Notícias

The horror film Ouija Witch is now available to watch through all major digital and cable platforms, and to help you decide whether or not this a movie you’d like to check out, we have the trailer embedded above!

Directed by Robert Michael Ryan (Dark Revelations) from a screenplay by John Doolan (Steve Niles’ Remains), based on a story Ryan crafted with Cuyle Carvin (Dark Corners Horror Anthology), Ouija Witch centers on a young woman who summons an evil witch to get revenge on the men who attacked her.

The film stars Miley Rose (Asteroid), Jeremy Dean (The Thing About Pam), Cheyenne Phillips (Outlaws and Angels), Ryan M. Shaw (Bring Him Back Dead), LeJon Woods (The Tomorrow Job), Rivera Reese (FBI: Most Wanted), Maggie Wagner (The Talent Given Us), Mattie Jo Cowsert (Slumber Still: Dawn of Shadows), Mabel Thomas (The Resonator), Sara Frankino (Riding Waves), Chris Jehnert (Teacher Shortage...

9/11 truther Rosie O’Donnell will sit down with members of the conspiracy group Architects and Engineers for 9/11 Truth, the group announced Wednesday. The interview, set up to promote a new film from conspiracy theorist Dylan Avery, includes multiple individuals who were cut from Spike Lee’s HBO docuseries “NYC Epicenters 9/11-2021½.”

Avery’s film, titled “The Unspeakable,” is described as “a feature-length documentary that follows four families in their ongoing struggle to find out the truth about the death of their loved ones 20 years ago in the destruction of the World Trade Center.” Avery made his name as a filmmaker with the 2005 documentary “Loose Change,” which posited that Sept. 11 terrorist attacks were a false flag operation and would go on to become one of central texts for the 9/11 truther movement.

O’Donnell has a history of promoting 9/11 conspiracy theories, having said she “still [does] not believe the official story” of the attacks.

You can't address the state of indie film DVD-land without being bowled over by the cataract of activist documentaries, now made so cheaply and distributed so easily, assaulting the marketplace, and once you're standing on that battlefield, you're faced with the bedevilment of 9/11 conspiracy movies. As a core sample of the American soul, what could be more naked, more pertinent, more chilling? (Of course, if they're even ten percent correct in the theories they lay out, there is nothing more relevant anywhere on the sociopolitical table.)

Dylan Avery's "Loose Change," which has by now undergone a series of tweakings and editions and semi-sequels -- the most recent was released as "Loose Change: Final Cut," though "Loose Change 9/11: An American Coup" is slated for a September release -- is simply the latest Diy project in the genre and, it seems, the best informed. (Certainly, it lacks the burst-temple histrionics of Alex Jones' "Terrorstorm.