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OK, so it isn't the best horror movie ever made, but it also isn't the worst.

The premise is reasonable (for a horror) and despite a few plot holes the film manages to build the suspense. Alba's acting is not exactly award winning, but she does enough to avoid you disbelieving the character.

The biggest gripe I have is that the ending is a bit of an anticlimax. After the build up (I think there should have been a bit more with the apartment residents) it just fizzled out.

Overall I wouldn't rush out to buy the DVD, but if there isn't anything else on, you could do worse.

With virtually every successful Asian horror movie of the last few years having already been remade by Hollywood, it was only a matter of time before Gin gwai (AKA The Eye) got the treatment, despite the original not really being all that great (I found it fairly entertaining, but unexceptional—my rating: 6/10).

Jessica Alba plays Sydney Wells, a blind violinist who receives a cornea transplant only to discover that her new set of peepers allow her to see much more than she had originally bargained for: Sydney can see dead people!! Aided by her doctor, she attempts to unravel the terrible secret behind her scary supernatural power.

Directed by David Moreau and Xavier Palud, The Eye is a totally unnecessary and dreary remake that copies parts of original verbatim, alters scenes that should have been left well alone (the creepy cafe meat-licking scene has gone, and the downbeat ending has been swapped for a typical Hollywood crowd pleaser), and totally botches what should be the scariest bit of the whole film (the lift scene is VERY disappointing).

Take my advice: If you've already seen Gin gwai, then stay away from The Eye.

So I haven't watched the original Eye movie by the Pang Brothers, but I guess with remakes these days, it doesn't really matter, since most of the time, the Hollywood remade version pales in comparison with the original, despite having a bigger budget, bigger stars and of course, better visual effects. And what almost always seem woeful, is the attempt to try and recreate the atmospherics for a spook fest that Asian horror had perfected, and I'm inclined to suggest that they should adapt the storyline (since there's a creative dearth of ideas), but leave the mimicking of mood at the door.

This is probably the first movie that Jessica Alba marquees, and comparisons would be abound for those who've watched the original to compare her to Angelica Lee's performance. But really, I don't think it matters, since all you need to do is to look scared. As blind violinist Sydney, Alba escapes the need to act blind given the cop out of using shades, coupled with the fact that her transplanted eyes allow for the camera to be out of focus for the most parts.

Things start to get interesting when she begins to see shadowy figures borrowed straight out of Pulse (yet another Asian horror remake), and these all get conveniently debunked by her doctor Paul (Alessandro Nivola who stars as the hopeless, formless Gavin Harris in the Goal movies), because if you're blind for so many years, your brain needs some major time out to absorb all the new sights you're constantly bombarded with. So goes as with standard horror fare, that those who can see spirits when others can't, are classified as nutcases. Alba's no scream queen as the proceedings don't allow her to exercise her lungs, and I swear there are just too many of those waking up from nightmare moments, and the clock ticking around 1:05am.

But credit is due though to the scenes which aim to frighten, and some did hit the mark even though they're the usual tools to surprise from the bag of Boo tricks. There are, to me, a major unexpected moment which I had to nod in acknowledgement of not seeing it coming (I had thought otherwise), but unfortunately, that was it. The latter half of the journey became a road trip movie which seeked answers, coupled with Hollywood's preoccupation of having to explain and show everything, leaving little to your imagination since everything was spelt out. While the story's not at fault, the way it's presented made this look like a standard mystery thriller, without the mystery, and without the thrills.

And the finale was a little lacklustre as it seemed to be styled in Final Destination fashion, making it look like it had no more rabbits to pull out of the hat. The Eye had plenty of neat visual effects, and although there are some beautiful stunts involving glass shards and the walking through of objects, special effects alone do not make a horror movie spine-chilling. Looks like there's some major sty in this eye.

I really wanted this movie to be good. Really. I think Jessica Alba is an extremely talented actress, and I had high hopes for this movie. J horror remake, interesting premise, Jessica Alba...sounds good so far.

But this movie left me disappointed in when I saw it last night. The movie relies on cheap thrills that aren't frightening to the mature moviegoer. I should have expected this, as it was rated PG-13, but the theatre full of screaming 11 year olds at every jump was quite irritating.

When it was all over, The Eye left me wanting more. The only thinking and mystery in the movie is done for you and the "science-talk" from Alba seems unrealistic. It relies on loud noises and horror movie clichés at every turn. The Eye is a definite popcorn movie. It may be entertaining for younger viewers, but if you want a deeper and more engaging story, look elsewhere.

