Metacritic reviews

Overall, the film is smart and engaging, and if it plays a little on our fears of the next big terrorist attack, it does so without feeling exploitative.

Matthew Michael Carnahan's caffeinated script isn't much concerned with balance, but it gets some anyway, from the resonant images of culture clash that Berg catches on the fly and a remarkable performance from Ashraf Barhom.

A realist thriller that mixes crowd-pleasing mayhem with provocative politics.

A timely--if tepid--fantasy of American vengeance on the Qutbian extremists of Saudi Arabia.

Sensationally directed by Peter Berg, it’s a combination forensics detective movie (car bomb blows up secure American compound in Saudi Arabia--who dunnit and how can we stop him from doing it again?) and red-meat waste-the-terrorists action picture.

As a genre movie, The Kingdom delivers atmosphere, heroic American derring-do and some decent thrills, though director Peter Berg's approximation of a jerky documentary style suffers from its proximity to the more textured "Bourne Ultimatum."

Berg's movie is no more than an action movie with an exotic backdrop. That would be fine, if only the movie were more exciting. It succeeds neither as a pointed political commentary nor as a taut thriller.

A thumper of a movie, full of furious souls.

If the jingoism that permeates the latter half of The Kingdom does not sufficiently sour the experience of watching it, then the film's closing sentiments about the eternality of vengeance will surely do the trick.

So shameless is The Kingdom, ignoring consequence and treating its audience like cash-dispensing machines with buttons to be pushed rather than thinking individuals willing to consider the reality of America's entanglement with the Middle East.