Noticias

We hear all the time that a movie starts on the page, and while this is true in an overarching sense, for practical purposes, the process of making a motion picture intended to screen in theaters or stream into living rooms starts when you've raised enough money to hire the actors and crew and so on required to get that page-bound vision before a camera. It's at this point that you begin fretting about getting a return on your investment and, just maybe, turning a profit. In this sense, all filmmaking is risk-taking.

This is the movie business, and it didn't used to be of widespread public interest. Once in a blue moon, people would be aware that a film like Joseph L. Mankiewicz's "Cleopatra" cost a studio-devouring amount of money; meanwhile, they could tell "The Exorcist," "Jaws" and "Star Wars" were making scads of money because they could...

Plot: A woman (Amy Adams) who gave up her career as a stay-at-home mom begins to think she’s turning into a dog.

Review: I don’t know why, but when I first heard the premise for Nightbitch, I assumed it was going to be a horror movie. I’m definitely not the only one, as if you Google the film, it’s still classified as horror, and the posters make it look like dark, edgy fare. Imagine my surprise when I discovered that Nightbitch, despite its provocative title, is actually a sweet tribute to motherhood and the pressures therein, similar to Jason Reitman’s Tully.

It’s a good little movie, with Amy Adams getting her best role in a couple of years as the increasingly harried and unnamed protagonist (she’s credited only as mother). Once a noted bohemian artist, her days mostly consist of caring for her toddler son,...

In the mid-1970s, there was a brief trend going on in the film world: the rock opera movie musical. These were films that had a considerable edge to them, that were attempting to tap into the counter culture generation. In 1975 alone, you had both Rocky Horror Picture Show and The Who’s Tommy come out. But even before that, in 1974, Brian De Palma – who was a mere two years away from the game changer that was Carrie – unleashed his rock opera epic into theaters, Phantom of the Paradise.

Phantom follows a composer named Winslow who wrote a cantata about Faust – a story in which someone sells their soul to the devil. In the case of life imitating art, his opus is stolen by a powerful mogul named Swan, leading Winslow to haunt the newly opened Paradise Theater as a Phantom. The film successfully blends the 70’s rock and roll with horror,...

Any seasoned horror fan will start feeling numb to fear. For this reason, the horror film that frightens me the most is more disgusting than scary. Surprisingly, the flick in question has a big cult following.

The horror film that frightens me the most is terrifying for 1 reason only

Blood doesn’t scare me. I could watch the scene from A Nightmare on Elm Street where all of Johnny Depp’s blood splatters all over the ceiling while eating lunch. What creeps me out is seeing organs.

Repo! The Genetic Opera is a rock musical about a dystopia where transplanted organs are repossessed. It grosses me out because it has more organs than any other horror movie. The songs aren’t great, it’s disgusting without being clever, and it’s not scary in the conventional sense. But it forces you to look at human innards for long periods of time,...

It seems appropriate to read about some of our greatest filmmakers during the fall. (Festival season! Prestige pics! Megalopolis mania!) Plus, a guide to cinema for kiddos from A24, a look at one of Schwarzenegger’s most fun flicks, and lots of noteworthy novels. And watch for one more roundup before the end of 2024.

The De Palma Decade: Redefining Cinema with Doubles, Voyeurs, and Psychic Teens by Laurent Bouzereau (Running Press)

Documentary filmmaker and occasional author Laurent Bouzereau has found a novel way to approach the work of Brian De Palma. In The De Palma Decade, he focuses specifically on seven films that made the director one of filmdom’s most famous and infamous figures: Sisters, Phantom of the Paradise, Obsession, Carrie, The Fury, Dressed to Kill, and Blow Out. It was a remarkable run, and Bouzereau adroitly analyzes what makes them so powerful. The book also features interviews with...

There will be plenty of reasons thrown around for the box office failure of the big-budget supervillain sequel Joker: Folie À Deux, and it’s easy to imagine one will be the genre where the movie dabbles quite heavily at times: the movie musical. Trailers for Joker 2 didn’t...

Edmonton’s premiere genre film festival, NorthwestFEARFest, is pulling out all the stops this October with six spine-tingling days and nights of new and classic genre cinema haunting Metro Cinema. Running from October 16 to 22, the lineup is peppered with myriad highlights, including the local premiere of Parker Finn’s Smile 2 and a 50th anniversary screening of Brian De Palma‘s Phantom of the Paradise with special guest Paul Williams!

Festival Director & Programmer Guy Lavallee says audiences are in for Edmonton’s biggest celebration of horror, thriller, dark comedy, and retro genre favourites. “With so much local support for our first 2, I’m pretty stoked to finally be able to announce the full 2024 lineup,” Lavallee announced. “Starting with our phenomenal Opening Night Film, Smile 2, our whole team is excited about this year’s movies, and I hope local genre enthusiasts will be as pumped as we are.

Lavallee continues,...

Kris Kristofferson has died at the age of 88. Born in 1936 in Brownsville, Texas, Kristofferson is known for his work in both music and acting, with a career that spanned over four decades. Among his notable roles include parts in Blade and the 1976 version of A Star is Born.

As per Variety, Kristofferson has passed away. He passed away on Saturday at his home in Maui, Hawaii. The specific cause of death was not revealed, but it is said that he passed away peacefully, surrounded by family. Left behind in said family includes his wife, Lisa, who he married in 1983, his eight children, and his seven grandchildren. The family released a kind statement noting that "It is with heavy heart" that they shared the news of Kristofferson's passing. The family said that they were "so blessed for [their] time with him." The family's statement is below:

It is with a heavy heart...

