pharoah are starring in “Private Property,” a remake of the 1960 noir film of the same title.

The movie recently wrapped production in Los Angeles and was written, produced, and directed by Chadd Harbold. The original film, written and directed by “Outer Limits” creator Leslie Stevens, was out of circulation for 30 years and considered lost, until it was restored and re-released by Cinelicious Pics in 2016 to critical acclaim.

In the remake, Benson stars as Kathryn, a struggling actress and unfulfilled housewife who becomes involved with her new gardener Ben, played by Fernandez. As he gives her the attention and sensitivity she craves, they start to fall for each other. But, in true noir fashion, Ben is not all that he seems.

Benson is best known for her work in “Spring Breakers,” “Her Smell” and the teen mystery-drama series “Pretty Little Liars.

Oscilloscope Laboratories has acquired U.S. rights to “Stanleyville,” starring “Goodnight Mommy’s” Susanne Wuest, ahead of the film’s world premiere at this month’s Fantasia Film Festival.

One of the high-profile Fantasia deal announcements, the pick-up, brokered with Yellow Veil Pictures, will see Oscilloscope open “Stanleyville” in U.S. theaters this Winter.

“Stanleyville” marks the feature film debut of Canadian actor-turned-director Maxwell McCabe-Lokos, who has appeared in a slew of movies and TV series, including “Antibirth,” “Lars and the Real Girl,” “The Incredible Hulk” and “Tin Star.”

Directed by Bruce McDonald, McCabe-Lokos’ first feature screenplay, “The Husband,” which he starred in, premiered at Toronto 2013. His directorial debut, 2016 short “Ape Sodom,” and 2017 short “Midnight Confession” were also both selected for Toronto.

Written by McCabe-Lokos and Rob Benvie, who also took a co-scribe credit on “Midnight Confession,” “Stanleyville” brings McCabe-Lokos’ satirical vision of the state of the modern world to...

Yellow Veil Pictures is launching a new North American distribution arm and has secured its first release in Frida Kempff’s “Knocking.”

The announcement comes in advance of the Cannes market this month and marks an important step forward in the evolution of the sales outfit, which has carved out a niche for itself in the arthouse genre sector.

“Knocking,” which screened in Sundance, will have a theatrical and digital release this fall. It marks the feature debut for Kempff who, in 2010, saw her short “Bathing Mickey” take home the Prix du Jury at Cannes. The film stars Cecilia Milocco as Molly, who after suffering a traumatic incident moves into a new apartment to begin her path to recovery. It’s not long after her arrival that a series of persistent knocks and screams begin to wake her up at night. Molly’s new life begins to unravel as the...

Film will get theatrical , release in autumn and stars Cecilia Milocco.

Arthouse genre sales specialists Yellow Veil Pictures have launched a North American distribution arm and are planning their first release, Kempff’s Swedish Sundance thriller Knocking.

The film will get a theatrical and digital release in autumn and stars Cecilia Milocco as a young woman who moves into a new apartment after suffering a traumatic event and is plagued by a series of persistent knocks and screams.

Emma Broström adapted the script from Johan Theorin’s novel and Erik Andersson produced for Läsk in collaboration with Svt and the...

Depraved, Harpoon, and Sator sell for New York and LA-based company.

New York and Los Angeles-based sales company Yellow Veil Pictures has announced at virtual AFM a raft of sales on genre festival selections Honeydew, Depraved, Harpoon, and Sator, among others.

Signature Entertainment has acquired all UK and Ireland rights for Honeydew in the UK and plans a late first quarter release through its genre label Frightfest Presents.

I-On New Media has picked up German-speaking Europe to Devereux Milburn’s debut feature, which was originally set to premiere at Tribeca in the Midnight section and centres on a young couple...

Shudder has released this year's "Ghoul Log" and it was created by Trick ‘r Treat director Michael Dougherty! The "Sam O'Lantern" is now available on Shudder and here are more details straight from the horror streaming service:

New York, NY – October 2, 2020 – Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, has debuted this year’s “Ghoul Log,” a 24/7 streaming jack-o’lantern, created by Trick ‘r Treat director Michael Dougherty (Godzilla: King of the Monsters). The Ghoul Log Trick ‘r Treat Sam O’Lantern is inspired by his beloved film from Legendary Entertainment and its iconic star, Sam, the mischievous spirit of Halloween who enforces the holiday’s ancient traditions. It is available to stream on Shudder now, both on-demand and soon 24/7 via the in-app Shudder TV feed.

