
In an early scene in Episode One of Pablo Fendrik’s “The Shelter” which is suffused in oneiric chromatic blue, Emilia, a little girl in bed at night, spies a figure down a corridor who looks like her dead older sister, Daniela.
Following her to a barn door, Emilia enters to discover its chicken slaughtered as a huge light flares in the night sky outside. Emilia wakes up. Next days, the chicken are discovered slaughtered in the barn.
Bowing on Pantaya and Starzplay on June 23, six-hour sci-fi series “The Shelter” (“El refugio”) is the first major premium sci-fi TV series from Latin America. That tells. Classic sci-fi flowered after the unbelievable horror of World War II, showing humankind defeating an alien enemy through courage and the force of reason.
What could a Latin American sci-fi series look like 75 years later? “The Shelter” gives one answer, which having grabbed the viewer in early stretches,...
Following her to a barn door, Emilia enters to discover its chicken slaughtered as a huge light flares in the night sky outside. Emilia wakes up. Next days, the chicken are discovered slaughtered in the barn.
Bowing on Pantaya and Starzplay on June 23, six-hour sci-fi series “The Shelter” (“El refugio”) is the first major premium sci-fi TV series from Latin America. That tells. Classic sci-fi flowered after the unbelievable horror of World War II, showing humankind defeating an alien enemy through courage and the force of reason.
What could a Latin American sci-fi series look like 75 years later? “The Shelter” gives one answer, which having grabbed the viewer in early stretches,...
- 6/27/2022
- by John Hopewell and Emiliano Granada
- Variety Film + TV

Global streamer Starzplay and L.A.-based Spanish-language streaming platform Pantaya have re-teamed with U.K. production-distribution giant Fremantle and the Larraín brothers’ Fabula on sci-fi miniseries “The Shelter” (“El Refugio”).
Starring Alberto Guerra (“La Jauria”) and Ana Claudia Talancón (“Como Caído del Cielo”) and directed by Argentina’s Pablo Fendrik (“El Ardor”), “The Shelter” wraps principal photography this week after 10 weeks of filming in rural areas around Santiago de Chile.
In industry terms, “The Shelter” forms part of a burgeoning axis between like-minded and complementary players in the U.S., Latin America and the U.K. who have been involved in some of the most exciting, relevant and artistically ambitious of recent Spanish-language dramas hitting screens or in the pipeline, whether “La Jauría,” “Señorita 89” – where all four companies partner – or “Express.”
The series captures Fendrik on tremendous TV form after making “Amongst Men” and “The Bronze Garden,” both for HBO Latin America.
Starring Alberto Guerra (“La Jauria”) and Ana Claudia Talancón (“Como Caído del Cielo”) and directed by Argentina’s Pablo Fendrik (“El Ardor”), “The Shelter” wraps principal photography this week after 10 weeks of filming in rural areas around Santiago de Chile.
In industry terms, “The Shelter” forms part of a burgeoning axis between like-minded and complementary players in the U.S., Latin America and the U.K. who have been involved in some of the most exciting, relevant and artistically ambitious of recent Spanish-language dramas hitting screens or in the pipeline, whether “La Jauría,” “Señorita 89” – where all four companies partner – or “Express.”
The series captures Fendrik on tremendous TV form after making “Amongst Men” and “The Bronze Garden,” both for HBO Latin America.
- 9/17/2021
- by John Hopewell
- Variety Film + TV
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