Ajouter une intrigue dans votre langueIn antebellum New Orleans, two men vie for the affections of a beautiful young girl during Mardi Gras.In antebellum New Orleans, two men vie for the affections of a beautiful young girl during Mardi Gras.In antebellum New Orleans, two men vie for the affections of a beautiful young girl during Mardi Gras.
- Prix
- 1 victoire au total
Lillian Arons
- Chorus Girl
- (uncredited)
Nancy Lee Blaine
- Chorus Girl
- (uncredited)
Eddy Chandler
- Blondell - Montague's Henchman
- (uncredited)
Bruce Covington
- Colonel Porter
- (uncredited)
Jan Duggan
- Society Woman in Theater Box
- (uncredited)
June Glory
- Chorus Girl
- (uncredited)
Dell Henderson
- Society Man in Theater Box
- (uncredited)
George Herman
- Contortionist
- (uncredited)
Eugene Jackson
- Cupid - Plantation House Boy
- (uncredited)
Histoire
Le saviez-vous
- AnecdotesThe last 2 reels contain 2006 feet of 2-strip Technicolor footage, which was thought to be lost, and is hence missing from the 1956 television release prints and some public domain VHS and DVD copies, but which was rescued by film historian David Chierichetti, preserved by the UCLA film archives, and has now been restored to the original version.
- Citations
Mrs. Birdie Van Horn: No woman would marry a man if she could see him sleep first.
- ConnexionsEdited into The Toast of New York (1937)
- Bandes originalesDixiana
(1930) uncredited)
Music by Harry Tierney
Lyrics by Benny Davis
Sung by Bebe Daniels and chorus
also played as part of the finale
Commentaire en vedette
As other comments on this site will tell you, this film is either an "antique treasure" or a "pre- historic turkey" ...(that is so hilarious! I laughed for days at that description) .... well like many others in the warbling yelling cast, I shall declare my love for DIXIANA, albeit from 79 years away. I am quite fascinated with the period of 1927-1935 and to see this sumptuous RKO production filmed in late 1929 with its lavish Technicolor finale is a dream and a thrill at the same time.. (remember those dreams?). Also Bebe Daniels is simply awesomely beautiful. As a production it is massive and atmospheric... I read somewhere this film actually captures the deep south of the 1860s which I believed I could actually feel. Also the limelight vaudeville scenes at the hippodrome and the interiors of the steamy mansions with riverboats gliding by and willows overhanging transported me to that period quite effectively. The presence of Wheeler and Woolsey and their rudeness added many laughs... in fact in Australia most of their films were released on VHS tape and quite often they play on national television on the late late show. I have quite a few and in Sydney, HIPS HIPS HOORAY and MUMMY'S BOYS have been seen a lot....and DIPLOMANIACS is an absolute scream of a comedy just like DUCK SOUP. ..anyway in DIXIANA they almost overshadow the film. The 1929 sound is really loud and clear with some really lusty operatic singing and plenty of lavish sets and art direction to enjoy. The most constantly dazzling aspect to this expensive film are the costumes, in particular the many jaw-dropping gowns and the riotous Technicolor Mardi Gras finale. The added dancing (minus his feet!!!) of Bill Robinson is a cropped treat, but the color and the spectacular lavish set and dressings add the thrill of endless beauty back into the enjoyment most effectively. Yes DIXIANA is an antique treasure for me, so if you get to see it, watch it with someone who appreciates the elements listed above.
- ptb-8
- 14 mai 2008
- Lien permanent
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- How long is Dixiana?Propulsé par Alexa
Détails
- Durée1 heure 40 minutes
- Couleur
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![Bebe Daniels and Everett Marshall in Dixiana (1930)](https://m.media-amazon.com/images/M/MV5BNjczMDc1N2QtM2RjNC00MTNmLWE4MjQtYmFhYmMyNGNiNGVlXkEyXkFqcGc@._V1_QL75_UY133_CR2,0,90,133_.jpg)