When the young Hillary and C.C. are in the hotel restaurant, a man is disturbed by the girls as they sit down. We see him rise, pick his things up off the table and begin to walk away. in the next shot, you see him picking up his things and walking away again.
When CC, dressed as a rabbit, sings to John, she arrives at his apartment with a basket of carrots. As she leaves, the basket is missing, but once she gets outside, the basket is back again.
Late in the movie, we see C.C. standing against the beach house. There's shot of her walking to center of deck, followed by another of her still against the beach house.
When Hillary drops in on CC at the Pink Palm, CC slowly saunters over to Hillary and crosses her left leg in front of her right. When the camera angle changes, suddenly it's her right leg in front.
As Hillary and C.C. are leaving to the beach with Victoria both women buckle their seatbelts. Victoria is standing inbetween them in the back. The next scene shows all of them in the convertible with Victoria still standing up as they're driving down the road.
The staff and characters in a new play stay up awaiting the daily newspaper reviews for the production they've just opened, one of the papers they read from is Village Voice, a weekly which does not print overnight play reviews.
When Hilary comes to visit CC in her apartment in 1968, there is a picture of Patty Smith's 1974 album "Wild Horses" on the wall.
Often the clothes shown throughout the film, especially those of minor characters, extras, and the tastefully-wealthy Hillary, are clearly fashion from the late 1980s, not the times they are supposed to be portraying. The parts of the film that are supposed to be from the 1970s and early 1980s are especially anachronistic.
During the closeup of the limo passing by during the funeral scene, we can see the reflection of crew members on the door.
Reflected in a revolving door.