The Eye (2008) I knew going into the theater that this would be a bit scary. OK, maybe traumatizing. I had a LASIK procedure done a couple of years ago, and although I wasn't blind beforehand, I did have pretty bad eyesight. I know a bit about the trepidation - perhaps even outright terror - one feels before undergoing an operation on one's eyeballs. I still get a little skeeved when I see a closeup of eyes, come to think of it.

Jessica Alba plays Sydney, a blind concert violinist who has a double corneal transplant, and of course things go wrong. Not with the surgery itself, but with the psychological aftermath - she sees dead people. And dead things. And undead. And so on; it looks like she's tapped into a spiritual world, or something. No one else can see what she's seeing, which is par for the course in movieland, but all of the demons and smoke and fire and other sfx seem extremely, utterly, real to Sydney.

Alba is excellent, showing that she has more than just two (or three) talents to show the world. Her Sydney is appealing in her vulnerability; Alba, a beautiful young woman, manages to make you feel as if her character could, indeed, live in your world: less glitzy starlet, more three-dimensional person. Of course, she's still a knockout, and she IS a supremely talented musician, and she DOES live in a super-posh apartment in a high rise, but still. Alba shows wonderful range, from tender to fragile, without giving up any sincerity. The movie hinges on her ability to sell the audience on her character's Everywoman (to a point) status, and I think she delivers.

Some of you may be thinking you've already seen this movie before, when it was called Blink. In Blink, Madeline Stowe played a young woman who lost her sight as a child (as did Sydney) and then grew up to be a talented violinist; after a new eye operation temporarily restores some sight, she sees things. Just like Sydney. Huh. Still, this isn't a redo of Blink, it's a remake of a Chinese film called Gin gwai. Asian films have made the rounds of Hollywood in recent years (The Ring, The Grudge, Dark Water), and although the remakes usually don't have the subversive bite of their original counterparts, some of them hold up rather well when inundated with high-tech CGI. The Eye does use special effects, but it uses them - pardon me - to great effect; you're not overwhelmed with attention-grabbing CGI.

The biggest debit in the movie is the love interest, Sydney's doctor, Paul (Alessandro Nivola), who seems dull and unimportant, although his believing in and trusting Sydney is a linchpin for moving the plot. He just seems vacant and stiff, hardly a commendation of Nivola's acting abilities. (Think of a younger Dylan McDermott.) On the other hand, a good counterbalance to Nivola is Parker Posey as Sydney's concerned sister, who, although she doesn't immediately buy into Sydney's rantings, does empathize and attempt to understand a bit better than the hunky doctor.

Overall, The Eye is a tense, shudder-filled movie that manages to dress up a recycled plot with dead-on performances and evocative cinematography.

If you watch this movie, be aware that Gin-Gwai (The Eye)came first. There have even been two sequels. The third one was called The Eye 10 as a marketing ploy by the US director. It is truly awful, so avoid it like the plague.

That being said, the thing that both US influenced versions have are a total lack of creativity, suspense, or originality. It is a pity that Ms. Alba chose this role, as it was merely a shell of the original film. Every scene was reproduced in a typical US-dumbed down format, with typical cheap Friday the 13th scares thrown in. This version ironically lost sight of the original vision of the Pang Brother's classic. Instead, they change key plot elements to "add to" the suspense, IE: American audiences can't think, so we have to hold up a sign that says "SCREAM".

Do yourself and others a favor and rent, or even better buy a copy of the original. You will not be disappointed. Sadly, the same cannot be said for yet another cheap, unimaginative, 80's camp pile of garbage rip-off in the mold of The Grudge, Hide and Seek, and Dark Water. Don't even waste your time downloading this tripe.

If you're looking for a pulse-pounding horror thriller, you won't find that here. If you're looking for a spooky ghost story, you might want to move on. If you're looking for blood & guts & body parts, don't even waste a minute of your time.

"The Eye" isn't so much a horror flick as it is a supernatural drama.

This film is a remake of the 2002 Chinese "The Eye" which I haven't seen, so I can't (and probably shouldn't) compare the two. I thought this was a nicely done film, more of an intimate character study than a scary "gotcha" flick. In that respect it's similar to "The Sixth Sense", and not just the story. Like "The Sixth Sense" which was a slow moving psychological drama that just happened to have dead people in it, "The Eye" takes a personal approach as well. And while that may bore the audience members who are expecting some screams, it ultimately results in a film with a little bit more to say than your average screamer.

