User reviews

Pierre De Moro's "Hellhole" is everything that we can expect in a 1980s horror flick: psycho killer and a plethora of naked women. In fact, the movie seems to be an excuse to show off the babes' bodies (and I mean full frontal). The plot - so to speak - is that a young woman (Judy Landers) gets sent to a mental institution after she develops amnesia resulting from seeing her mother murdered. This particular institution is run by a sadistic doctor (Mary Woronov of "Eating Raoul") who has some nasty punishment for the inmates who get sent to the title location.

If you watch this movie expecting nothing except pure brainless fun, then you won't be disappointed. Otherwise, avoid it. Also starring Ray Sharkey, Edy Williams and Marjoe Gortner.

I remember first seeing this exploitation gem on HBO in the mid 80's, while spending the night at a friends house during 8th grade. It reminded me of a cheaper, dirtier Reform School Girls.

Mary Woronov as the deliciously evil, Dr. Fletcher has some great moments. I especially love when she blows the state inspectors a kiss goodbye while they are leaving the hospital... (after nearly discovering her clandestine, underground chamber of horrors, known simply and ominously as Hell Hole.

Lots of the actors look like rejects from a lame porno movie, and deliver their lines accordingly. One will find themselves alternately rolling their eyes and laughing their butts off while watching this.

The movie also has one of those great, cheesy synthesizer soundtracks to add to the fun. If you enjoy watching a movie just to see how bad it is, filled with senseless violence, drugs and lesbian sex, then watch Hellhole.

Objectively speaking, this B flick is a mess, with a sometimes incoherent screenplay by Aaron Butler. Judy Landers stars as Susan, a young woman who's forced to witness her mother being killed by gleeful thug "Silk" (a scenery chewing Ray Sharkey). While fleeing him, she has a bad fall, gets amnesia, and ends up confined to a mental institution for young women. And it just so happens that the mad doctor in charge, Fletcher (Mary Woronov), is up to no good, performing insidious lobotomy type experiments.

"Hellhole" is not without the charms common to such exercises in pure sleaze. This exploitation-melodrama-horror film comes complete with all of the girl ogling / female nudity that a trash lover could want. There's even a pointless mud bath sequence that one must assume was in there because the producers demanded it. There is some decent atmosphere, but there is practically no gore to speak of. Some viewers will have to prepare themselves for the fact that some story elements are introduced and then pretty much dropped: the "papers" that the bad guys controlling Silk want so badly come off as a MacGuffin.

Making it all worth watching is a B movie cast to die for. Woronov gives easily the best performance in this thing, camping it up in her turn as the female villain. Sharkey is blatantly comical and offbeat as the psycho goon. She may be very sexy, but the less said about Landers' acting, the better. Also turning up are Marjoe Gortner, Richard Cox, Edy Williams, Robert Z'Dar (in his first film), Cliff Emmich, Lynn Borden, Dyanne Thorne, and Carole White. Cox is the nominal hero, a nice guy orderly who sympathizes with Susans' plight. Z'dar is amusing as a sadistic guard. Thornes' cameo as an inmate who thinks she's an actress is a highlight.

Executive produced by A.I.P. legend Samuel Z. Arkoff, and co-produced by his son Lou.

Six out of 10.

This somewhat entertaining garbage stars Judy Landers as Susan, a young girl who witnesses her mother's vicious strangling. Following this, she comes down with amnesia(of course)and is sent to a mental sanitarium for women(of course) headed by the mad Dr. Fletcher(played with loads of much-needed camp by cult icon Mary Woronov),who likes to perform unorthodox drug -induced lobotomies on some of the more out-of-control inmates. There is plenty of stuff in this flick to please any die-hard camp or exploitation fan: pointless lesbian scenes, gratuitous shower scenes & nudity, camp dialogue , horrid performances(with the notable exception of Woronov), & a cast that also includes Marjoe Gortner, Dyanne Thorne(of "Ilsa" fame), Ray Sharkey, & Terry Moore. All in all, a classic midnight movie.

