Destry Rides Again
Blu ray
Criterion
1939 / 1.33:1/ 95 min.
Starring Marlene Dietrich, James Stewart
Cinematography by Hal Mohr
Directed by George Marshall
America’s favorite boy next door meets the Weimar Republic’s preeminent vamp in George Marshall’s Destry Rides Again. James Stewart plays Tom Destry, the self-effacing straight-shooter who cleans up a lawless backwater burg without firing a shot – almost. Marlene Dietrich is Frenchy, a world-weary chanteuse who rules the roost at the town’s only waterhole, the Last Chance saloon. Their relationship is more heated than the volatile town itself but after the final punch is thrown their bond is deeper than any typical Hollywood romance.
Marshall’s comic horse opera was released by Universal in 1939 and like so many of that studio’s horror films of the era, it opens with a slow pan over a moonlit graveyard with more than its fair share of tombstones. Instead...
Blu ray
Criterion
1939 / 1.33:1/ 95 min.
Starring Marlene Dietrich, James Stewart
Cinematography by Hal Mohr
Directed by George Marshall
America’s favorite boy next door meets the Weimar Republic’s preeminent vamp in George Marshall’s Destry Rides Again. James Stewart plays Tom Destry, the self-effacing straight-shooter who cleans up a lawless backwater burg without firing a shot – almost. Marlene Dietrich is Frenchy, a world-weary chanteuse who rules the roost at the town’s only waterhole, the Last Chance saloon. Their relationship is more heated than the volatile town itself but after the final punch is thrown their bond is deeper than any typical Hollywood romance.
Marshall’s comic horse opera was released by Universal in 1939 and like so many of that studio’s horror films of the era, it opens with a slow pan over a moonlit graveyard with more than its fair share of tombstones. Instead...
- 5/23/2020
- by Charlie Largent
- Trailers from Hell
Deanna Durbin: Ephemeral fame (photo: Deanna Durbin in 1981) [See previous post: "Deanna Durbin: 'Sweet Monster.'"] Unlike Greta Garbo, whose mystique remained basically intact following her retirement in 1941, Deanna Durbin’s popularity faded away much like that of the vast majority of celebrities who were removed — or who chose to remove themselves — from public view. Despite the advent of home video and classic-movie cable channels, Durbin remains virtually unknown to the vast majority of those who weren’t around in her heyday in the ’30s and ’40s. Yet, although relatively few in number, she continues to have her ardent fans. There are a handful of websites devoted to Deanna Durbin and her film and recording careers, chiefly among them the appropriately titled "Deanna Durbin Devotees." Fade Out Charles David, Deanna Durbin’s husband of 48 years, died in March 1999, at the age of 92; Institut Pasteur medical researcher Peter H. David is their only son. Durbin also had a daughter,...
- 5/7/2013
- by Andre Soares
- Alt Film Guide
Deanna Durbin: Three Husbands with Universal Pictures background [See previous post: "Deanna Durbin: Highest Paid Actress in the World."] By the time the 26-year-old Deanna Durbin’s film career was over, the movies’ personification of girl-next-door wholesomeness had been married twice: Durbin’s union with Universal Pictures assistant director Vaughn Paul ended in 1943. Two years later, she married another Universal employee, 43-year-old German-born writer-producer Felix Jackson, among whose screenwriting and/or producing credits were the James Stewart / Marlene Dietrich Western hit Destry Rides Again (1939), the well-regarded Ginger Rogers / David Niven comedy Bachelor Mother (1939), and several Deanna Durbin star vehicles, including Mad About Music, Hers to Hold, and Lady on a Train. Jackson, in fact, produced nearly all of her post-Joe Pasternak films of the mid-’40s, the one exception being The Amazing Mrs. Holliday. The last Jackson-Durbin collaboration was the 1947 critical and box-office misfire I’ll Be Yours, which came out as their marriage was crumbling. Deanna Durbin would...
- 5/6/2013
- by Andre Soares
- Alt Film Guide
Deanna Durbin, a star whose songs and smile made her one of the biggest box office draws of Hollywood’s Golden Age with fans that included Winston Churchill, has died.
