IMDb RATING
6.9/10
7.9K
YOUR RATING
The aftermath of the Oxygen Destroyer brings forth Destoroyah, a beast intent on killing Godzilla, who is on the verge of a nuclear meltdown.The aftermath of the Oxygen Destroyer brings forth Destoroyah, a beast intent on killing Godzilla, who is on the verge of a nuclear meltdown.The aftermath of the Oxygen Destroyer brings forth Destoroyah, a beast intent on killing Godzilla, who is on the verge of a nuclear meltdown.
- Awards
- 3 nominations total
Akihiko Hirata
- Dr. Daisuke Serizawa
- (archive footage)
Storyline
Did you know
- TriviaThis was the last Godzilla film on which producer and Godzilla creator Tomoyuki Tanaka was credited on. He was the longest-serving "founding father" of the Godzilla series, having worked on every film (and related kaiju films thereof) up to that point. However, Tanaka would have an decreased role in the series due to health and producer Shogo Tomiyama would become his successor in producing future Godzilla (Millennium) films.
- GoofsWhen Destoroyah is dragging Godzilla across the airport runway, people move about in the terminal and a plane is even seen moving toward the runway.
- Quotes
Miki Saegusa: My job is done now, Godzilla.
- Crazy creditsThe end credits feature scenes from Godzilla (1954) and the Heisei series of films (The Return of Godzilla, Godzilla vs. Biollante, Godzilla vs. King Ghidorah, Godzilla vs. Mothra, Godzilla vs. Mechagodzilla II, Godzilla vs. Space Godzilla, and Godzilla vs. Destoroyah), ignoring the other entries in the Godzilla series in between the 1954 and 1984 films, just like the films in the Heisei series did since The Return of Godzilla was a direct sequel to the 1954 film.
- Alternate versionsThe US version cuts a majority of the ending credits, shortening the runtime from 103 minutes to 100 minutes. However, the credits have been recently restored for use on the Starz channels.
- ConnectionsEdited from Godzilla (1954)
Featured review
When I first saw this movie, I hoped this would have more of a brooding, menacing feel to it than it did. I half expected them to return more to the tone of the 1954 GOJIRA, especially since they made so many other references to the original, like bringing back Momoko Kochi as Emiko.
Instead, G. vs. Desutoroia was shot in the usual nervous style of the Heisei series, which so irritated me at first that I found myself counting seconds, to see if ANY SHOT in the whole movie would make it to ten.
On repeated viewings, though, I felt the movie held together better than most of the others in the 'new' Godzilla series. As usual, the human characters seem simply to be along for the ride (the exception is G. vs. Mechagodzilla (II), where I found myself actually caring what went on between the humans). In this case, it's only natural that the Big G. takes center stage.
The final moments are absolutely amazing. Akira Ifukube's classic "the-army-mobilizes-against-Godzilla" theme is heard for probably the last time: not as the usual march, but in a slow choral arrangement that will tear the heart out of any Godzilla fan...
Godzilla may be back in the form of the new, improved Little Godzilla, but PLEASE someone reassure me that we've finally seen the last of that psychic Miki Saegusa. By the time the Heisei series was over, I knew more about Godzilla's inner life than I did about hers. IMHO the whole Psychic thing added nothing to the continuing story... give her a 900 number and an infomercial and keep her out of Godzilla Millennium!
Instead, G. vs. Desutoroia was shot in the usual nervous style of the Heisei series, which so irritated me at first that I found myself counting seconds, to see if ANY SHOT in the whole movie would make it to ten.
On repeated viewings, though, I felt the movie held together better than most of the others in the 'new' Godzilla series. As usual, the human characters seem simply to be along for the ride (the exception is G. vs. Mechagodzilla (II), where I found myself actually caring what went on between the humans). In this case, it's only natural that the Big G. takes center stage.
The final moments are absolutely amazing. Akira Ifukube's classic "the-army-mobilizes-against-Godzilla" theme is heard for probably the last time: not as the usual march, but in a slow choral arrangement that will tear the heart out of any Godzilla fan...
Godzilla may be back in the form of the new, improved Little Godzilla, but PLEASE someone reassure me that we've finally seen the last of that psychic Miki Saegusa. By the time the Heisei series was over, I knew more about Godzilla's inner life than I did about hers. IMHO the whole Psychic thing added nothing to the continuing story... give her a 900 number and an infomercial and keep her out of Godzilla Millennium!
Details
- Release date
- Country of origin
- Languages
- Also known as
- Godzilla vs. Destroyer
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
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