Judy Landers plays Susan. She jumps out of the shower, puts a pink aerobics outfit on, walks downstairs to seeing her mother strangled to death by Ray Sharkey(playing a killer named Silk). She runs out of house and into a construction site, meets up with Sharkey and falls. The fall doesn't kill her but gives her amnesia, so with some strings pulled by the man behind Silk's deeds - Susan is put into a sanatorium till she recovers her memory. Unfortunately for Susan, she is admitted to a mental institution run by Dr. Fletcher - the sultry Mary Woronov - who enjoys being sado-masochistic and experimenting on patients in a basement called Hellhole. The hospital is like no other. Most of the wards are playboy playmate caliber-looking girls. All of them disrobe quite freely. In fact this film has a lot of nudity in it with a cat-fight in the showers and a mud bath as standouts...anyway,...ah the mind wanders...Susan is being stalked by the man that killed her mother all the while learning about the atrocities committed by Dr. Fletcher. I found this film somewhat interesting for a number of reasons. It is outwardly a sleazy picture in many ways. It has a spin on the women-in-chains motif. Nudity and shock effects override storyline through much of it. The acting ranges from weird and bizarre(Sharkey) to competent(Richard Cox as the hero) to camp(Mary Woronov doing her best Dyanne Thorne impersonation) to less than credible(Judy Landers((but hey who cares right?))). There are a number of cool cameos by genre notables from the past. Terry Moore from Mighty Joe Young fame has a nice role, Marjoe Gortner has an intriguing yet thin role as a doctor in league with Woronov, and the aforementioned Dyanne Thorne has a brief cameo as a patient that thinks she is an actress. Director Pierre De Moro even has flashes of talent here and there. The opening sequence is somewhat chilling and the settings of Hellhole are very well-utilized in terms of atmosphere, lighting, etc... The ending is wholly predictable but somehow satisfying for a film of this ilk. But make no mistake, while outwardly a horror film, this is also a sexploitation film equally. Watch for Renee Vicary as Silk's girlfriend. Just lovely!

Hellhole is one of the silliest films I've seen. It's camp, but bad camp at that. It waste's a good cast, but does have one asset, Edy Williams. She pops up here and there, one scene involving a naked cat fight in a shower block, amongst a lot of other women void of their clothes. Two other scenes with her are my favorites. One in a spa with Edy and her lesbian lover making out, then we have an intrusion. Bad guy, Ray Sharkey (a fine actor, who's not among us anymore) who whips off his clothes and gets in the spa with our two lovelies. The other scene involves Edy coming into Sharkey's room, on the grounds of this sanitarium. His walls are adorned with pictures of naked women. He starts taking photos of Edy in naked poses, before they end up on top of each other. It's actually a highly erotic scene. Basically the story concerns, Judy Landers, who at least doesn't come into a room, and start getting older guys, hot, where they either end up running out to cool themselves down, or their blood pressure goes sky high. Unfortunately our poor Judy, whose character is one of ill fortune is knocked out, after Sharkey murders her mother. He's after these certain documents. Landers mistaken for the killer ends up in this prison sanitarium, where Sharkey now resides, for reasons obvious. And if you're really lucky folks, you may even graduate to hellhole, the base stayings of this loony bin, where experiments are performed, some of it's results ending in death. The picked cast in this film is interesting. Richard Cox (the killer in Al Pacino's 'Cruising') is the good samaritan/prison inspector who tries to help Landers with her innocence. He highly suspects somethings off with the runnings of this prison. Mary Woronov plays the sadistic doctor who also likes to a naked lesbian lover on standby. She's the evil bitch who performs experiments on the prisoners, using them as lab rats. It's one of Woronov's better performances. Good solid stuff. Fine actor, Marjoe Gortner, who pops up in a movie here and there, plays her disapproving assistant who's not really aware of her real motives. Hellhole does have nudity a plus, something I like a lot about this movie. But the fact remains, this is an ultra bad movie. A ludicrous movie. Something's really off about it. The performances from the score of mains are good, especially Sharkey, with Gortner runner up. The late Sharkey, who incidentally died, three days after my twenty third birthday, another victim of descent in B grade, was an actor I'd really admired seeing him in The Idolmaker. With this flick, he should of just walked away. Tasteless crap. Evade this movie at all costs, before it costs you.

With a seasoned cast of b-movie veterans like Judy Landers, Mary Woronov, Marjoe Gotner, and Ray Sharkey, Hellhole proves to be more than your average exploitation flick. This cast is clearly having a ball playing such a ridiculous scenes and inhabiting these wacky characters that it helps some of the film's flaws go down a bit easier.

Hellhole is best enjoyed if you turn off your brain and just go along with the flow. Why is there a mud bath in a mental hospital? Why is every woman in this movie a lesbian? Do women really shower like that? Why does the lead character disappear for large chunks of the run time? So many questions and very few answers, but if you just go along for the ride, you'll still have a good time.