Sam Pressman has a vision for the production company founded decades ago by his famed producer father, Edward, and it involves opening it up to the people.

Earlier this month at the Toronto International Film Festival, Pressman Film announced the launch of a new development slate raise that will allow the public to directly invest in a wide range of upcoming projects from the company through the Web3 finance platform Republic.

“There have been a number of movies that have attempted to create a network of investors in a public offering, but to have it be a slate of projects, in our minds, allows for there to be many touch points,” Pressman told TheWrap in this week’s “Office With a View.”

“Essentially, each movie is its own startup, and the money is raised to see each of those movies, and so the community will get to watch and participate...

Brian De Palma regrets making the hilarious 1986 comedy, Wise Guys, despite the film's many redeeming qualities. The movie, which stars Danny DeVito and Joe Piscopo, follows Harry and Joe, two small-time mobsters who get in trouble with their boss after losing $250,000. The dark comedy, which was directed by the legendary Brian De Palma, played a huge role in why he decided to stop creating comedies because of its financial failure and negative reception.

De Palma, alongside Francis Coppola, Steven Spielberg, and Martin Scorsese belong to a group of directors from the 70s known as the "Movie Brats". The legendary director earned his reputation as a master of thrillers and suspense with movies such as Carrie, Scarface, and the cult horror musical Phantom of the Paradise. Throughout his career, De Palma has worked on dozens of movies, some more beloved than others. Wise Guys is one of the few times the...

Exclusive: Pressman Film is set to produce Toronto-based shy kids’ first scripted feature film, AUTOBiOGRAPHY.

Alexander Weinstein, the author and writer whose short story was adapted into A24’s critically acclaimed film After Yang, is writing the screenplay for AUTOBiOGRAPHY in collaboration with shy kids. Pressman Film has also teamed with EP Jack Masterson, a UK-based tech entrepreneur and investor.

AUTOBiOGRAPHY is a coming of consciousness technological drama told from the inside of a computer looking out at the human world. When this compassionate AI connects with the internet the exponential expansion of its cognition leads to an existential crisis that propels it on a spiritual journey of self-discovery.

Toronto-based collective, shy kids, are known for their style-blending technology, innovation, humor and rhythm. They have produced animation and titles for Matt Johnson’s Blackberry, Henry Joost and Ariel Schulman’s Nerve and The CW’s The Originals, as well as...

Musicals are something of a unicorn in the horror genre: a rare beast that can be extremely hit or miss (Stage Fright). So when a film from Estonia called Chainsaws Were Singing comes along, it feels like a reason to pay attention.

Director Sander Maran and co-writer Karl Ilves (who also stars) have crafted something extremely silly and fun. Think Cannibal! The Musical meets The Texas Chainsaw Massacre, albeit with several extraneous side plots and a too-long runtime of ~1 hour 50 minutes.

The film is split in three parts, divided between its central lovers and the aptly named Killer who antagonizes them. The film opens in media res as Maria (Laura Niils) runs up to a man frantically asking for help from a Killer (Martin Ruus) pursuing her with a chainsaw. The man fails to believe Maria because he can’t believe someone would be using a chainsaw (“It’s off-season!

The revamped Edinburgh Film Festival will screen 37 new feature films, 18 of which will be world premieres during its 2024 edition, running August 15 – 21.

The full Edinburgh lineup was revealed this afternoon in the Scottish capital by the festival’s new director Paul Ridd, former head of acquisitions at Picturehouse. The festival’s international feature competition, now dubbed the Sean Connery Prize for Feature Filmmaking Excellence, will screen 10 films, all world premieres.

The competition titles include All The Mountains Give by Arash Rakhsha, Jack King’s powerful Yorkshire-set drama The Ceremony, and Mary Jiménez and Bénédicte Liénard’s Fuga. Scroll down for the full list.

The festival will screen 18 titles out of competition. The screenings will include the world premiere of Euros Lyn’s The Radleys starring Damian Lewis and Kelly Macdonald and Alice Lowe’s latest Timestalker. Popular titles from across the festival circuit like Camera D’Or Winner Armand featuring Renate Reinsve...

Closer in tone to the sharp adult series “BoJack Horseman” than to Illumination’s bland “Sing” franchise, Netflix’s “Thelma the Unicorn” avoids being rendered completely unoriginal by its overly familiar premise thanks to consistent splashes of acid humor and a plethora of wacky supporting characters. Reimagined from the popular 2015 children’s book by Aaron Blabey, this bright-colored fable concerns a female pony chasing musical stardom disguised as a horned magical creature. But by changing her identity to chase those ambitions, Thelma betrays herself and those who truly know her.

The adaptation marks the animated feature debut for co-directors Jared Hess and Lynn Wang. Hess, still best known for co-writing and directing the 2004 indie hit “Napoleon Dynamite,” received an Oscar nomination earlier this year for the handcrafted animated short “Ninety-Five Senses” about a Death Row inmate. He shared the accolade with his wife and careerlong collaborator Jerusha Hess (also his...

Cannes parallel section Critics’ Week opens Wednesday with French director Jonathan Millet’s psychological manhunt thriller Ghost Trail (Les Fantômes), starring Adam Bessa as man in in pursuit of a faceless, former torturer.

