58
Metascore
39 reviews · Provided by Metacritic.com
- 75Movie NationRoger MooreMovie NationRoger MooreAn adventure drama with sea legs, a story of heroism steeped in period detail, played with sympathy and stoicism by people who respect such old fashioned virtues.
- 70ScreenCrushMatt SingerScreenCrushMatt SingerIf The Finest Hours is light on surprises it’s still heavy on suspense, as the script by Scott Silver, Paul Tamasy, and Eric Johnson treats each new obstacle in Bernie and Ray’s paths as a new brainteasing puzzle with an impossible solution.
- 67The PlaylistNick SchagerThe PlaylistNick SchagerAn old-fashioned tale of heroism in the face of insurmountable odds, The Finest Hours is never less than aggressively hokey and manipulatively sentimental — and, in the end, better off for it.
- 60New Orleans Times-PicayuneMike ScottNew Orleans Times-PicayuneMike ScottDrama is one thing. Resonance is another. Without digging deeply enough, "The Finest Hours" seems content to capture the former while ignoring the latter.
- 58Entertainment WeeklyChris NashawatyEntertainment WeeklyChris NashawatyAn intermittently affecting, sanded-edge adventure that feels as if it trundled off the studio production line back when Eisenhower was in office.
- 50TheWrapAlonso DuraldeTheWrapAlonso DuraldeThis is the sort of film in which we’re told that a certain action is impossible, until it isn’t, or that a certain thing would never happen, and then it does, so even with all those lives on the line, the movie can’t effectively build up stakes or consequences.
- 50The Hollywood ReporterSheri LindenThe Hollywood ReporterSheri LindenAt the helm of this ultra-earnest entertainment, with its expository dialogue and meticulous visuals, Craig Gillespie isn’t able to conjure a stirring cinematic experience. The pieces don’t fuse so much as fit together, and much of the action feels instructive rather than immersive.
- 50VarietyAndrew BarkerVarietyAndrew BarkerPerhaps the worst one could say about Craig Gillespie’s film is that, rather than their finest hours, the whole cast and crew all put in a solid shift at the office making the movie, producing a perfectly entertaining, sometimes quite well-crafted disaster drama that nonetheless retreats from the memory almost as soon as the credits roll.
- 50Screen DailyJohn HazeltonScreen DailyJohn HazeltonThe climactic rescue sequence has tension and some thrills, but it’s over fairly quickly and the film settles back into a sentimental lull
- 50Slant MagazineChristopher GraySlant MagazineChristopher GrayA square journey through choppy waters, it boasts a Greatest Generation nostalgia so thoroughgoing it might as well be called Boys Becoming Men.