Durbin died on about April 20 in a village outside Paris where she had lived, out of public view, since 1949, family friend Bob Koster of Los Angeles told the Associated Press on Wednesday. Koster’s father, Henry Koster, directed six of Durbin’s films. Bob Koster did not know the cause of death.
At the height of her career, the Canadian-born Durbin, who made her first feature, Three Smart Girls, at...
Durbin died on about April 20 in a village outside Paris where she had lived, out of public view, since 1949, family friend Bob Koster of Los Angeles told the Associated Press on Wednesday. Koster’s father, Henry Koster, directed six of Durbin’s films. Bob Koster did not know the cause of death.
At the height of her career, the Canadian-born Durbin, who made her first feature, Three Smart Girls, at...
- 5/2/2013
- by Associated Press
- EW - Inside Movies
Child star with a powerful singing voice who played the perfect girl next door in Hollywood films of the 30s and 40s
When a teenage Deanna Durbin appeared on screen in the 1930s, wearing a decorous white dress with her hands clasped together, singing with a bell-like purity, audiences sighed contentedly. And so did film and music executives. In the days when child stars were wholesome, Durbin was everyone's idea of the perfect girl next door, and she was a huge money-spinner. Audiences flocked to see her musical comedies and, after she had trilled numbers such as It's Raining Sunbeams (in the film One Hundred Men and a Girl, 1937), Home Sweet Home (in First Love, 1939) and Waltzing in the Clouds (in Spring Parade, 1940), her fans queued to buy the latest record bearing her name.
Durbin, who has died aged 91, was the antithesis of the Hollywood glamour girl – which made her...
When a teenage Deanna Durbin appeared on screen in the 1930s, wearing a decorous white dress with her hands clasped together, singing with a bell-like purity, audiences sighed contentedly. And so did film and music executives. In the days when child stars were wholesome, Durbin was everyone's idea of the perfect girl next door, and she was a huge money-spinner. Audiences flocked to see her musical comedies and, after she had trilled numbers such as It's Raining Sunbeams (in the film One Hundred Men and a Girl, 1937), Home Sweet Home (in First Love, 1939) and Waltzing in the Clouds (in Spring Parade, 1940), her fans queued to buy the latest record bearing her name.
Durbin, who has died aged 91, was the antithesis of the Hollywood glamour girl – which made her...
- 5/1/2013
- by Michael Freedland
- The Guardian - Film News
Former child star Deanna Durbin has died at the age of 91, according to The Hollywood Reporter.
Durbin's son, Peter H. David, was quoted in the "Deanna Durbin Society" newsletter saying his mother had passed away several days ago, but he did not provide any other details about her death.
Durbin gained popularity during the Depression and was known for her "sweet soprano voice" that charmed American audiences, according to the New York Times.
The actress was born Edna Mae Durbin; her British parents moved from Winnipeg, Manitoba, to Los Angeles when she was 2 years old, and she was discovered while still in junior high school. She made her film debut in the 1936 MGM short “Every Sunday,” with Judy Garland. Soon after, she signed a contract with Universal, changed her name to Deanna, and was cast in a series of musical comedies, reports Variety.
The Canadian-born actress was reportedly the second-highest...
Durbin's son, Peter H. David, was quoted in the "Deanna Durbin Society" newsletter saying his mother had passed away several days ago, but he did not provide any other details about her death.
Durbin gained popularity during the Depression and was known for her "sweet soprano voice" that charmed American audiences, according to the New York Times.
The actress was born Edna Mae Durbin; her British parents moved from Winnipeg, Manitoba, to Los Angeles when she was 2 years old, and she was discovered while still in junior high school. She made her film debut in the 1936 MGM short “Every Sunday,” with Judy Garland. Soon after, she signed a contract with Universal, changed her name to Deanna, and was cast in a series of musical comedies, reports Variety.
The Canadian-born actress was reportedly the second-highest...
- 5/1/2013
- by Stephanie Marcus
- Huffington Post
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