Running from May 15 to 23, the compact line-up will showcase 11 first and second works features by emerging directors, seven in competition, as well as 13 short films.

Deadline caught up with Artistic Director Ava Cahen on the eve of the 63rd edition.

Deadline: You’re on your third selection as Critics’ Week artistic director. How was it this year?

Ava Cahen: We always put the counters back to zero. So everything felt new, even if it’s my third year. We received a few more films than normal and screened 1,050 features. It’s hard when you’ve only got 11 slots. Obviously there were a lot more than 11 films that we would have liked to have welcomed. There was a lot of discussion.

Debating the horror genre’s artistic value is tacky. Measuring its success by the box office can be just as boring. But I’d bet you a head-start in a chase sequence that those metrics still steer how Hollywood talks about its longest-surviving obsession at many prestige events.

Not so at The Overlook Film Festival: a community-minded summit that fundamentally reinforced my belief in scary movies and the types of people who make, critique, promote, and protect them.

Co-founded by Landon Zakheim and Michael Lerman in 2013, the annual event started out of Colorado as The Stanley Film Festival, honoring Kubrick before expanding to encompass the horror genre more generally. After a brief stint in Oregon The Overlook Film Festival made its permanent home in New Orleans, Louisiana. That’s “the most haunted city in America” if you ask event organizers, but only the third most haunted if you’re going...

by Chad Kennerk

K.J. Relth-Miller, Director of Film Programs.

All images courtesy the Academy Museum of Motion Pictures.

The Academy’s annual ceremony is just one aspect of the Academy of Motion Picture Arts and Sciences’ overall examination and recognition of film. The Academy Museum of Motion Pictures is the largest museum in the United States devoted to the art, science, and artists behind the magic of the movies. Through exhibitions, curated film series and extensive programming, the Academy Museum celebrates and captures the stories behind the art of moviemaking. The museum’s David Geffen and Ted Mann theatres present a year-round robust calendar of screenings, film series, member programs, panel discussions, and more. Through retrospectives and thematic film series, the artistic and cultural contributions of those in front of and behind the camera are illuminated and explored.

One of the great actors of the 20th century, Marlon Brando studied...

The Phantom of the Opera is sometimes considered one of the Universal Monsters. I get it. From the 1925 version that gave us one of the most infamous unmasking sequences ever courtesy of the great Lon Chaney Sr., through the Hammer iteration with Herbert Lom, all the way up to the 2004 film that gave a lot of us our intro to Gerard Butler. Speaking of that movie, its inspiration and reason for its existence was the Andrew Lloyd Weber musical that premiered in October of 1986 and has had runs all the way through as recently as 2021. 1989 was the beginning of its U.S. tour and we got not one but Two Phantom movies that year. Phantom of the Mall: Eric’s Revenge is cheesy and may just be more well known due to our friend Joe Bob featuring it on the Last Drive In recently. Here in the JoBlo Horror kitchen today...

As far as I’m concerned, director Jim Wynorski’s 1986 film Chopping Mall (watch it Here) ranks up there as one of the most entertaining horror movies of the ’80s, which is the decade that brought a lot of my favorite horror movies into the world. It’s also a movie that doesn’t seem to get referenced often enough, and doesn’t get as much respect as it deserves – even if James Wan wants to remake it and Shout Factory TV aired it for 24 hours straight on Black Friday. So I’m glad to see that Chopping Mall is getting some love from the folks at Encyclopocalypse Publications, who have announced that they’re teaming up with Shout Factory and author Brian G. Berry for a Chopping Mall novelization!

Written by Wynorski and Steve Mitchell, Chopping Mall has the following synopsis: Some people will kill for a bargain… and...

Brimming with must-see screenings, immersive experiences, special guests, and a tarantula experience that had to be seen (and felt) to be believed, this year's Overlook Film Festival was the biggest one yet, and if you've been following Daily Dead's Instagram and Twitter accounts, then you know we had yet another unforgettable time at the "summer camp for horror fans."

Be sure to keep an eye on Daily Dead for more coverage of Overlook 2024, and in the meantime, the festival revealed their juried and audience winners for features and short films, including Oddity, Humanist Vampire Seeking Consenting Suicidal Person, and The Looming!

Press Release: April 11, 2024 | New Orleans, LA – The Overlook Film Festival announced today the winners of the audience and juried prizes, as well as festival highlights, from the most heavily-attended edition yet of the annual celebration of all things horror.

The feature film Audience Award, voted on by festival attendees,...

“The People’s Joker,” a scandalous IP-on-acid coming-out comic-book psychodrama, is a movie that has all the earmarks of an underground/midnight/guerrilla-cinema sensation. Vera Drew, who directed and co-wrote it, plays the title character, a mentally fractured aspiring stand-up comedian who bills herself as Joker the Harlequin. She wears a green wig parted down the middle, white makeup with big jagged dark blotches around the eyes, a razory red lipstick grin, along with a purple jacket and fishnets that make her, in every way possible, a transgressive presence. Onstage, when she puts an inhaler up to her mouth and draws in a breath of Smylex, the feel-happy drug prescribed to her as a child, she’ll let out a cackle of laughter so derisive it sounds like she’s going to fracture her own rib. She’s the maniacal Joker of DC legend, as well as an outlaw parody of...

