ÉVALUATION IMDb
6,0/10
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MA NOTE
Ajouter une intrigue dans votre langueIn this offshoot of the 1950s "claymation" cartoon series, the crazy Blockheads threaten to ruin Gumby's benefit concert by replacing the entire city of Clokeytown with robots.In this offshoot of the 1950s "claymation" cartoon series, the crazy Blockheads threaten to ruin Gumby's benefit concert by replacing the entire city of Clokeytown with robots.In this offshoot of the 1950s "claymation" cartoon series, the crazy Blockheads threaten to ruin Gumby's benefit concert by replacing the entire city of Clokeytown with robots.
Dal McKennon
- Gumby
- (voice)
- (as Charles Farrington)
- …
Art Clokey
- Pokey
- (voice)
- …
Gloria Clokey
- Goo
- (voice)
Manny La Carruba
- Thinbuckle
- (voice)
- (as Manny LaCarruba)
Alice Young
- Ginger
- (voice)
Janet MacDuff
- Gumba
- (voice)
Patti Morse
- Tara
- (voice)
Bonnie Rudolph
- Lowbelly
- (voice)
- …
David Ozzie Ahlers
- Radio Announcer
- (voice)
- (as Ozzie Ahlers)
Histoire
Le saviez-vous
- AnecdotesLucky Claybert is based on Groucho Marx and W.C. Fields in appearance and voice, respectively.
- GaffesThe name of the fake TV station is KBLM, but when Prickle tells Goo to look it up, he calls it KBLK.
- Générique farfeluKinesthetic Film Forces: Slavko Vorkapich "Greatest motion picture artist of the 20th century"
- Autres versionsIn April 2007, the film was edited and re-released and shown at the Tribeca Family Film Festival in New York. This version of the film was later released on DVD on April 22, 2008 as a director's cut version.
- ConnexionsFeatured in Animation Lookback: The Best of Stop Motion - Independent Films (2015)
- Bandes originalesTake Me Away
Lyrics by Gloria Clokey
Music by David Ozzie Ahlers (as Ozzie Ahlers)
Vocalist: Melissa Kary
Lead Guitar: Craig Chaquico
Rhythm Guitar: Lorin Rowan
Keyboard, Bass, Percussion: David Ozzie Ahlers (as Ozzie Ahlers)
Recorded at Focused Audio, San Francisco
Remix Engineer: Jim Reitzel
Published by Premavision/Misticaro Music, BMI
Produced by David Ozzie Ahlers (as Ozzie Ahlers)
Commentaire en vedette
As a kid, I always enjoyed how creative Gumby had his adventures on the TV show. So much of it was just for pure fun. When I finally heard that there had been a movie released, I was super excited. And none to my surprise, Gumby: The Movie rocked my world. For any Gumby fan, this movie will be a great hit. Everything in this movie is kept the same and even includes some cultural references.
Director Art Clokey, who directs his final Gumby film, has done a magnificent job. Dal McKennon is back as good old Gumby and several other characters. Even Art Clokey is Prickle and some other roles. All the animation is done by clay; how else would a Gumby film be done?! Most of the comedic parts are watching the silent Blockheads fight with each other. They're always doing something foolish.
The effects are great in this movie. Since stop motion cinematography allows you to make a special effect over time, much of the creations that are made are really quite stunning. This movie BARELY uses CGI for any part of the film. It's things like these that bring the viewer back to the time where CGI wasn't used very often and was only used if it was available. Now almost if not every movie studio uses CGI for anything they want and its gets tiresome to see the same effects used over and over again. Claymation is a sorely missed special effect that is now extinct in the movie making business at least from what I see now.
The music, which was composed by Jerry Gerber, is great listening to. Because this movie uses dated effects, it's great to hear music that belongs from the same era. Unfortunately, the soundtrack to this film is inaccessible. I get flustered over that but it's still good that it used in the movie thank heaven. What's also great to see are the cultural references in this film. The Blockheads make robot duplicates of the main characters; sounds a little like The Terminator (1984). Another scene where Gumby fights his robotic clone with a light saber. Need to say more?
As the last film made by Art Clokey, Gumby: The Movie will please its fans and may gain interest in others who are not familiar with Gumby. For anyone who has never seen claymation at its best, this is it.
Director Art Clokey, who directs his final Gumby film, has done a magnificent job. Dal McKennon is back as good old Gumby and several other characters. Even Art Clokey is Prickle and some other roles. All the animation is done by clay; how else would a Gumby film be done?! Most of the comedic parts are watching the silent Blockheads fight with each other. They're always doing something foolish.
The effects are great in this movie. Since stop motion cinematography allows you to make a special effect over time, much of the creations that are made are really quite stunning. This movie BARELY uses CGI for any part of the film. It's things like these that bring the viewer back to the time where CGI wasn't used very often and was only used if it was available. Now almost if not every movie studio uses CGI for anything they want and its gets tiresome to see the same effects used over and over again. Claymation is a sorely missed special effect that is now extinct in the movie making business at least from what I see now.
The music, which was composed by Jerry Gerber, is great listening to. Because this movie uses dated effects, it's great to hear music that belongs from the same era. Unfortunately, the soundtrack to this film is inaccessible. I get flustered over that but it's still good that it used in the movie thank heaven. What's also great to see are the cultural references in this film. The Blockheads make robot duplicates of the main characters; sounds a little like The Terminator (1984). Another scene where Gumby fights his robotic clone with a light saber. Need to say more?
As the last film made by Art Clokey, Gumby: The Movie will please its fans and may gain interest in others who are not familiar with Gumby. For anyone who has never seen claymation at its best, this is it.
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Détails
Box-office
- Budget
- 2 800 000 $ US (estimation)
- Brut – États-Unis et Canada
- 57 100 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 144 $ US
- 14 mai 1995
- Brut – à l'échelle mondiale
- 57 100 $ US
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