75
Metascore
17 Rezensionen · Bereitgestellt von Metacritic.com
- 100San Francisco ChronicleWesley MorrisSan Francisco ChronicleWesley MorrisA further, captivating extension of Oshima's marriage of the oblique and the erotic.
- 90Los Angeles TimesKevin ThomasLos Angeles TimesKevin ThomasIt takes a director with exceptional talent, skill and experience to explore ambiguity in all aspects of human nature and behavior, and Oshima has created a film of resilient, downright tensile strength that ends on a satisfyingly ironic note.
- 90L.A. WeeklyF. X. FeeneyL.A. WeeklyF. X. FeeneyAbove all, Oshima has fashioned a tale of men among men that feels familiar at first, then moves boldly into more enigmatic terrain.
- 80Village VoiceJ. HobermanVillage VoiceJ. HobermanAn action film at once baroque and austere, hypnotic and opaque.
- 75Philadelphia InquirerSteven ReaPhiladelphia InquirerSteven ReaRipe with homoeroticism, but also with what the director — who made the film after recovering from a stroke a few years back — calls "the scent of murder."
- 75Seattle Post-IntelligencerWilliam ArnoldSeattle Post-IntelligencerWilliam ArnoldIt's hard to figure exactly what the point of this movie is -- except maybe to expose the myth of samurai machismo.
- 75Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittThe movie's most striking assets are its lyrical visual style, which forms a silky counterpoint to the plot's turbulent emotions, and Beat Takeshi's smooth and expressive performance as a senior warrior.
- 70VarietyTodd McCarthyVarietyTodd McCarthyWalks the line between conviction and camp with a not entirely steady step.
- 67Austin ChronicleMarrit IngmanAustin ChronicleMarrit IngmanBizarre, even darkly comic at times. But it's also elegant and mannered.
- 63Boston GlobeLoren KingBoston GlobeLoren KingThe intriguing subject, unfortunately, collapses under too many talky scenes of the samurai discussing their feelings and gossiping about who loves whom.