Daily Dead is proud to return as one of the sponsors for this year's Overlook Film Festival, taking place April 4th–7th in New Orleans, and following their impressive initial lineup announcement earlier this month, Overlook has now announced their full schedule for their 2024 edition that includes additional films, in-person guests, immersive programming, and free horror trivia that is once again presented by Daily Dead!

We have the official press release with additional details below, and be sure to visit Overlook Film Festival's official website for more information!

Press Release: March 20, 2024 | New Orleans, LA – The Overlook Film Festival, the annual celebration of all things horror, announced today the full schedule for its 2024 edition, including some surprise new additions and special guests. Taking place April 4 – April 7 in America’s most haunted city, New Orleans, Louisiana at the Prytania Theatres, the horror festival announced seven additional films to its lineup, as well as new immersive events,...

The Overlook Film Festival announced today their initial lineup for the upcoming 2024 edition, taking place April 4 – April 7 in New Orleans, Louisiana.

“We are finally able to see the fruits of post-pandemic productions and it’s a sight to behold,” said Michael Lerman, co-founder and director of film programming of The Overlook Film Festival. “This year’s lineup is full of bigger, scarier, more personal, more bombastic fever dreams that are sure to haunt you for the rest of 2024.”

This wide-ranging initial festival lineup includes 43 films (20 features and 23 shorts) from 11 countries, as well as four live presentations and five immersive experiences.

“This festival has always been as much about horror’s history as it is about its future,” said Landon Zakheim, co-founder and executive director of The Overlook Film Festival. “The expanded retrospective screenings, with some of our favorite heroes once again joining in person, allow us to celebrate what drew...

These past two years I've been fortunate to experience everything from a séance and a Vampire Ball to Halloween costume parties in April at The Overlook Film Festival (you can read all about it in my previous event report), and as I prepare to attend "summer camp for horror fans" for a third year in a row, the initial lineup for the festival's 2024 edition already has me wishing it were time to head to the Big Easy.

Brimming with must-see screenings and immersive experiences, the initial lineup for The Overlook Film Festival 2024 has plenty for horror fans to mark on their calendars between April 4th–7th, including Cuckoo, Abigail, I Saw the TV Glow, Blackout, a 50th anniversary screening of Phantom of the Paradise (with Paul Williams in attendance), and a 10th anniversary screening of Oculus with director Mike Flanagan, who will be in attendance along with Kate Siegel to...

Universal’s monster movie Abigail helmed by Radio Silence’s Matt Bettinelli-Olpin and Tyler Gillett has been set to world premiere as the closing night film of horror fest The Overlook Film Festival, which is taking place this year at the Prytania Theatres in New Orleans from April 4 – 7.

Slated for release on April 19, Abigail watches as a group of criminals retreats to an isolated mansion after kidnapping the ballerina daughter (Alisha Weir) of a powerful underworld figure, unaware that they’re locked inside with no normal little girl. Written by Stephen Shields and Guy Busick, the film’s cast also includes Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, Giancarlo Esposito, and the late Angus Cloud.

This year’s Overlook lineup includes 45 films — 22 features and 23 shorts — from 11 countries, as well as four live presentations and five immersive experiences. Set to open the fet, on the heels of its Berlin launch,...

The Overlook Film Festival, which takes place from April 4 to April 7 in New Orleans, La. at the Prytania Theatres, has announced its initial 2024 lineup. The horror festival will open with Neon’s “Cuckoo” and close with the world premiere of Universal Pictures’ “Abigail.”

The lineup includes 45 films — 22 features and 23 shorts — in addition to four live presentations and five immersive experiences.

“We are finally able to see the fruits of post-pandemic productions and it’s a sight to behold,” Michael Lerman, co-founder and director of film programming of Overlook Film Festival, said in a statement. “This year’s lineup is full of bigger, scarier, more personal, more bombastic fever dreams that are sure to haunt you for the rest of 2024.”

As the opening night film, “Cuckoo” will kick off the week. The film stars Hunter Schafer, Dan Stevens and Jessica Henwick. Directed by Tilman Singer, “Cuckoo” follows a 17-year-old who moves...

The Overlook Film Festival, billed as “the annual celebration of all things horror,” announced today the initial lineup for its 2024 edition.

Taking place April 4 through 7 in New Orleans, Louisiana at the Prytania Theatres, the horror fest is ready to bring audiences back to “America’s most haunted city” with a selection of both new and classic films, including 2024 releases like Sundance smash hit “I Saw the TV Glow” from director Jane Schoenbrun, Tilman Singer’s opening night pick “Cuckoo,” closing night offering “Abigail” from the Radio Silence team, plus offscreen offerings including interactive events, live performances, immersive programming, special guests and much, much more.

“We are finally able to see the fruits of post-pandemic productions and it’s a sight to behold,” said Michael Lerman, co-founder and director of film programming of the Overlook Film Festival, in an officials statement. “This year’s lineup is full of bigger, scarier, more personal,...

A critically important craft to filmmaking is production design. The production designer is responsible for the look of a film, which includes finding locations, designing and building sets, and running the art department. Although the name of this category has changed over the past nine-and-a-half decades, the general principle is the same, with this Oscar going both to a film’s production designer(s) and its set decorator(s).

This category doesn’t usually match the ultimate Best Picture winner; the last time that happened was in 2017 with Guillermo del Toro‘s “The Shape of Water,” and before that was Peter Jackson‘s “The Lord of the Rings: The Return of the King” in 2003. One of this year’s nominees didn’t even receive a Best Picture nomination.

