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With a decade having passed since the 2011 disaster in Japan, a number of directors have turned their look towards the incident and its consequences, with “Fukushima 50” being the most renowned. Using the photography books of Masashi Asada as inspiration, Ryota Nakano presents a radically different take on the concept, by combining it with a distinctly anthropocentric story.

“The Asadas” is screening at Vesoul International Film Festival of Asian Cinema

Since he was a small kid, Masashi has shown an interest in photography, particularly since his father Akira took a picture of him and his brother, Yukihiro, during an excursion. Recognizing his talent, the whole family obliges to his whims of photographing them all showing off their dream jobs or other aspirations, including photos as yakuza, race drivers, firemen, and members of a band, among others. However, their constant will to help has made Masashi a self-centered, spoiled young man, whose...

With a decade having passed since the 2011 disaster in Japan, a number of directors have turned their look towards the incident and its consequences, with “Fukushima 50” being the most renowned. Using the photography books of Masashi Asada as inspiration, Ryota Nakano presents a radically different take on the concept, by combining it with a distinctly anthropocentric story.

Since he was a small kid, Masashi has shown an interest in photography, particularly since his father Akira took a picture of him and his brother, Yukihiro, during an excursion. Recognizing his talent, the whole family obliges to his whims of photographing them all showing off their dream jobs or other aspirations, including photos as yakuza, race drivers, firemen, and members of a band, among others. However, their constant will to help has made Masashi a self-centered, spoiled young man, whose sole redeeming quality seems to be his eagerness to apologize. His attitude...