Jessica Alba ("Sydney") does a great job of playing a woman who has been blind since age 5, a loner, someone who doesn't seem to have many connections with people and she likes it that way. The underlying theme is that her blindness makes her feel unique, exempt from the real world. When she regains her sight after 15 years by a corneal transplant, it's not necessarily the wonderful experience you'd expect. There's a scene when she comes back from the hospital to a surprise party, and the scene is filmed with unsettling, distorted closeups of strange faces. It perfectly expresses the confusion and claustrophobia of not just a blind person gaining her sight, but that of an introvert being forced into society. That enough could've been enough for a feature length film: how a woman deals with the "gift" of sight which she doesn't really want. But it doesn't end there. She starts seeing dead people, too.

While we never really feel like Sydney is in any deadly peril, there are a few very effective surprises which, I gotta admit, quickened my pulse a few notches. Also the "shadow men" were very creepy, and if you want to see a real shocker, check out the bonus features where we learn that the shadow men are not cgi graphics, but it's an actual dude... a sort of living skeleton who looks just as bizarre in real life than on screen.

The 2nd half of the film becomes a mystery as Sydney tries to figure out why she's getting these disturbing visions and what she's supposed to do about it. Again, no hair raising car chases or shootouts here, just a thick atmosphere of the unknown.

Like I said, I haven't seen the original Chinese film, but I can tell that the American filmmakers were trying to add a degree of backstory. In the bonus features they talk about the science of "cellular memory" (the idea that donated organs possess characteristics that are imparted to the new recipient). So I can assume that this is less of a visceral shocker (like the original?) as it is an intellectual approach. There's also the psychology bit I mentioned above. And it also touches on the idea that artists, musicians & creative thinkers are more sensitive to supernatural events (Sydney is a concert violinist). In short, "The Eye" sacrifices the raw approach of a typical action-horror flick, and instead replaces it with more of a slow-moving, scientific or "rational" approach to the supernatural.

Depending on your preference, that's a good or bad thing. I can go either way depending on my mood; once in a while I like to think, whereas other times I just want to see Freddy slice some people to ribbons. "The Eye" definitely falls on the thinking side of that scale. Other thinking horror flicks I recommend are "Exorcist III" (one of the BEST), "The Others" with Nicole Kidman, and of course "The Sixth Sense".

The infinite monkey theorem states that a monkey hitting keys at random on a typewriter for an infinite amount of time will eventually produce the works of Shakespeare. Coincidently, this same theory applies to the onslaught of Asian horror remakes that is stomping Hollywood into submission. If enough of these films are remade, then eventually one will be acceptable, and alas it has happened.

The Eye, starring Jessica Alba is directed by two relative first timers by the names of David Moreau and Xavier Palud, and they can certainly create a film that boasts certain elements of stylish direction. Unfortunately, along with the good, it seems that all of this style of remake fear deviation from a backbone template. Not to give anything away to those who are not familiar with Asian horror remakes, but one element that is consistent is that the basis of all the evil happenings is from a spirit looking for salvation of some sort. While The Eye, does choose to spin this cliché slightly, it is afraid to go all the way.

Suffering from total blindness after a childhood accident, young beauty Sydney Wells (Alba) is given a chance at an eye transplant that will allow her to see for the first time in decades. Not surprisingly, she begins to see things that ought not to be. Aided by an appointed shrink, played by Alessandro Nivola, they confront the visions and try to track the donor eyes back to their sinister source. This journey is bounds more intelligent then the average horror story, and the standard for dumb decisions is cleverly hidden by the fact that Sydney is fully or partially blind for most of the film. This presents a cushion of forgives per se, as her lack of sight can lead her into frightening situations, without appearing ignorant.

And there are certainly some frightening "boo" moments; uniquely accentuated by a well used pallet of sound. There are also exactly three expertly executed scenes, worthy of recognition. The first is a scene in which a blurry eyed Sydney looks into the mirror for the first time with creepy consequences; the second features a member of the un-dead accompanying her in an elevator and the third takes the form of an intervention between a mother who has recently lost her son. If The Eye had presented more scenes of this Claiborne, it certainly could have been something special. Instead, the ending descends into the mediocrity, which at first seemed more then acceptable, but took off into a sixth sense meets final destination action spin off; which although still thrilling, did not fit the tone and atmosphere of the former acts. The "blurry vision" that is used early on with some skill, is overused by the end, the flashbacks replace the more effective quick cutbacks and it simply does not hold onto its success.

