IMDb RATING
5.7/10
1.5K
YOUR RATING
A group of young adults trapped on a desert island find the water inhabited by a violent form of flesh-eating organisms.A group of young adults trapped on a desert island find the water inhabited by a violent form of flesh-eating organisms.A group of young adults trapped on a desert island find the water inhabited by a violent form of flesh-eating organisms.
Warren Houston
- Cab Driver
- (scenes deleted)
Jack Curtis
- Radio Deejay
- (voice)
- (uncredited)
Arnold Drake
- Pete's Beat Singer
- (voice)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe producers used a very William Castle-like exploitation gimmick; plastic packets of "instant blood" were given out to each patron as they entered the theater in case they were attacked by flesh eaters.
- GoofsWhen the film opens, the camera follows a taxi driving on a wide highway in New York City, The car is a 1959 Ford. However, in the next scene when the taxi stops in front of a building and the driver gets out, the car is now a 1960 Dodge.
- Alternate versionsA shorter version exists on video: the original 35mm print, which is identical to the video release issued from Sinister Cinema, was trimmed for television and 16mm rental. The Monterey Video release of the film is this truncated television print.
- ConnectionsEdited into Haunted Hollywood: The Flesh Eaters (2016)
Featured review
Jan Letterman (Barbara Wilkin), the personal assistant to an alcoholic, washed up actress (Rita Morley), hires charter pilot Grant Murdoch (Byron Sanders) on behalf of her employer. Grant is to fly them to Provincetown, but inclement weather forces them to land on a deserted island. There, a German accented scientist named Peter Bartell (Martin Kosleck) is conducting experiments centered around the existence of tiny, silvery flesh consuming creatures that thrive in the water.
"The Flesh Eaters" is noteworthy for such things as being a very early gore film (one of the earliest NOT made by Herschell Gordon Lewis and Dave Friedman), for inspiring a musical act of the same name, and for forcing George Romero to change the title of his legendary "Night of the Living Dead", which was originally going to be called "Night of the Flesh Eaters". It's pretty entertaining as far as schlock horror goes, although it is somewhat overextended. Sometimes it does get silly, tiresome, and overly talky. How one responds to comedy relief beatnik character Omar (Ray Tudor) may be strictly a matter of personal taste. This viewer found his shtick amusing at first, but thought that he wore out his welcome quickly. It has decent atmosphere, good black & white photography (Carson Davidson was the D.P., John Carroll the operator), appropriate music by Julian Stein, and some enjoyably grisly makeup effects. The script by co-producer Arnold Drake has its moments, with some snappy bits of dialogue.
The acting is as bad as you come to expect from such fare, for the most part, with the jut jawed Sanders particularly clunky as the hero. Kosleck, fortunately, rises to the occasion with a wonderfully theatrical portrayal that is in the tradition of countless mad scientists in countless B pictures.
Not bad, for this kind of entertainment.
Future director Radley Metzger was the editor on this show.
Six out of 10.
"The Flesh Eaters" is noteworthy for such things as being a very early gore film (one of the earliest NOT made by Herschell Gordon Lewis and Dave Friedman), for inspiring a musical act of the same name, and for forcing George Romero to change the title of his legendary "Night of the Living Dead", which was originally going to be called "Night of the Flesh Eaters". It's pretty entertaining as far as schlock horror goes, although it is somewhat overextended. Sometimes it does get silly, tiresome, and overly talky. How one responds to comedy relief beatnik character Omar (Ray Tudor) may be strictly a matter of personal taste. This viewer found his shtick amusing at first, but thought that he wore out his welcome quickly. It has decent atmosphere, good black & white photography (Carson Davidson was the D.P., John Carroll the operator), appropriate music by Julian Stein, and some enjoyably grisly makeup effects. The script by co-producer Arnold Drake has its moments, with some snappy bits of dialogue.
The acting is as bad as you come to expect from such fare, for the most part, with the jut jawed Sanders particularly clunky as the hero. Kosleck, fortunately, rises to the occasion with a wonderfully theatrical portrayal that is in the tradition of countless mad scientists in countless B pictures.
Not bad, for this kind of entertainment.
Future director Radley Metzger was the editor on this show.
Six out of 10.
- Hey_Sweden
- Sep 30, 2016
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Details
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.85 : 1
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