- Born
- Died
- Nicknames
- FeFe
- Il Maestro
- Height5′ 11¾″ (1.82 m)
- The women who both attracted and frightened him and an Italy dominated in his youth by Mussolini and Pope Pius XII - inspired the dreams that Fellini started recording in notebooks in the 1960s. Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in La Dolce Vita (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Rome, Open City (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisan (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.- IMDb Mini Biography By: Dale O'Connor
- SpouseGiulietta Masina(October 30, 1943 - October 31, 1993) (his death, 1 child)
- ParentsUrbano FelliniIda Barbiani
- RelativesMaddalena Fellini(Sibling)Riccardo Fellini(Sibling)Francesca Fabbri(Niece or Nephew)
- Bizarre, abstract plots peppered with risque humor
- Frequently cast Marcello Mastroianni and Giulietta Masina
- Score by Nino Rota
- Includes dream like imagery and nostalgia
- Cinematography by Tonino Delli Colli on his later films.
- The term "paparazzi" comes from a character named Paparazzo in his film, La Dolce Vita (1960), who is a journalist photographing celebrities.
- His ten favorite films are The Circus (1928), Any of Marx Brothers or Laurel and Hardy films, Stagecoach (1939), Rashomon (1950), The Discreet Charm of the Bourgeoisie (1972), 2001: A Space Odyssey (1968), Paisan (1946), The Birds (1963), Wild Strawberries (1957) and 8½ (1963).
- Many of his movies such as 8½ (1963) or Satyricon (1969) are influenced by the work of Swiss psychiatrist Carl Jung and his ideas on the "anima" and the "animus", the role of archetypes and the collective unconscious.
- He was a big fan of Stan Lee and Marvel Comics (publishers of superhero comics like Spiderman and the Hulk).
- Has been described as a major influence by, among others, Ingmar Bergman, Stanley Kubrick, Martin Scorsese, Bernardo Bertolucci and Rainer Werner Fassbinder.
- There is no end. There is no beginning. There is only the infinite passion of life.
- My work is my only relationship to everything.
- You exist only in what you do.
- In the myth of the cinema, Oscar is the supreme prize.
- In the mythology of the cinema, the Oscar is the supreme prize.
Contribute to this page
Suggest an edit or add missing content