SEESarah Greenwood and Katie Spencer (‘Barbie’ production designers) bring colorful playsets to life: ‘It was really hard work to play like that...

Plot: A young address (Melissa Barrera) ends up being dumped by her louse of a boyfriend while battling cancer. In her recovery, she also learns that he gave away a role he promised her in his upcoming Broadway debut. Heartbroken, she finds solace in an unlikely figure – the monster under her bed who tormented her as a child.

Review: Your Monster is a terrific showcase for Melissa Barrera. While audiences only know her for being a classic “Final Girl” in the new Scream movies, from which she was unceremoniously dumped, according to her bio, she’s a classic theatre kid. In this movie, Barrera displays a flair for light comedy and shows off her impressive singing voice, with the film being a quasi-musical/ rom-com hybrid with some (light) horror elements mixed in.

Indeed, Barrera is so immensely likeable that you can overlook some of the movie’s shortcomings, including a...

Arrow Video’s January release is the 1970s horror masterwork Carrie, starring Sissy Spacek as a telekinetic title character. If you’ve got a taste for terror – make sure you grab Carrie on 4K Uhd from Arrow Video.

The release includes commentaries and visual essays, a wealth of interviews and archive featurettes, and comes in limited edition packaging, with a 40-page perfect bound book, a fold-out double-sided poster, six collector’s postcards!

In 1974, Stephen King published his first novel, the story of Carrie White, a troubled young girl, bullied by her peers and daughter to a fanatical fundamentalist mother, who discovers she has telekinetic powers. In 1976, it became the first of his works to be adapted for the big screen and, to this day, remains one of the very best.

Carrie marked Brian De Palma’s arrival as a major director, following smaller cult films such as Sisters, Phantom of the Paradise and Obsession,...

This review was originally posted during TIFF 2023

Plot: After attending a high school reunion, a woman (Jessica Chastain) is followed home by a man (Peter Sarsgaard) with whom she has a history. Initially upset and thinking he’s a stalker, she learns that he has dementia and that if they have a history together, he can’t remember it.

Review: Michel Franco is a director whose work has grown steadily in stature over the last few years. I became aware of him after watching his class warfare drama New Order in 2020 and then his dark 2021 Tim Roth drama, Sundown. Both of those films were grim, and one might assume Memory, which deals with early onset dementia, sexual assault, and alcoholism, might be the same. While heavy, Franco’s made a profoundly empathetic and unlikely love story brilliantly acted by stars Jessica Chastain and Peter Sarsgaard.

Chastain’s Sylvia is a...

Jack Fisk's meticulous set designs create mesmerizing visuals in each film he works on. Fisk's ability to repurpose existing sets and build on location is showcased in his work. Fisk's designs help bring the director's vision to life and contribute to the overall aesthetic of the films.

Jack Fisk is a prolific and incredibly talented production designer who has built the sets for many iconic directors' films. A production designer is responsible for the overall look of a movie in the practical sense. While a cinematographer is responsible for positioning the camera and capturing the scene, a special effects supervisor for determining how visual computer effects integrate into the movie, and a director for bringing the film's vision together, it's the production designer (and often their deputy known as the "art director") who will take scenes from the script and recreate them on a set or on location, utilizing carpenters,...

Ethan Hunt is about to join the DC Universe (or what is left of it). Top Gun pilot Pete “Maverick” Mitchell could find himself flying wingman to Harry Potter. Get ready for Batman v Transformers! The jokes wrote themselves Wednesday evening as late holiday season news broke: Warner Bros. Discovery CEO David Zaslav met with Paramount Global CEO Bob Bakish earlier this week to discuss a potential merger of their respective media companies. Yet any attempt at humor is of the strictly gallows variety (particularly since it is difficult to imagine someone like Tom Cruise working for David Zaslav).

That’s because the idea of a Wbd and Paramount merger is bleak unless you own significant stock in either media company. That’s who these deals are designed for—not the filmmakers, artists, and certainly not the consumers. As the media landscape contracts ever further atop itself, and conglomerates complete...

Officially announced this morning, Brian De Palma’s classic Stephen King adaptation Carrie is getting a 4K Ultra HD upgrade from Arrow Video, and it’s up for pre-order now.

The Limited Edition 4K release will be available on January 22, 2024. Restored in 4K from the original negative, this collector’s edition “provides the film’s definitive release.”

Special Features include…

4K restoration from the original camera negative 4K (2160p) Uhd Blu-rayTM presentation in Dolby Vision (HDR10 compatible) Lossless mono and DTS-hd 5.1 Master Audio soundtracks Optional English subtitles for the deaf and hard of hearing Commentary by Lee Gambin, author of Nope, Nothing Wrong Here: The Making of Cujo, and Alexandra Heller-Nicholas, author of Cultographies: Ms. 45 and Devil’s Advocates: Suspiria Acting Carrie – archive featurette containing interviews with director Brian De Palma, actors Sissy Spacek, Piper Laurie, Amy Irving, William Katt and others More Acting Carrie – additional interviews with the...

Amazon is running a massive sale on over 100 Scream Factory titles today, including some of the lowest-ever prices on their 4K UHDs and Blu-rays. Now is the time to stock up!

