![Donald Trump](https://m.media-amazon.com/images/M/MV5BOThkN2VhMTktZjEwYy00YzFmLWI3ZjMtMjA3N2I1NzM3YjgwXkEyXkFqcGc@._V1_QL75_UY207_CR1,0,140,207_.jpg)
![Donald Trump](https://m.media-amazon.com/images/M/MV5BOThkN2VhMTktZjEwYy00YzFmLWI3ZjMtMjA3N2I1NzM3YjgwXkEyXkFqcGc@._V1_QL75_UY207_CR1,0,140,207_.jpg)
The backlash against Donald Trump’s weekend attack on the NFL continues, this time from a source the president can usually rely on for support. The president’s comments blasting NFL players who choose to protest during the national anthem “made things so much worse,” said “Fox and Friends” co-host Brian Kilmeade on Monday. “Even if you’re outspoken in sports, it’s no problem,” Kilmeade said, pointing to several famous athletes known for being open about their political beliefs including Mohammed Ali, Charles Barkley and Curt Schilling. Your thoughts on the national anthem protests? pic.twitter.com/gcg7bXcuos...
- 25/09/2017
- di Ashley Boucher
- The Wrap
![Elizabeth Debicki in The Crown (2016)](https://m.media-amazon.com/images/M/MV5BODcyODZlZDMtZGE0Ni00NjBhLWJlYTAtZDdlNWY3MzkwMGVhXkEyXkFqcGc@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Elizabeth Debicki in The Crown (2016)](https://m.media-amazon.com/images/M/MV5BODcyODZlZDMtZGE0Ni00NjBhLWJlYTAtZDdlNWY3MzkwMGVhXkEyXkFqcGc@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Peter Morgan (“The Queen”) has long divided his time between playwriting, screenwriting, and television. But having just wrapped the second 10-episode season for Netflix’s “The Crown” (December 8), the executive producer and showrunner is now wholly devoted to a new genre that he calls “cinematic television.”
It’s not a difficult transition. “The Crown” has the scale of a big-budget production (Netflix paid in advance for two seasons, as well as bonuses to buy out all future royalties), as well as serious awards gravitas: The first season scored a Golden Globe win for Claire Foy and now has 13 Emmy nominations, and could win the fierce contest for Best Dramatic Series.
Read More:‘The Crown’: 7 Reasons Why the Netflix Series Should Dominate the Drama Emmys
While Netflix doesn’t confirm budgets, Morgan wants to set the record straight: the show did not cost $100 million per 10-episode season (that’s the level of “Rome,...
It’s not a difficult transition. “The Crown” has the scale of a big-budget production (Netflix paid in advance for two seasons, as well as bonuses to buy out all future royalties), as well as serious awards gravitas: The first season scored a Golden Globe win for Claire Foy and now has 13 Emmy nominations, and could win the fierce contest for Best Dramatic Series.
Read More:‘The Crown’: 7 Reasons Why the Netflix Series Should Dominate the Drama Emmys
While Netflix doesn’t confirm budgets, Morgan wants to set the record straight: the show did not cost $100 million per 10-episode season (that’s the level of “Rome,...
- 21/08/2017
- di Anne Thompson
- Thompson on Hollywood
![Elizabeth Debicki in The Crown (2016)](https://m.media-amazon.com/images/M/MV5BODcyODZlZDMtZGE0Ni00NjBhLWJlYTAtZDdlNWY3MzkwMGVhXkEyXkFqcGc@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Elizabeth Debicki in The Crown (2016)](https://m.media-amazon.com/images/M/MV5BODcyODZlZDMtZGE0Ni00NjBhLWJlYTAtZDdlNWY3MzkwMGVhXkEyXkFqcGc@._V1_QL75_UX140_CR0,0,140,207_.jpg)
Peter Morgan (“The Queen”) has long divided his time between playwriting, screenwriting, and television. But having just wrapped the second 10-episode season for Netflix’s “The Crown” (December 8), the executive producer and showrunner is now wholly devoted to a new genre that he calls “cinematic television.”
It’s not a difficult transition. “The Crown” has the scale of a big-budget production (Netflix paid in advance for two seasons, as well as bonuses to buy out all future royalties), as well as serious awards gravitas: The first season scored a Golden Globe win for Claire Foy and now has 13 Emmy nominations, and could win the fierce contest for Best Dramatic Series.
Read More:‘The Crown’: 7 Reasons Why the Netflix Series Should Dominate the Drama Emmys
While Netflix doesn’t confirm budgets, Morgan wants to set the record straight: the show did not cost $100 million per 10-episode season (that’s the level of “Rome,...
It’s not a difficult transition. “The Crown” has the scale of a big-budget production (Netflix paid in advance for two seasons, as well as bonuses to buy out all future royalties), as well as serious awards gravitas: The first season scored a Golden Globe win for Claire Foy and now has 13 Emmy nominations, and could win the fierce contest for Best Dramatic Series.
Read More:‘The Crown’: 7 Reasons Why the Netflix Series Should Dominate the Drama Emmys
While Netflix doesn’t confirm budgets, Morgan wants to set the record straight: the show did not cost $100 million per 10-episode season (that’s the level of “Rome,...
- 21/08/2017
- di Anne Thompson
- Indiewire
![Jay Bulger in Fear and Loathing in Aspen (2021)](https://m.media-amazon.com/images/M/MV5BOTc0ZWMzY2YtYzUwYS00YTRhLThmOWQtOWRlZTEwNjg2NTZhXkEyXkFqcGc@._V1_QL75_UX500_CR0,34,500,281_.jpg)
Director Jay Bulger is taking a deep dive into the world of boxing in Netflix’s latest documentary. The film follows several young boxers who are trying to make it in the industry and restore the sport to its glory days of Mohammed Ali and other famous boxers. Bulger happens to have been an amateur boxer himself. Also Read: Trisha Yearwood Talks TV Production, Emmys Rematch and Boxing Up Southern Charm “Many years after hanging up the gloves, I set out to capture the state of boxing in America, following three boxers, in three different chapters of a boxing career.
- 25/05/2017
- di Ashley Boucher
- The Wrap
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