Log line: On a dark, autumnal street, the Sam O’Lantern blazes to life. While the pumpkin burns, keep your...

“Isolation,” a horror anthology film, has finished its principal photography shooting entirely in quarantine.

The film weaves together nine standalone, yet interconnected, horror stories from all corners of the world. It follows people as they confront their biggest fears in attempts to survive an increasingly deadly pandemic, a premise that hits close to home for many people during the coronavirus crisis.

The teams of filmmakers on the project include Dennie Gordon; Larry Fessenden; Bobby Roe (“The Houses October Built”); Andrew Kasch (“Tales Of Halloween”); Zach Passero (“Wicked Lake”) and Christian Pasquariello (“Alien Invasion: S.U.M. 1”). The anthology will also showcase new voices in horror with films by Alexandra Neary (“The Innocent”), Alix Austin and Keir Siewert (“Retch”), and Kyle I. Kelley and Adam Brown (“The Music Lesson”).

For “Isolation,” producer Nathan Crooker created a fictional world set many months in the future that is based around the coronavirus pandemic.

In an aim to help now-shuttered independent theaters, IFC Films will allow cinemas to screen 200 of its library titles for free once they open back up. The distributor hopes that favorites like “Frances Ha,” “Y Tu Mamá También,” and even “The Human Centipede” will help drive audiences back to theaters in the coming months, a time when fewer and fewer new releases are being scheduled.

The Indie Theater Revival Project‘s offerings will be available to theaters beginning May 29, with traditional rental fees for library titles waived for theaters in the first 30 days that they’re open, starting from whatever date they reopen their doors. That means more money in the pockets in the form of ticket sales for local theater owners who have been faced with a near-zero revenue stream after closing their doors last month.

More from IndieWireHow France Is Supporting Its Film Industry During a Global CrisisWhy...

Curated retrospectives include Cannes winners, genre, family documentaries.

IFC Films has launched The Indie Theater Revival Project and curated 20 retrospective programmes for Us theatres when they emerge from lockdown, offering library titles for free during the first month they open.

The selections comprise approximately 200 films spanning IFC Films’ 20-year history – the company celebrates its anniversary this year – and IFC Films said on Tuesday (21) it will make them available to cinemas starting on May 29.

Theatres will be able to book any number of the retrospective programmes, in part or in total, any time through the first month after they reopen. No...

Curated retrospectives to be made available for participating theatres.

IFC Films announced on Tuesday (21) The Indie Theater Revival Project and has curated 20 retrospective programmes for Us theatres to screen when they reopen in the weeks and months ahead.

The selections comprise approximately 200 films spanning IFC Films’ 20-year history – the company celebrates its anniversary this year – and will make them available to cinemas starting on May 29.

Theatres will be able to book any number of the retrospective programmes, in part or in total, any time through the first month after they reopen. No film rental will be due for any of...

In an effort to help independently-owned movie theaters recover from the coronavirus pandemic, IFC Films announced on Tuesday that it will offer over 200 of its films to those theaters without any rental fees. This will help give those theaters some classic films to screen when they reopen while they wait for new films to be released.

“Independent theaters across the country have been essential partners for us at IFC Films, and we would not be where we are today without their support,” the distributor announced in a statement. “We wanted to take the first step and let theaters know that we are committed to helping them reopen their doors by providing a selection of films to program while the new release landscape gets back to normal.”

Dubbed “The Indie Revival Project,” the program will offer selections from IFC’s catalog in various curated packs, including a “Yes We Cannes!” program...

IFC Films is offering embattled indie theaters hundreds of films from its library to screen when they re-open from their mass Covid-19 related shutdown.

The movies, which include such IFC classics as “Y Tu Mama Tambien” and “Boyhood,” will be made available to cinemas without any rental fees. The retrospective program boasts roughly 200 films. Theaters will not be charged any film rental.

“We are honoring the partnership we’ve had with theaters over the last 20 years and we’re sending them a message of solidarity and gratefulness,” said Lisa Schwartz, co-president of IFC Films. “They’ve been with us since beginning and when they come back, we want to be there with them.”

