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Reel-Important People is a monthly column that highlights those individuals in or related to the movies that have left us in recent weeks. Below you'll find names big and small and from all areas of the industry, though each was significant to the movies in his or her own way. Ritch Brinkley (1944-2015) - Actor. Best known for his roles on TV's Murphy Brown and Twin Peaks, he is also memorable as the captain in Cabin Boy (see below) and also appears in Rhinestone, Breakdown, The Man With One Red Shoe and Big Business. He died on November 5. (THR) Betsy Drake (1957-2015) - Actress. She starred in Every Girl Should Be Married (see below) and Room for One More, all with then-husband Cary Grant...

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Betsy Drake, the vivacious actress who starred opposite her husband Cary Grant in the comedies Every Girl Should Be Married and Room for One More, has died. She was 92. Drake, who was the third of Grant’s four wives, died Oct. 27 in her London home, her friend said. She had lived in the city for many years after retiring from films shortly after her 1962 divorce from the actor. Drake met Grant in August 1949 when both were aboard the Queen Mary on a trip back to the U.S. from England. Grant, 20 years her senior, had seen

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Cary Grant movies: 'An Affair to Remember' does justice to its title (photo: Cary Grant ca. late 1940s) Cary Grant excelled at playing Cary Grant. This evening, fans of the charming, sophisticated, debonair actor -- not to be confused with the Bristol-born Archibald Leach -- can rejoice, as no less than eight Cary Grant movies are being shown on Turner Classic Movies, including a handful of his most successful and best-remembered star vehicles from the late '30s to the late '50s. (See also: "Cary Grant Classic Movies" and "Cary Grant and Randolph Scott: Gay Lovers?") The evening begins with what may well be Cary Grant's best-known film, An Affair to Remember. This 1957 romantic comedy-melodrama is unusual in that it's an even more successful remake of a previous critical and box-office hit -- the Academy Award-nominated 1939 release Love Affair -- and that it was directed...

I absolutely love Christmas. It’s hands-down my favorite time of year and many of my favorite movies are set around the holidays. So naturally, I jump at the chance to see any Christmas movie I can, even when it’s not full of elves and reindeer. One of this year’s new holiday films, All Is Bright, definitely isn’t filled with traditional cheer and goodwill, but it’s still a quality, darker spin on a Christmas tale that features two great performances from its leads: Paul Giamatti and Paul Rudd.

Recently, in honor of the film’s Blu-Ray release, I had the pleasure of talking with All Is Bright director Phil Morrison. During our exclusive, 1 on 1 chat, we discussed Christmas movies in general, setting this specific film at Christmas time, what working with Paul Giamatti and Paul Rudd was like, and much more.

Check out the full interview below and enjoy!

Cary Grant and Randolph Scott marriages (See previous post: “Randolph Scott and Cary Grant: Gay Lovers?“) The English-born Cary Grant was married five times: Charles Chaplin’s City Lights leading lady Virginia Cherrill (1934-1935), Woolworth heiress Barbara Hutton (1942-1945), Grant’s Every Girl Should Be Married and Room for One More co-star Betsy Drake (1949-1962), Bob & Carol & Ted & Alice and Heaven Can Wait Best Supporting Actress Oscar nominee Dyan Cannon (1965-1968), and Barbara Harris (1981-1986). Note: Cary Grant’s last wife was not the Barbara Harris of Nashville, Family Plot, and A Thousand Clowns fame. Cary Grant died at age 82 after suffering a stroke on November 29, 1986, while preparing for a performance of his one-man show, A Conversation with Cary Grant, in Davenport, Iowa. (Photo: Cary Grant and Randolph Scott ca. 1933.) The Virginia-born Randolph Scott was married twice: wealthy socialite Mariana duPont Somerville (1936-1939) and Patricia Stillman, from 1943 to his...

From Fred and Ginger to Jennifer and Ashton, romantic comedies used to be one of the safest bets in Hollywood. But it seems that rom is just not into com any more

Is it the end for the romcom? You can imagine the celebrity mag headlines: "Romcom's relationship on the rocks?" "Com: I'm just not that into Rom" "Rom: Com doesn't make me laugh any more."

After all, who says romance and comedy go together like a horse and carriage? It seems to be a chiselled Hollywood commandment that the two shall be forever conjoined in cinematic matrimony, but perhaps it's time they went their separate ways. Sure, they got off to a great start: in those early years it was all fun and games and sparkling repartee, but recently they haven't quite looked the happy couple; the spark just hasn't been there.

They've been stuck in the same repetitive formula: boy meets girl,...