Dark-haired, slender-faced Hollywood actress generally typecast as nosy or prudish. Plenty of nurses, shop clerks and (often obnoxious) maiden spinster roles came her way. A "day-worker" (a player required for only one day's shooting), Field's plaintive, parrot-beaked, chinless face showed up in hundreds of films. She was billed so infrequently that she was still considered a relative unknown after a nearly three decade career. A few of her more visible roles in "A" quality pictures came to her via the dual role of the mother of both the prince and the pauper in
Errol Flynn's
O Príncipe e o Mendigo (1937); a prim foundation lady in the
Gary Cooper starrer
Bola de Fogo (1941); the Miniver children's piano teacher in
Rosa de Esperança (1942), and the café owner in the classic film noir
Fuga do Passado (1947).