Una giornalista scende nel ventre oscuro della città santa iraniana di Mashhad mentre indaga sugli omicidi seriali di prostitute da parte del cosiddetto Spider Killer.Una giornalista scende nel ventre oscuro della città santa iraniana di Mashhad mentre indaga sugli omicidi seriali di prostitute da parte del cosiddetto Spider Killer.Una giornalista scende nel ventre oscuro della città santa iraniana di Mashhad mentre indaga sugli omicidi seriali di prostitute da parte del cosiddetto Spider Killer.
- Premi
- 22 vittorie e 35 candidature totali
Haidar Qaraeen
- Old Man at Bakery 1
- (as Haidar Qara'een)
Trama
Lo sapevi?
- QuizZar Amir Ebrahimi was initially involved in the film only as a casting director, but was cast as the lead after an actress became fearful of acting without hijab and dropped out of the role at the last minute. Amir-Ebrahimi had auditioned around 50 actresses for the role she would go on to claim. Director Ali Abbasi originally wanted someone boyish, more strong physically for the role of Rahimi, as he saw her as being very young and inexperienced, and really eager to prove herself, and he thought Ebrahimi was too soft and mature to play the character he had in mind. But when he saw Ebrahimi use her life experience to remind him that desperate people make dangerous choices, his vision shifted and she was cast. Ebrahimi's performance was acclaimed and she won the Best Actress award at the 2022 Cannes Film Festival.
- BlooperIn the first scene of Rahimi and Sharifi together, style of Sharifi's sleeves repeatedly changes in different shots.
- Curiosità sui creditiThe title card shows up 11 minutes into the movie.
Recensione in evidenza
Over a relatively short period of time, over a dozen dead women are found bundled by the roadside - and the police are baffled? The women have not been sexually assaulted, but strangled using a knot tied in their headscarves. Not convinced that everything is being done by the authorities, investigative journalist "Rahimi" (Zar Amir-Ebrahimi) decides to get to the truth. Meantime, we follow the life of taxi driver "Saeed" (Mehdi Bajestani) and his daily life helps us to realise that the deceased were prostitutes. Not that he uses them, but pretty soon we realise that the stories are connected. At this point the plot rather falls away - we get to the bottom of the murder-mystery a little too simplistically for my liking; but actually as that plot develops we realise that the whodunit element of the narrative is not the most important one. It rapidly becomes an evaluation of a judicial process - and of vocal popular opinion - that may just indicate that these killings are in someway justifiable. These women, were - after all, sinful and irredeemable. Can the killer capitalise on this zealousness and escape justice? It's quite an intriguing film that looks at how religious faith can butt - head to head - with civic justice; of how the ordinarily law-abiding public themselves can; of how a person can genuinely believe he is doing good by removing "stains" from his community... I cannot believe anyone from the West would watch this with anything other than a feeling of abhorrence at the offences, but this film does attempt to put both sides in a thought-provoking fashion. Though it didn't change my opinion, it did offer a balance that makes the last twenty minutes or so a lot less fait accompli than we might expect. Bajestani is good here and this is more than just a good vs. Evil crime drama. Well worth a watch. Telly will be fine, though.
- CinemaSerf
- 22 gen 2023
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Araña sagrada
- Luoghi delle riprese
- Giordania(as Iran)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 307.188 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.376 USD
- 30 ott 2022
- Lordo in tutto il mondo
- 1.706.583 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Proporzioni
- 2.39 : 1
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