The indie studio is currently celebrating its 20th anniversary and had been putting together programming to honor the occasion. After coronavirus closed most theaters in March, IFC began to rethink its plans.

“This was a positive way...

Exclusive: U.S. sales outfit Yellow Veil Pictures has scored a raft of territory deals across its slate, including a five-picture deal with Australia/New Zealand releaser Umbrella Entertainment.

Umbrella has picked up territory rights for Rob Grant’s lost-at-sea crowd-pleaser Harpoon, Josh Lobo’s mystery-horror I Trapped The Devil, Jack-Henry Robbins’ retro comedy VHYes, Joel Potrykus’ apocalypse comedy Relaxer, and Larry Fessenden’s horror thriller Depraved.

Yellow Veil has sold four titles to Spanish outfit Wild Duck Productions: Depraved, I Trapped The Devil, as well as A.T. White’s cosmic-horror Starfish, and Tilman Singer’s German thriller Luz; HBO Europe has boarded Luz for Central and Eastern European countries.

Finally, German releaser Koch Films has taken Harpoon for German-Speaking Europe, and The Great Company has taken the movie for South Korea. In Harpoon, rivalries, dark secrets, and sexual tension emerge when three best friends find themselves stranded on...

While 2019’s home media releases ended on a quiet note, taking off the week of Christmas and New Year’s, this first Tuesday of 2020 is more than making up for it with an array of titles that should delight horror and sci-fi fans of all tastes. In terms of recent films, both Robert Eggers’ The Lighthouse, Travis Stevens’ Girl on the Third Floor are making their way to Blu-ray and DVD this week, Michael Beach Nichols' documentary Wrinkles the Clown is coming to DVD from Magnet Releasing, and Scream Factory is releasing Larry Fessenden’s take on Frankenstein—Depraved—as well.

Kino is showing some love to the sci-fi classic Doctor Cyclops, and Rlje Films is keeping busy with both The Shed and The Nightshifter this Tuesday. Other notable releases for January 7th include Trespassers, Cosmos, Dark Encounter, Mermaid Down, Savage Creatures, and Dark Light.

Depraved

The legend of Frankenstein...

In his latest podcast/interview, host Stuart Wright enjoyed the pleasure of talking to Depraved‘s writer/director, and horror legend, Larry Fessenden. Check out our review of the film – which tells the story of a disillusioned field surgeon suffering from Ptsd makes a man out of body parts and brings him to life in a Brooklyn loft – from it’s Frightfest 2019 screening right here.

Depraved is out now in UK on pay for digital platforms via Blue Finch Films: bluefinchfilms.com/coming-soon/depraved/#main Tales From Beyond the Pale is a beautifully scary radioplay series/podcast from Glass Eye Pix. Check it out here talesfrombeyondthepale.com Larry Fessenden’s Glass Eye Pix company has been a producer of fierce indie media since 1985. Visit their online store for exciting genre titles such as Stakeland, House of the Devil, The Ranger, I Sell the Dead and many more… glasseyepix.com...

Hulu is out with its monthly list of everything coming and going. This December, new additions include Season 6 of “Younger,” two new episodes of “Into the Dark,” and Season 3 of “Marvel’s Runaways.”

According to Hulu’s description, here’s what’s going on in the the new season of “Younger”: “After Liza lands her dream job by posing as a millennial, she realizes that the truth is much better than fiction.” That’s out Dec. 3.

Season 3 of “Marvel’s Runaways,” in which the Runaways search for their captured friends, is out Dec. 13.

Also Read: FX Moves 4 Shows to Hulu, Will Produce Original Series for Streaming Service

On Dec. 6, “Into The Dark: A Nasty Piece of Work” finds a mid-level employee at a big company faced with a challenge: in order to climb the corporate ladder, he must beat his co-worker in a violent competition.

On Dec. 27 comes “Into The Dark: Midnight Kiss,...

Larry Fessenden is an American director, producer, writer, actor, and overall force to be reckoned with. A true indie film pioneer in the horror world, Larry’s career highlights include 1995’s gritty vampire drama Habit, 2001’s Wendigo, and The Last Winter, Starring Ron Perlman. Larry’s latest movie, Depraved, is a gritty and modern take on Frankenstein, […]

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