69
Metascore
38 reviews · Provided by Metacritic.com
- 90New York Magazine (Vulture)David EdelsteinNew York Magazine (Vulture)David EdelsteinThere isn't a banal moment in Winslet's performance--not a gesture, not a word. Is Winslet now the best English-speaking film actress of her generation? I think so.
- 88ReelViewsJames BerardinelliReelViewsJames BerardinelliRevolutionary Road is a fine motion picture, but it's not a good choice to lighten a burden or brighten a night. It rewards in the ways that only tragedies can.
- 88Rolling StonePeter TraversRolling StonePeter TraversDiCaprio is in peak form, bringing layers of buried emotion to a defeated man. And the glorious Winslet defines what makes an actress great, blazing commitment to a character and the range to make every nuance felt.
- 80NewsweekDavid AnsenNewsweekDavid AnsenInstead of losing myself in the story, I often felt on the outside looking in, appreciating the craftsmanship, but one step removed from the agony on display. Revolutionary Road is impressive, but it feels like a classic encased in amber.
- 80VarietyTodd McCarthyVarietyTodd McCarthyA near-perfect case study of the ways in which film is incapable of capturing certain crucial literary qualities, in this case the very things that elevate the book from being a merely insightful study of a deteriorating marriage into a remarkable one.
- I couldn't escape the fact that Revolutionary Road seems like a really, really good episode of "Mad Men." There's smoking, drinking, cheating and like the excellent TV show, the lure of a bigger better deal always rules the day. But the film differs in many ways once you get beyond surface appearances.
- 80New York Daily NewsJoe NeumaierNew York Daily NewsJoe NeumaierAs a whole, Sam Mendes' film of Revolutionary Road comes close but falls short of capturing Richard Yates' terrific novel.
- 75NPRBob MondelloNPRBob MondelloDirector Sam Mendes makes '50s suburbia a persuasively suffocating place — he did the same for '90s suburbia in "American Beauty," remember.
- 70The New YorkerDavid DenbyThe New YorkerDavid DenbyThere's a sourness, a relentlessness about the movie which borders on misanthropy. In both the social and the personal scenes, the conversational tone veers between idiotic pleasantries and fathomless bile, with nothing in between.
- 50The Hollywood ReporterKirk HoneycuttThe Hollywood ReporterKirk HoneycuttIn "Virginia Woolf," George and Martha are locked into a symbiotic, disturbingly needy relationship that absolutely feed off their acidic battles. But for Revolutionary Road's Frank and April Wheeler, you wonder: Why don't they just get a divorce?