The regrettable influence on porn Paul Chaplin delivers another crummy video, directed by "Max Cool" (I'm coming to believe a pseudonym for Chaplin) and consisting of seven vignettes set atop a London high-rise building with an impressive view of the Thames. My chief enjoyment in watching such a Bluebird junker is the knowledge that few if any others will ever suffer through it.
It's not terrible or distinctive, merely mediocre -like the lion's share of Chaplin & Bluebird's output. Professionalism is all that's called for, so Tanya Tate is most convincing as a buxom Real Estate Agent showing the penthouse suite, and humping the customer played by Chaplin himself. He pops up in another scene as well, and adopts the hokey gimmick of not showing his face on screen -hardly a novelty as I've seen him use that ploy in many a Bluebird release. Segment is titled "Sale", a stupid title as are all the others, e.g., "Service", "Interview" and "Fashion".
In that vein, "Analyst" features Kaia Kane as the shrink, with Chaplin as his patient. Perhaps yet another Britishism way beyond my knowledge base, the finale is called "Walkers", a pantomime of S&M in which Jodie James, perhaps BLuebird's best kept secret (she starred in their very odd "children's horsey tale for dirty adults" Black Beauty), smokes a cigarette while busty dominatrix Alexis May humps her slave played by Clarke Kent, hiding under his other alternate moniker Seb (short for Sebcam, a play on webcam).
Many big names on the Bluebird payroll put in an appearance, with Cindy Behr playing two different parts in adjacent scenes, and Emma Butt teaming up with Romana Ryder for a solid threesome as auditioning pole dancers -director Max dispensing with the dancing in favor of f*cking.