Maybe the golden years of sleazy & campy "Women in Prison" were long history by then already; maybe it didn't get properly promoted or announced in trailers (like "Reform School Girls", for example) or maybe it's just not good enough to compete with other & more successful films with a similar theme, but "Hell Hole" is a totally anonymous & overlooked 80's exploitation flick that only a handful of genre fanatics have heard of. The obscure status of this film honestly surprises me, as it has a fairly interesting cast (including Ray Sharkey, Judy Landers, Mary "Eating Raoul" Woronov and even Robert "Maniac Cop" Z'Dar) and a plot outline that certainly appeals to fans of rancid exploitation. Landers stars as a twenty-something and supposedly sexy young woman who witnesses her mother getting killed by cheesy and unconvincing killer Sharkey, because he's looking for "papers" that apparently are very important to him as well as to the people who hired him to kill the woman and to get rid of any other possible witnesses. Just what exactly are these papers? Damned if I know… Throughout the entire movie, the value and importance of these papers is continuously emphasized, yet not one character ever reveals anything about their content. Anyway, Sharkey fails to get rid of Landers properly, but instead she falls down a construction site and suffers from amnesia. She's brought to a sanatorium where a she faces a whole new series of issues, like sadistic wardens, lesbian and power-mad inmates and – of course – the female head doctor who submits patients to grotesque lobotomy experiments. If all that isn't enough, Sharkey shows up in the clinic as well (as a fake doctor) and uses his charms on other patients to get rid of Susan. "Hollhole" is a crazy, incompetent and overall ridiculous film. The screenplay doesn't make any sense and seriously lacks coherence as well as basic logic. There seem to be very few wardens and security personnel in the clinic. Most of the time, the patients – who are supposed to be dangerous and severely unstable – are left completely unsupervised and whenever a riot or cat-fight breaks out, it literally takes several minutes before someone in a white coat shows up. Dr. Fletcher's experiments in the basement of the asylum are quite stupid & pointless, and don't expect to see much gore or sadistic images here, neither. Admittedly there's a fair amount of sleaze and female nudity to enjoy in "Hellhole", but the same girls exclusively provide it over and over again. In case you're hoping to catch a glimpse at Judy Landers voluptuous curves, don't hold your breath… Apparently, her contracted stated that she could keep a robe on at all times. The last half hour of this movie is indescribably retarded and boring at the same time, which certainly isn't the best combination. It's fun to watch Robert Z'Dar playing a crazed sanatorium warden, but he as well as Mary Woronov are given way too few screen time. Only recommended in case you're really, really bored …. Or in case you feel the urge to check out every single variant of Women in Prison movies that ever got released.

In Hellhole's pre-credits sequence, the mother of busty blonde Susan (Judy Landers) is insistent that her daughter takes a shower; mother clearly knows what kind of trashy film this is and exactly what the viewer wants, but Susan doesn't seem to understand, her ablutions proceeding without any sign of nudity.

Somehow, Susan remains fully clothed throughout the entirety of this film, even after she is carted off to Ashland Sanitarium for Women, where almost every other patient is good-looking and frequently naked. Susan is taken to the institution suffering from amnesia after a serious fall following the murder of her mother by vicious thug Silk (Ray Sharkey, who looks like he has just sauntered out of the Blue Oyster Bar). Silk is looking for hidden papers that can incriminate his boss Dr. Monroe (Martin Beck), and believing that Susan knows their whereabouts, he takes a job as an orderly at the sanitarium.

But Silk isn't the only danger at Ashland: troublesome patients are sent to the Hellhole, where wicked lesbian Dr. Fletcher (Mary Woronov) uses them for her lobotomy experiments. Will nice-guy orderly Ron Stevens (Richard Cox) be able to prevent Susan from being Silk's next victim or becoming a drooling zombie at the hands of Fletcher?

Judy Landers fans hoping for the actress to show some skin might be disappointed by her reluctance to strip, but anyone into cult/trash films will still find much to enjoy about this sleazy little B-movie, the film including most of the ingredients to be found in similar women-in-prison films: we get catfights, communal showers, drug-taking lesbians, crazed lobotomy patients, and even a gratuitous mud bath scene, lucky Silk slipping into the muddy tub with two naked hotties ("Double the pleasure, double the fun, a mud bath with two broads is better than one"), proving that you shouldn't judge a man by his leather-boy outfit.

The film also introduces us to the inimitable Robert Z'Dar as a vicious guard, stars Marjoe Gortner as Fletcher's partner in crime, and features exploitation favourite Dyanne Thorne (Ilsa, She Wolf of the SS) as a patient who looks like Cruella DeVille. All that's missing is a decent plot, quality acting and a competent director, but since when were they necessary for a good time?