This is however Alba's best performance, and although not saying much, this shows there is hope for her future acting career. While more films like The Eye would be welcome, I think it better to forfeit the Asian remakes all together, then to wait for the monkey's second draft.

Read all my reviews at: http://www.simonsaysmovies.blogspot.com

Jessica Alba's complete lack of acting skills is pretty obvious to everyone, except apparently movie producers.

Maybe it's because they're blinded by the countless photographs she takes in various conditions of undress.

Regardless, here again she gives yet another frightfully bad performance. So bad that you can't really even call it a performance.

Jessica Alba was born to be a bikini model and that's exactly what she should do. She shouldn't act, but if she really feels she must, she could at least take some acting lessons.

The Eye will die, like all Alba movies, because of her complete lack of talent and skill.

Jessica Alba plays a woman who undergoes cornea transplants in a remake of a Chinese film of the same name.

The moment she opens her eyes she starts to see things that aren't there. These include (a) a number of grim reapers, (b) recently dead people, (c) vivid images of someone else's past premonitions, and (d) a director and editor who aren't sure whether their making a horror film, thriller or a 'who dunnit?'.

There is a faint oriental air to the film with does add a bit of mystery. This is essentially a relatively cheaply made Alba-vehicle. There is no-one else in it other than a periodically appearing sister and a doctor who you never quite get interested in as he has nothing of worth to say.

You do jump from minor shock every now and then (but then an unexpected rapid orchestral crescendo does that to most people).

The film is similar in feel to Sarah Michelle-Gellar's The Grudge. You are left with a similar feeling when you leave the cinema; a resigned "it was okay".

It would be hard to describe this one as scary, but it definitely had some eerie moments and scenes and overall was entertaining. While I'm pretty skeptical about the underlying concept, i.e. "cellular memory", there are clearly a number of adherents and it's worth popping the keywords into a search engine -- like Alba did in the movie -- to better understand the underpinnings of the film.

Overall I thought The Eye was well acted by both leads, as well as the supporting cast. Alba and Nivola carried the plot by encouraging us to suspend disbelief at some of the less credible incidents. The scenes of Alba playing violin featured superb talent on the part of the orchestra, both musically and visually and helped anchor the film at both ends.

The one real drawback was that it was slow at times, and a little boring. But it was too intriguing to abandon before the end, where the pieces were neatly tied together.

Overall worth watching and mildly thought provoking.

I had a hard time watching this movie. Everything that worked in this was directly lifted from the original, everything else... didn't.

The director tries to built tension in places where none exists. The screen writer tries to "improve" on the mystery of the original but the results don't work, giving itself away from he very first "vision". The acting was below par for most of the cast, with characters coming off as two dimensional for the sake of moving the plot along- and Jessica Alba needs to realize she gets film jobs for her looks not her talent.

Anyway, if you're thinking of watching this, don't. It's not scary. It's not suspenseful. It's not even original. It's a waste of your time and money. Rent the original or watch another film instead.

The Eye was not a great movie but it's not horrible either. It was about an average movie. I was not expecting a lot going into seeing this movie. If you are expecting a lot going into this movie it will not be good but if your just looking to see a movie and thinking its going to be good you might actually like it. Pretty much the whole entire beginning and almost all of the middle was boring and just had very sudden scenes that would get you to jump out of your seat. The rest of the movie was when it started to kick up and get good. Jessica Alba finally started to find out what she had to do and what was going on with her and people around her. Thats when the action started and it had you on the edge of your seat. For the most part it was pretty slow moving and boring but then it kicked up it was good. If the first hour of the movie was like the end it would have of been an excellent movie. So if your looking for a pretty scary movie with lots of things that pop out at you go see this. The story was actually pretty good as well. The fact that it made you wait to find out why she became blind was well done. The acting job Jessica Alba did was good as well. The visual effects for this movie were also awesome.

And so it is that yet again American producers and writers can not think for themselves as yet another remake goes wrong.

I liked the original Pang Bro's version. They do some good films. I had no faith that this remake would do the source material justice in any way and it didn't. I don't quite understand how all the Japanese/Chinese/Korean/Thai remakes miss the mark. Maybe it's the $$ signs that the American rip off artists see and care about most.

The Eye manages to keep the basics from the original film but looses the tension and atmosphere. It's such a disappointment. Just a bit more work by the writers and they might just have managed to translate to American audiences what the Pang Bro's original film did. Even having 2 directors on this film could not recreate the freshness of the original. What we end up with is another run of the mill, quick scary images and quick scary noises, horror remake. The characters are flat are you really don't care for them. The story is not as involving as it should be and really isn't the best . The realisations near the end of the film in the original which catch your attention and make you think are completely lost in this remake as you really don't care and haven't been given enough reason to care about the main characters.

