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On Monday December 16 2024, Travel broadcasts Mysteries of the Unknown!

Blinded in Space, Flying Forever and Invention of Bubble Wrap Season 3 Episode Summary

The upcoming episode of “Mysteries of the Unknown” is titled “Blinded in Space, Flying Forever and Invention of Bubble Wrap.” This episode promises to delve into some intriguing topics, exploring the mysteries that surround them. Don Wildman, the show’s host, will guide viewers on this fascinating journey as he uncovers extraordinary artifacts that relate to these unusual subjects.

In this episode, Don Wildman will investigate the story behind the phrase “blinded in space.” This phrase hints at a mysterious event or phenomenon that has puzzled many. The exploration aims to shed light on what really happened and what it means in the context of space exploration.

Another topic in this episode is the concept of “flying forever.” This could refer to various legends or scientific theories related...

The upcoming episode of “Mysteries of the Unknown” promises an exciting journey into the past as Don Wildman explores fascinating artifacts. Titled “Blinded in Space, Flying Forever and Invention of Bubble Wrap,” this episode will air on Monday, December 16, 2024, at 8:00 Pm on Travel.

In this episode, Don dives deep into some of history’s most intriguing mysteries. He will uncover stories behind unusual artifacts that shed light on events and inventions that have shaped the world. From the curious tales of space exploration to the unexpected origins of everyday items like bubble wrap, viewers can expect a mix of wonder and discovery.

Don’s knack for storytelling and his passion for history make each artifact come alive. As he investigates these extraordinary items, he seeks to answer questions that have puzzled people for generations. This episode is sure to captivate anyone interested in the hidden stories of our past,...

How well do we know each other? Is it even possible to know a person “well” nowadays, with our varieties of lifestyles and diversified sources of information? What if it is a family member? A close relative? What happens with us when the mentioned close person dies? Does our perception change? What does the grieving process look like according to that, even though there is no formula for grieving?

Those are the questions the subject/protagonist/co-author of the film Invention has to face. Starring Callie Hernandez, directed by Courtney Stephens and written by both of them, it tells the meta-fictional, mostly true story of Hernandez’s experience of losing her father whom she barely knew outside of his public persona as an eccentric telemarketer. Since the premiere at this year’s Locarno, it has been touring the festivals, including Italy's Lanceono D'oro, spawning a discussion more about its categorisation than about its qualities.

Courtney Stephens’ new film Invention blends fiction and reality in insightful ways. Callie Hernandez, who co-wrote the project with Stephens, stars as a woman dealing with the recent death of her father. He was an inventor and alternative health practitioner who left behind archival footage and a mysterious healing device.

Through its nuanced storytelling, Invention delves into how people process grief and make sense of loss. Stephens shot the film on 16mm, crafting a gentle yet thought-provoking style to match the hazy nature of Hernandez’s character’s emotional state. In meeting those who knew her father, she sees him through new eyes and questions perspectives on life, healing, and belief.

Blending personal experiences – Hernandez’s real father passed in 2021 – with imaginative elements, Invention takes an intimate look at these complex topics. It seamlessly brings fiction and non-fiction together to examine our instinct towards narrative when confronting the unexplainable. With compassion and complexity,...

Exclusive: Luke Brawley’s specialist non-fiction agency Indox has snapped up a trio of 2024 festival breakouts, including the TIFF debut title Blue Road – The Edna O’Brien Story by Sinead O’Shea (Pray For Our Sinners).

Blue Road is produced by Claire McCabe and Ellie Emptage and debuted as part of TIFF Docs. The pic is described as a deeply personal and captivating portrayal of Edna O’Brien, one of Ireland’s literary giants.

“I have loved working with Luke in the past and am excited to work with him again via Indox,” O’Shea said. “The world of film festivals can seem overwhelming but he is a smart and kind collaborator.”

Brawley has also added Locarno competition title Invention and Tribeca flick They’re Here from Daniel Claridge and Pacho Velez to his slate. Invention is a project co-created by director Courtney Stephens (The American Sector...

Following a decade of work in experimental and documentary cinema, director Courtney Stephens steps into fiction for the first time with Invention, a remarkably resourceful microbudget drama that nonetheless resists strict categorization. Starring and co-conceived by Callie Hernandez, the film draws upon the actress’s real-life relationship with her late father, a medical doctor turned small-time huckster who made a name for himself on local television talk shows and public access programs in the ’90s and 2000s. In this fictionalized telling set in the Berkshires, VHS footage of those TV appearances weave through a story in which Hernandez, playing a version […]

The post “America is Desperate for a Narrative”: Courtney Stephens and Callie Hernandez on Invention first appeared on Filmmaker Magazine.

Following a decade of work in experimental and documentary cinema, director Courtney Stephens steps into fiction for the first time with Invention, a remarkably resourceful microbudget drama that nonetheless resists strict categorization. Starring and co-conceived by Callie Hernandez, the film draws upon the actress’s real-life relationship with her late father, a medical doctor turned small-time huckster who made a name for himself on local television talk shows and public access programs in the ’90s and 2000s. In this fictionalized telling set in the Berkshires, VHS footage of those TV appearances weave through a story in which Hernandez, playing a version […]

The post “America is Desperate for a Narrative”: Courtney Stephens and Callie Hernandez on Invention first appeared on Filmmaker Magazine.

After the death of her father, Carrie (Callie Hernandez), the protagonist of “Invention,” finds herself the beneficiary of a patent for an electromagnetic healing device—modeled after one Hernandez’s own late father possessed, a flashing cylinder of multicolored tubes emitting odd electrical noises, looking like something straight out of a sci-fi movie.

Los Angeles-based director Courtney Stephens, speaking with Variety about her Locarno-premiering film “Invention,” describes the machine as “the mystery at the center of the film.” Unsure of what to make of it—or of her father’s death—Carrie struggles to process the loss of a larger-than-life figure: a doctor turned “spiritual healer,” and a man whose trustworthiness was always in question.

On the surface, “Invention” explores the universal human experience of grieving a complicated loved one. What sets the film apart, however, is its innovative format. Competing in the Concorso Cineasti del Presente category at this year’s Locarno Film Festival,...