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“The Midnight Sky” and “Soul” were the big film winners at the 19th annual Ves Awards, which were presented on Tuesday night by the Visual Effects Society.

George Clooney’s cautionary sci-fi drama “The Midnight Sky” won two awards, including Outstanding Visual Effects in a Photoreal Feature, the Ves category that most closely corresponds to the Academy Award for Best Visual Effects. Winners in the category have gone on to win the Oscar 10 times in the past 18 years, but the last film to do so was “The Jungle Book” in 2017.

The Pixar film “Soul,” which was shortlisted but not nominated for the VFX Oscar, won five awards, the most of any film or television program. In addition to Outstanding Visual Effects in an Animated Feature, it won for its animated character, created environment, effects simulation and virtual cinematography.

“Project Power” also won two awards, while additional film prizes went to “Mank,...

George Clooney’s existential sci-fi drama, “The Midnight” Sky,” moved a step closer in the VFX Oscar race Tuesday, taking top honors at the 19th annual Ves Awards. The Netflix film (with VFX by Framestore) also earned the model award for the Aether spacecraft. Strangely, though, the unforgettable Ballet of Blood scene, containing simulated zero-g and remarkable liquid simulation, wasn’t even nominated, yet this highlight could prove decisive if “The Midnight Sky” wins the Oscar.

But that’s a big if in this wide open race that also includes Christopher Nolan’s time-inverted “Tenet” (which is finally available on the Academy’s online voting portal) and dark horse “Love and Monsters,” with its terrific array of Ray Harryhausen-like creatures. In the last four years, the Ves has only aligned with the Academy once (for “The Jungle Book”). Then again, the Ves nod could be enough to put “The Midnight Sky...

Updated with full list of winners: George Clooney’s Netflix sci-fi thriller The Midnight Sky, Disney/Pixar’s animated Soul and the Disney+ Star Wars spinoff series The Mandalorian were the marquee winners Tuesday at the 19th annual Ves Awards.

The Visual Effects Society’s annual celebration, which honors the year’s best in film, animation, TV, commercials and video games, was hosted as per usual by Patton Oswalt (and his green monster alter ego) and was presented virtually because of the pandemic.

The well-constructed and engaging show (leave it to the VFX crews to pull that off during the Year of the Zoom Ceremony) included honorary awards presented to Peter Jackson, who received the Ves Lifetime Achievement Award presented by his Lotr star Cate Blanchett and featuring a tribute with Andy Serkis, Naomi Watts, Elijah Wood, Ian McKellen, James Cameron and Gollum himself in one of several bits of...

Pixar’s “Soul,” George Clooney’s “The Midnight Sky” and “The Mandalorian” led the winners at the 19th annual Visual Effects Society (Ves) Awards.

Comedian Patton Oswalt served as host for the 10th time for the virtual ceremony which celebrated the art of visual effects across 25 categories.

“Soul” was named top animated film, winning five awards. “The Mandalorian” was named best photoreal episode and garnered three awards, and “The Midnight Sky” was named the photoreal feature winner, garnering two awards.

Sacha Baron Cohen presented the Ves Award for Creative Excellence to acclaimed visual effects supervisor, second unit director and director of photography Robert Legato, ASC. Cate Blanchett presented the Ves Lifetime Achievement Award to Peter Jackson. The “Lord of the Rings” filmmaker was lauded in a virtual tribute that featured Andy Serkis, Naomi Watts, Elijah Wood, Sir Ian McKellen, James Cameron and Gollum.

Full List of Winners:

Outstanding Visual Effects...

“The Lion King,” the Disney “live-action” remake that is made up almost entirely of computer-generated characters and backgrounds, has won three awards at the Visual Effects Society’s 18th annual Ves Awards, which were handed out Wednesday night in Los Angeles.

The film won for its virtual cinematography and created environment, and also took the award for Outstanding Visual Effects in a Photoreal Feature, the Ves category that corresponds most closely to the Academy Awards’ Best Visual Effects category.

“The Irishman,” with its extensive use of de-aging technology, won two awards, including Outstanding Supporting Effects in a Photoreal Feature. “Missing Link” was the top animated feature with two awards.

Also Read: 'The Lion King' Crosses $500 Million Domestic, Will Soon Pass 'Beauty and the Beast'

In the television categories, “Stranger Things” and “Game of Thrones” each received a pair of awards. So did “The Mandalorian” — including one for “The Child,...

The Visual Effects Society is handing out its 18th annual Ves Awards tonight at the Beverly Hilton, and Deadline is updating the winners list live as they are announced. Check out the list below.

Patton Oswalt is hosting the ceremony, which recognizes and honors the most outstanding visual effects work of the year and honors the artists who created them. Check out the latest winners and the nominees in all remaining categories below.

Since the Ves Awards launched in 2002, the winner of its top film category — Best Visual Effects in a Visual Effects-Driven Motion Picture — has gone on to score the Best Visual Effects Oscar in 10 of the 17 years. (Hugo won the Ves in the Feature Motion Picture category in 2011 and later won the Oscar.) But Ves and the Film Academy have differed in each of the past two years, with War for the Planet of the Apes losing the...