There's no point in commenting on the actors or such as the generalisation now for these remakes is that Hollywood and the big shots care only for money and have not got the foggiest idea of how to be original or to take a concept and pay homage to it's source material and ideas. It's a shame the lamen out there don't culturalise themselves with world cinema - if they did, we wouldn't suffer crappy remakes. Shame people are too lazy to read subtitles.

First am going to admit I didn't watch the original. Am not a guy that likes to watch foreign films, so I will spare you with any comparison. The movie at the beginning moves sort of slow. They do put some parts that are meant to scare the viewer, but they did seem contrived and really didn't scare me. But as the movie plot thickens, the movie starts having a real story, and it does entertain the viewer, not just a gimmick of spooky special effects, with absolutely no plot. I would give this movie a 6.5. It turns very solid towards the end.

I do agree it could be a little bit tedious at the beginning, but if you are a guy that has the patience, towards the end, it picks up well. Not the scariest movie ever though, but in the end, it did deliver. I've seen way worse, and I think some are being somewhat to harsh.

Solid move, a 6.5.

I'm not a fan of horror in any way but my friend really wanted to see The Eye and I went with him to see it. I do like Japanese horror and seeing as The Eye was a remake of a Chinese film I hoped to enjoy it (if that makes any sense). I hadn't seen the original but my friend gave me a summary of the original so I knew what to expect.

So I can easily say I loved it. It was well done and kept me interested the whole way through. The film effects were very believable (I won't reveal what they were for those who don't know the plot) and the story was a good one. I think if you're looking for a horror movie with a ton of blood this is definitely not the one to see. It's not a movie with a serial killer who kills everyone off. But if you're into supernatural thrillers then this is definitely what you're looking for. A little bit of mystery with the right effects to still make you jump.

To be quite honest, with this trend of Japanese horror films being given the western re-rub you can't help but feel they're just being used as premade films for Hollywood to churn out with the current hottie of the hour at the ship's helm. The Grudge wasn't too bad, still a bit eery, same goes with The Ring, but all this does is sets itself up for a barrage of Scary Movie 5 jokes. From the get go it didn't really appeal to me, I think the commercial psyched me out more and not even that was that effective. More often than not, if not always, the translation is never half the film the original was. Before they're remade the Japanese aren't afraid to have that little bit more dialogue to get a little more tension, whereas here they just cut to the chase before you even realise the scene has been set. Anyways, enough of my opinion on Hollywood and these remakes, on the whole, couldn't watch it to the end, bored me stiff, watch something which might actually scare you like Pet Cemetery or 1408, but i don't recommend you watch this suitable for kids nonsense.

They've done it again: taken a highly successful foreign-made horror movie, and smeared it with lousy interpretation and cheap horror "jump out at you" scares for a fast food trash fest that is an insult to the original. The film makers bank on a high profile name for box office dollar signs, which invariably turns out to be a actor that wouldn't be convincing in the horror genre if you slipped a snake into their sleeping bag.

The movie victim this time is Gin Gwai (from Hong Kong), which boasted clever writing to advance the intrigue of the main character's plight, and effected the terror in a logical and eerie way. A blind woman (an accomplished violinist) undergoes an operation which gives her sight. Along with normal vision, she unfortunately gets psychic vision as well. Not a bad premise (although it's been done a few times in the past), but this film just takes the idea and runs it through a meat grinder.

Jessica Alba is woefully miscast in this potentially complex character whose terror we are supposed to experience vicariously. I was too busy laughing to believe she was blind, experiencing the gift of sight for the first time, being menaced by nightmarish visions; let alone feel for her or care about her ultimate fate. As a result, the outcome is anything but scary; cartoonish is a more accurate description.

More laughs than scares. Jessica is at least pretty, but that's all she has to offer in this inept affair. See the original version, instead.

Jessica Alba carried herself very well in this movie. Her characterization is very believable. This is definitely a tour d'force for her. The story is good and the supporting acting is also very believable. I have to question the violin playing coaching. Jessica's "playing" movements were very weak. The movement of the bow was totally unconvincing. She kept bowing up and down out of sync with the flow of the music. That is the fault of the coach. I've seen better fake violin and piano playing. But this is minor to the rest of the movie. As I said, Ms. Alba was wonderful in this film. The film itself had lots of great shocks and twists. When it comes out on DVD I am definitely buying it.