Shower scene. It's a jungle out there. This is a pretty decent lesbian prison flick. Lots of T&A and better than expected acting. Very similar to Reform School Girls but better. (and no dreadful acting from Wendy O. Williams). It's always nice to see Judy Landers too. A young Robert Z'dar looks almost normal in this movie making me wonder if he had work done to make himself look more like an interesting movie character. Can't write a review without mentioning Mary Woronov. Definitely not her best outing but nothing to be ashamed of either. Movies like this make you miss the 80's but there are better offerings in the genre.

Great 80s grade B cast! Mary Woronov as the head doctor of a psychiatric hospital. Seen-better-days Marjoe Gortner as one of her associates. Ray Sharkey as a sleaze bag. Forty-three year old Edy Williams in a very good performance! Terry Moore in a very good cameo. Dyanne Thorne in a wasted bit part. Robert Z'Dar in his first film role! Judy Landers as a capable lead. Plenty of nudity. Plenty of beaver (back in the day when it was common). 80s sleaze at its best. Would have made a great double bill with Linda Blair's RED HEAT. In fact, I think they did play together on 42nd Street. They were released only a month apart. FUN FACT: When HELLHOLE was originally announced in Variety, Linda Blair was cast as Susan and Britt Ekland as Fletcher. I believe the producers made the right choice with Landers and Woronov respectively.

Fans of Judy Landers and Mary Woronov will definitely want to see this film. Although both remain clothed, there is plenty of nudity. It happens in the same settings as as in a women-in-prison movie. Landers is lodged in a mental health facility after she becomes amnesiac, after she gets through a traumatic experience. The mental health facility is engaged in some shady activities. There are lots of villains each with their own different agenda. Contrary to other reviews, this is move is entertaining and has a story. The lobotomy-by-injection is not plausible for the scientifically inclined. The acting is a fine. There is enough action. The woman in the nude shower fight seemed to throw real punches. She fights like a regular brawler with lots of experience. It is easily the most realistic fight between two females you will ever see in such movies.

There is a lot of nudity in this film. There is a mud bath and a girl on girl fight in the asylum showers. As far as the horror goes, the lobotomized victims do act like zombies. The leather and studs killer, named "Silk" leaves something to be desired. After a slow start the film picks up the pace only to have a drawn out ending where far too many characters need to be killed off. Some familiar B-movie stars on this not very common tape. I did not care for the ugly 80's make-up that the main character always wears, even too bed. Still, there is no real reason to pick at the plot details in this kind of film. At least it does not try to be too socially conscious.

Holey heck, this was released on my 11th birthday. Had I watched this then, I think this might have confused the adolescent I was even more.

Funny, I've actually never seen one of those women-in-prison/captive exploitation films. And I may not have if this horror disguised as action disguised as mystery disguised as sof+-core pourn didn't deceive me with it's scary, oh-so-80s, awesome VHS box cover.

I am literally shocked. Not because of the countless nakkid woman-on-woman, full-frontal long-shots. No, because YouTube has this all free and able to be viewed by all, including kids. But, hey, if a nood man was on a YT vid, they would ban the user and their next two lives.

And there WERE countless and random lesbeanne action scenes that never really fit any part of the plot. No need to worry, tho...the plot? It's as bad as the pourn scripts this resembles.

Anyways, in this so incredibly and unintentionally hilarious, should've been on MST3k romp, a mother and daughter, who incidentally hid some papers, get attacked sending the "young daughter" who's clearly late-20s (and was 27 at the time,) to an asylum because that's where you send all people with amnesia. So, I guess she truly lost her mind...to be sent there.

The rest of the "movie" is her trying to escape some nasty orderlies and the inmates finding excuses to have group/individual sex. Frankly, since I'm not interested in any of that, I found this rather boring and I tuned most of it out.

What I didn't tune out was the head doctor, Dr. Fletcher and the actress, Mary Woronov, chewing up and clearly stealing every scene she was in. I loooved her and quickly recalled her from Night of the Comet. She was so mesmerizing and over-the-top, it really made this worth watching.

Well, that and how funny this was (again, unintentionally) and so many LOL moments you can add your own MST3k commentary. I certainly did.

***

Final Thoughts: Just an observation, and coming from someone who hasn't seen too many nood ladies...I don't think shaving/trimming was common in 1985 if this movie represented the mid-80s. Some of them were so big and oddly square, I'd swear they were little cut-outs of carpet and glued on.