Here are some of the top horror highlights from the sale…

Halloween 4K UHDs:

Halloween – $22.99 Halloween II – $20.99 Halloween III – $20.99 Halloween 4 – $20.99 Halloween 5 – $19.99 Halloween 6 / Halloween H20 / Halloween: Resurrection – $59.99

John Carpenter 4K UHDs:

They Live – $18.99 They Live [Steelbook] – $23.99 The Fog – $19.99 The Fog [Steelbook] – $25.99 Prince of Darkness – $19.99 Escape From New York – $20.99 Halloween – $22.99

4K UHDs:

Child’s Play – $22.99 Child’s Play 2 – $20.99 Child’s Play 3 – $19.99 The Howling – $19.99 The Funhouse – $19.99 Slumber Party Massacre / Slumber Party Massacre II – $20.99 Carrie – $20.99 Carrie [Steelbook] – $22.17 Brotherhood of the Wolf – $20.99 Cat People – $20.99 Happy Death Day – $20.99 Happy Death Day 2U – $20.99 Army of Darkness – $21.99 Evil Dead (2013) – $21.99 Dog Soldiers – $21.99 The Haunting of Julia – $21.99 Lifeforce – $21.99 Krampus: The Naughty Cut – $21.99 Alligator – $21.99 The People Under the Stairs -$22.99 Bubba Ho-Tep – $22.99 The Exorcist III – $22.99 Dawn of the Dead (2004) – $22.99 Motel Hell – $22.99 Dead Silence – $22.99 The Return of the Living Dead...

These last few years the Criterion Channel have made October viewing much easier to prioritize, and in the spirit of their ’70s and ’80s horror series we’ve graduated to––you guessed it––”’90s Horror.” A couple of obvious classics stand with cult favorites and more unknown entities (When a Stranger Calls Back and Def By Temptation are new to me). Three more series continue the trend: “Technothrillers” does what it says on the tin, courtesy the likes of eXistenZ and Demonlover; “Art-House Horror” is precisely the kind of place to host Cure, Suspiria, Onibaba; and “Pre-Code Horror” is a black-and-white dream. Phantom of the Paradise, Unfriended, and John Brahm’s The Lodger are added elsewhere.

James Gray is the latest with an “Adventures in Moviegoing” series populated by deep cuts and straight classics. Stonewalling and restorations of Trouble Every Day and The Devil, Probably make streaming debuts, while Flesh for Frankenstein,...

Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.

Here are the coolest horror collectibles unveiled this week!

Universal Classic Monsters 4K Uhd Collection from Universal

The Universal Classic Monsters Collection will be released on 4K Ultra HD (with Digital) in digibook packaging designed by Tristan Eaton on October 3. Limited to 5,500, the eight-disc set is up for pre-order for $129.99.

It includes 1931’s Dracula, 1931’s Frankenstein, 1932’s The Mummy, 1933’s The Invisible Man, 1935’s The Bride of Frankenstein, 1941’s The Wolf Man, 1943’s Phantom of the Opera, and 1954’s Creature from the Black Lagoon.

All eight films are presented in 4K with HDR10. George Melford’s Spanish version of Dracula is also included, along with a plethora of archival special features: film historian commentaries, featurettes, trailers, and more.

Jason Takes Manhattan Shirt from Sadist...

Rock ‘n’ roll and horror: a match made in hell! From electrifying riffs to spine-chilling screams, these heavy metal mashups create a headbanging, heart-pounding experience that resonates with rebels and thrill-seekers alike. Whether you’re a fan of rebellious music or cinema of the fringe, nearly everyone can agree they go together like peanut butter and jelly.

What makes them such perfect partners? Perhaps it’s their shared love for the dark, the dangerous, and the fantastical. Rock ‘n’ roll has always been the music of outcasts, and horror dares to delve into our deepest fears. Together, they create a symphony of shock that thrills and chills.

From demonic deals to killer concerts, rock ‘n’ roll horror movies explore the intersection of music and mayhem. They’re films that rock, scare, and leave us begging for an encore.

So grab your leather jacket, tune your air guitar, and turn up the volume.

The effect of The Simpsons on pop culture can’t be overstated. In the early nineties, the show tapped into the cultural zeitgeist in a way few others had before. Indeed, no other cartoon show could reasonably emulate it- but Hollywood couldn’t help but try. Capitol Critters, Family Dog, and Fish Police were just a few of the shows that tried to be “the new Simpsons.” Still, the only one that really came close was ABC’s The Critic, starring the voice of Jon Lovitz as Jay Sherman, perhaps the world’s least-loved film critic and the subject of this Gone But Not Forgotten episode.

Unlike other wannabe animated hits, The Critic could boast a legit connection to The Simpsons, with it also being a production of James L. Brooks’ Gracie Films. At the same time, creators Al Jean and Mike Reiss had been showrunners on The Simpsons during...

Gary Kent, the actor, director and stunt performer who also served as one of the inspirations for Brad Pitt’s Cliff Booth character in Quentin Tarantino’s “Once Upon a Time in Hollywood,” died on May 25 in Austin, Texas, The Austin Chronicle confirmed. He was 89.

Kent began his career as a seasoned stunt performer after to traveling to Los Angeles in 1958. Ahead of doubling for Jack Nicholson in Monte Hellman’s “Ride in the Whirlwind” and “The Shooting,” Kent worked in film production offices and acted on the side, appearing in “Legion of the Doomed,” “King of the Wild Stallions,” “Battle Flame,” “The Thrill Killers” and “The Black Klansman.”

