Happy October, gang! With the Halloween season now officially underway, we have an incredible day of horror and sci-fi home entertainment releases to enjoy. Arrow Video has put together three stunning special edition sets for Children of the Corn, Don’t Torture A Duckling, and The Suspicious Death of A Minor, but we also have several other modern cult titles debuting as well, including Popcorn, 976-evil, and The Hidden.
For all you Charles Lee Ray enthusiasts out there, Cult of Chucky and the Chucky: Complete 7-Movie Collection both come home on Tuesday, and Scream Factory is also releasing the recent indie horror thriller Jackals on Blu-ray.
Other notable home entertainment titles bowing on October 3rd include American Horror Story: Roanoke, A Ghost Story, Haunters: The Art of the Scare, Little Shop of Horrors: The Director’s Cut, iZombie: The Complete Third Season, and Vampyr: Special Edition.
For all you Charles Lee Ray enthusiasts out there, Cult of Chucky and the Chucky: Complete 7-Movie Collection both come home on Tuesday, and Scream Factory is also releasing the recent indie horror thriller Jackals on Blu-ray.
Other notable home entertainment titles bowing on October 3rd include American Horror Story: Roanoke, A Ghost Story, Haunters: The Art of the Scare, Little Shop of Horrors: The Director’s Cut, iZombie: The Complete Third Season, and Vampyr: Special Edition.
- 10/3/2017
- by Heather Wixson
- DailyDead
The Bitter Ash
A rather precious thing happened in Montreal in the mid 1970s. Canadian cinema had been dominated by the National Film Board since its formation in 1940, and the generally-perceived character of Canadian film was all educational documentary, and not a lot of fun. Directors such as Claude Jutra, Don Owen, and Gilles Groulx struck off on their own to make the first Canadian new wave fiction films (A tout prendre [1963], Nobody Waved Goodbye, and Le chat dans le sac [both 1964] respectively), on the back of independents like Sydney J. Furie’s groundbreaking A Dangerous Age (1959) and Larry Kent’s student feature The Bitter Ash (1963), but for all their youthful, semi-bohemian trappings, these were still quite po-faced affairs. Then came the “genial loser” films of the 70s, led by Owen’s Goin’ Down The Road (1970), and others such as The Rowdyman (Peter Carter, 1972) and Paperback Hero (Peter Pearson, 1973), for the...
A rather precious thing happened in Montreal in the mid 1970s. Canadian cinema had been dominated by the National Film Board since its formation in 1940, and the generally-perceived character of Canadian film was all educational documentary, and not a lot of fun. Directors such as Claude Jutra, Don Owen, and Gilles Groulx struck off on their own to make the first Canadian new wave fiction films (A tout prendre [1963], Nobody Waved Goodbye, and Le chat dans le sac [both 1964] respectively), on the back of independents like Sydney J. Furie’s groundbreaking A Dangerous Age (1959) and Larry Kent’s student feature The Bitter Ash (1963), but for all their youthful, semi-bohemian trappings, these were still quite po-faced affairs. Then came the “genial loser” films of the 70s, led by Owen’s Goin’ Down The Road (1970), and others such as The Rowdyman (Peter Carter, 1972) and Paperback Hero (Peter Pearson, 1973), for the...
- 2/20/2015
- by Tom Newth
- SoundOnSight
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