Nudity galore in this pretty cool flick that didnt fare well at the box office. I liked it and if you like dramatic thrillers then this is one I reccomend

I turned off the movie after watching the very first part where the leather clad moron breaks into the house using a switchblade. First off the switchblade tip would have broken off while attempting to pry the sliding glass door open. After that bit of Bull Excrement, the stupidity gained traction and steamrolled into the dumbest opening of a movie I have ever witnessed. From the mother who is in a kitchen full of weapons who didn't arm herself, and how easily she dropped the knife she did pick up, to the dippy daughter who looked like she was a younger sister standing like she's posing in the shower and not hearing the commotion downstairs. This even after walking from the bathroom to the bedroom. Than you have the leather clad idiot reciting poetry."lodon bridge" while strangling the mother without wrapping the red scarf around her neck. Poor unadulterated Garbage meant for the least intelligent viewer who only come to see it for the T & A.

HELLHOLE begins with the murder of a woman by a madman named Silk (Ray Sharkey), who is dressed in Rob Halford's pajamas and sports an electrocuted Elvis hairdo. The victim's daughter, Susan, witnesses the crime, and survives an attack herself, while Silk slips away like a studded, leather-clad shadow.

The ordeal puts Susan in the Ashland Sanitarium for Women, where she meets the odious Dr. Fletcher (Cult goddess, Mary Woronov!). Susan soon sees Fletcher's sadistically eeevil side! By some astonishing coincidence, Silk works at the hospital too! Luckily, a wondrous shower scene breaks out, culminating in a miraculous Greco-Roman style, kickboxing catfight!

Uh oh!

There's trouble in the cafeteria! Here comes Fletcher and her goon squad, including the halfhearted Dr. Dane (Schlock god, Marjoe Gortner!) and iron-jawed Brad (Cult, Schlock idol, Robert Z'Dar!)! Soon enough, a patient is whisked away, and we are shown Dr. Fletcher's maniacal view of modern medicine! Meanwhile, pointless nudity erupts, and Brad leers a lot. How will Susan ever survive this loony limbo of the lost?

THIS MOVIE CONTAINS: #1- Mad science! #2- Mind-twisting torture! #3- Drug-induced mutations of madness! #4- Heavenly mud therapy! #5- Unnecessary, uncalled-for, unholy nakedness every few seconds! #6- Nurses in big, paper hats! #7- An actual rubber room! #8- The most epic finale since REFORM SCHOOL GIRLS!

Exploitation film fanatics need look no further! You have reached the promised land! Glory! Glory! Hallelujah!...

As we walk thru the seventh circle of hell with our "lamb to the slaughter" little miss red riding hood - Judy Landers. Not only was the soft-porn homage to the 70's Euro-trash scene. Did you see the nod to the SS-Nazi exploitation films of the 70's?? And. Of course, I almost forgot, - "women in prison" movies. I haven't seen many of the SS-Nazi movies. But I did see Jess Franco's - Ilsa the Wicked (aka Greta the mad Butcher). Which is a tangential member of that group, and a "girl in prison" movie. Moreover, this movie is moody and atmospheric and evokes such classics as 1932's "Island Of lost Souls" and maybe even "The Snake Pit". I could go on; but I will stop here. You be the judge..!!

Hellhole (1985)

** (out of 4)

Susan (Judy Landers) witnesses her mom murdered due to her having some papers, which could lead her boss to prison. The young woman takes off running and the killer believes he has finished her off but she survives and in order to cover up the crime she is sent to a mental hospital. Once inside the hospital Susan realizes that the evil Dr. Fletcher (Mary Woronov) is doing bizarre experiments on the women.

Pierre De Moro made three films in his short career and this here was his final credit. Producer Samuel Z. Arkoff wanted to make a WIP movie and the end result is something that isn't nearly as raw as the Jess Franco films of the 1970s like BARBED WIRE DOLLS and ILSA: THE WICKED WARDEN but at the same time it's a tad bit sleazier than the majority of the American films from the genre.

As you'd expect, when one makes a WIP movies there's a checklist that the screenwriter goes down. This includes an innocent hot woman. There's also the nudity. There are the drugs. There are the lesbian scenes as well as the lovely shower scenes. There's also the butch-type warden/leader doing the bad experiments. There's also the sweet guy who tries to save the innocent woman. All of that stuff is included here and for the most part it's mildly entertaining as long as you're not expecting an Orson Welles type of film.

The performances are pretty much what you'd expect from a film like this, although I found Landers to be a bit too bland in the lead. Woronov is certainly the best thing about the picture but there's plenty of nice eye-candy as well. The biggest problem with HELLHOLE is the fact that it runs way too long at 95-minutes. The film certainly could have used some editing and the "plot" tries to do way too many things.