Soon after his stuntman debut in 1965, Kent appeared as a gas tank worker in Peter Bogdanovich’s debut feature film “Targets,” then worked on “Hell’s Bloody Devils,” “The Incredible 2-Headed Transplant” “Angels’ Wild Women” and Richard Rush’s “Psych-Out,” racking up injuries along the way.

Gary Kent, the iconic B-movie stunt performer, actor and director who worked with Peter Bogdanovich, Richard Rush and Monte Hellman and served as an inspiration for Brad Pitt’s character in Quentin Tarantino’s Once Upon a Time in Hollywood, has died. He was 89.

Kent died Thursday evening at an assisted care facility in Austin, his son Chris Kent told The Hollywood Reporter.

Kent suffered two of his most painful injuries as a stunt performer in Rush films. He sliced up his arm on broken glass during a barfight fracas in Hells Angels on Wheels (1967) and was run over by an out-of-control motorcycle in The Savage Seven (1968), where he shared scenes with Penny Marshall.

His half-century stunt career came to an end on the set of Bubba Ho-Tep (2002) when he tumbled down a hill and damaged his leg, but he kept at it as a stunt coordinator, working as recently...

A life well-lived is best directed by doing what you love with people you love. And my father, Edward R. Pressman — a film producer, jazz lover, student of philosophy, constant reader and Dodgers fanatic who would have turned 80 on Tuesday — had a life filled to the brim.

On Jan. 17, in the last moments of my father’s life, his family and his company, which has always been family to Ed, surrounded him. We listened to “Gassenhauer,” the theme of Badlands, my father’s fourth film as a producer. He looked so peaceful and beautiful.

Earlier, on this last day, we watched Phantom of the Paradise. I’ve always been in awe of that film. The joy and chaos that is in each frame; the music that, like old souls, lasts forever. You can feel the way that Ed and director Brian De Palma were experimenting together, pushing cinematic boundaries while...

Guillermo del Toro has visited an iconic location from The Exorcist. The 1973 horror film, which was directed by William Friedkin, follows the possession of a young girl who is living with her movie star mother in the Washington, D.C. neighborhood of Georgetown. One of the film's most iconic locations is a long stone stairway where the director Burke Dennings (Jack MacGowran) and Father Damien Karras (Jason Miller) both fall to their deaths over the course of the film.

As the film nears its 50th anniversary, del Toro took to Twitter to share an image of himself paying a visit to The Exorcist's iconic stairway, just a few months before it is likely to get rejuvenated interest thanks to Blumhouse's upcoming Exorcist sequel.

pic.twitter.com/b2bNCYa2F6 — Guillermo del Toro (@RealGDT) April 8, 2023

Although he didn't share a caption with the image, it shows the director standing at...

From The Video Archives Podcast, writer/director Roger Avary and writer/producer Gala Avary discuss a few of their favorite movies with Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Taxi Driver (1976)

Star Wars (1977)

Matinee (1993)

Dune (1984)

Terror On A Train a.k.a. Time Bomb (1953)

Licorice Pizza (2021)

Batman (1989)

Yentl (1983)

Nuts (1987)

Spaceballs (1987)

Die Hard (1988)

Top Gun (1986)

Cocksucker Blues (1972)

Mijn nachten met Susan, Olga, Albert, Julie, Piet & Sandra (1975)

Straw Dogs (1971)

The Godfather (1972)

A History Of Violence (2005)

Day Of The Dolphin (1973)

Babylon (2022)

Puss In Boots: The Last Wish (2022)

Sonic The Hedgehog 2 (2022)

Top Gun: Maverick (2022)

Rock ‘n’ Roll High School (1979)

Carrie (1976)

Indictment: The McMartin Trial (1995)

Blow Out (1981)

The Matrix (1999)

Pulp Fiction (1994)

Killing Zoe (1993)

A Clockwork Orange (1971)

The Tenant (1976)

Dr. Strangelove (1964)

Bugsy Malone (1976)

Phantom Of The Paradise (1974)

The Muppet Movie (1979)

The Rules Of Attraction (2002)

The Sound Of Music (1965)

Willy Wonka And The Chocolate Factory (1971)

Giant (1956)

The Andromeda Strain (1971)

Babe (1995)

Time Bandits...

Ed Pressman was cool. And he had taste. He didn’t care what other people thought of a given project. If he thought it was cool, that was enough. He kept his own counsel; he was quiet. But if he wanted something, he let you know. He was not one to take no for an answer.

This helps to explain how he came to produce some 80 films over the decades. And he had not slowed down in recent years. When Ed and his son Sam came to IndieWire’s Cannes party two years ago, Ed found a quiet corner and worked his phone. Pressman died January 17 of respiratory failure, at age 79.

Look at the friends who showed up to speak at his Memorial at the Paris Theatre in New York last Thursday: Mary Harron, David Byrne, and Eric Bogosian, among others, plus video tributes from David Hare, David Gordon Green,...

Edward R. Pressman, the veteran producer behind Wall Street and frequent Oliver Stone collaborator, has died. He was 79.

The prolific producer passed away peacefully Tuesday night at a Los Angeles hospital surrounded by his loved ones, including members of his family and his company, his son and Pressman Film’s vp of production Sam told The Hollywood Reporter.

“He was working up until the last moment [and] insisted on speaking with London partners on the night before his passing,” he added in a statement. “We have a lot of work to do to honor him and bring to fruition the many projects he put himself into.”

The independent producer, known for financing films he loved and those other studios wouldn’t touch, helped bring close to 100 movies to the big screen. That includes The Crow, Conan the Barbarian, American Psycho, Bad Lieutenant and Plenty. He was also known for frequently working...

The prolific producer of more than 90 movies across seven decades, it’s being reported today that Edward R. Pressman passed away on Tuesday in Los Angeles at the age of 79.

Edward Pressman’s notable genre credits include American Psycho and The Crow, as well as genre-spanning films including Conan the Barbarian, Judge Dredd, Bad Lieutenant, Phantom of the Paradise, Sisters, The Island of Dr. Moreau, and the slasher Christmas Evil.

Pressman also produced films including Crimewave, Masters of the Universe, Wall Street, Blue Steel, Street Fighter, Wendigo, Party Monster, Thank You for Smoking, and She Will (2022).

Variety notes, “Pressman was born in New York to Jack and Lynn Pressman, the founders of Pressman Toy. After studying philosophy at Stanford, he went to grad school at the London School of Economics, where he met director Paul Williams. The filmmakers came to Hollywood, where they secured a two-picture deal from United Artists.

Pressman died in Los Angeles on January 17.

Edward R. Pressman, the eminent independent producer of Wall Street, American Psycho and The Crow, has died aged 79.

The US producer died in Los Angeles on January 17. A statement said he “passed away peacefully surrounded by friends, family and members of the Pressman Film company”.

Producing more than 90 features over 50 years, Pressman was known for fostering renowned director-driven titles. Some of his best-known films include Oliver Stone’s Wall Street, Abel Ferrara’s Bad Lieutenant, Terrence Malick’s Badlands, John Milius’ Conan the Barbarian, and Mary Harron’s American Psycho.

He had most...

Edward R. Pressman, the prolific Hollywood indie producer behind Wall Street, Badlands, American Psycho, Das Boot and The Crow, among dozens of others, died Tuesday in Los Angeles. He was 79.

His death was confirmed to Deadline his company, Pressman Films.

With dozens of acclaimed and impactful films and TV movies stretching back to the late 1960s and including now-classics like Conan the Barbarian, Talk Radio, Bad Lieutenant and Brian De Palma’s 1972 Sisters, Pressman was noted for discovering talented directors early in their careers. In addition to Sisters he produced De Palma’s Phantom of the Paradise, and, with the acclaimed 1973 TV-movie Badlands, Terrence Malick. Jason Reitman made his directing debut in Pressman’s 2005 Aaron Eckhart starrer Thank You for Smoking.

An early collaboration with Oliver Stone on the 1981 drama The Hand paved the way for Talk Radio (1988) and the 1987 Oscar-winning Wall Street. He and Stone produced Kathryn Bigelow’s early film Blue Steel (1990).

Among the other directors with whom Pressman would forge early bonds were Alex Proyas (The Crow), Sylvester Stallone (Paradise Alley) and Sam Raimi (Crimewave).

Among his many other credits both domestic and international, either as producer or executive producer, are Fred Schepisi’s Plenty, starring Meryl Streep; Wolfgang Petersen’s Das Boot; Mary Harron’s American Psycho, with Christian Bale; James Toback’s Two Girls and a Guy; Harold Becker’s City Hall, starring Al Pacino; Danny DeVito’s Hoffa, starring Jack Nicholson; Charles Burnett’s To Sleep With Anger, starring Danny Glover; Barbet Schroeder’s Reversal of Fortune, starring Jeremy Irons in an Oscar-winning performance as Claus von Bülow; and John Frankenheimer’s The Island of Dr. Moreau, with Marlon Brando and Val Kilmer.

Pressman also earned Emmy and PGA Award nom as an executive producer of the 2018 HBO telefilm Paterno, and former longtime Penn State football coach Joe Paterno. The producer also was nominated for back-to-back Indie Spirit Awards in 1992 and ’93 for Homicide and Bad Lieutenant, respectively, and received Film Independent’s John Cassavetes Award in 1991. He also received a Tribute Award from the Gothams in 2003.

A native New Yorker and Stanford University graduate who also studied at the London School of Economics, Pressman has been honored by the French Cinematheque, The National Film Theatre in London, New York’s Museum of Modern Art, the Pacific Film Archives and the Brooklyn Academy of Music’s Cinematék, among others.

Pressman is survived by his wife of 39 years, Annie McEnroe Pressman, and son Sam Pressman, who has worked for Edward R. Pressman Productions for the past decade and says he will continue producing films for the company in honor of his father.

Edward Pressman, the legendary producer of “Wall Street,” “The Crow” and “Conan the Barbarian,” has died, according to a rep for the Pressman family. Pressman was 79.

Pressman, who also produced “American Psycho” and “Bad Lieutenant,” died Tuesday night in Los Angeles. He was surrounded by family and friends and members of the Pressman Film company.

With over 90 diverse motion pictures produced over his 50+ year career, Pressman forged a career fostering renowned director-driven titles that pushed the envelope with originality and eclecticism. Pressman’s foremost specialty was discovering new talent and bringing new cinematic experiences to global audiences.

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Hollywood’s Notable Deaths of 2022 (Photos)

Some of the notable directors Pressman has worked with include Oliver Stone, Abel Ferrara, Terrence Malick, John Milius, Mary Harron and Alex Proyas.

Pressman helped hone and broke out the first films of Brian DePalma (“Sisters” and “Phantom of the Paradise”), Terrence Malick (“Badlands”) and...