Benjamin Barry è un dirigente pubblicitario che, per vincere una grande campagna, scommette di far innamorare una donna in 10 giorni. Andie Anderson viene incaricata di fare un articolo su "... Leggi tuttoBenjamin Barry è un dirigente pubblicitario che, per vincere una grande campagna, scommette di far innamorare una donna in 10 giorni. Andie Anderson viene incaricata di fare un articolo su "Come perdere un ragazzo in 10 giorni".Benjamin Barry è un dirigente pubblicitario che, per vincere una grande campagna, scommette di far innamorare una donna in 10 giorni. Andie Anderson viene incaricata di fare un articolo su "Come perdere un ragazzo in 10 giorni".
- Premi
- 1 vittoria e 8 candidature totali
John DiResta
- Joey Sr.
- (as John Diresta)
Trama
Lo sapevi?
- QuizMuch of the scene where Andie crashes Ben's "boys night" was improvised. Kate Hudson had the idea to toss the platter of veggies at the guys seated at the poker table. Donald Petrie, the director, knew she was going to do this but the actors in the scene were truly surprised.
- BlooperWhen the character Andie Anderson says, "I mean this is Defcon 5, and I have to do something truly appalling," she really means she is at Defcon 1 or 2. Defcon 5 is the lowest level of defense readiness. Defcon 1 is the highest.
- ConnessioniEdited into How to Lose a Guy in 10 Days: Deleted Scenes (2003)
- Colonne sonoreCatch Me If You Can
Written by Candice Beu, Christie Beu, Victoria Shaw & Mark Hudson
Performed by The Beu Sisters
Produced by David Kahne (uncredited)
Courtesy of S-Curve Records
Under license from EMI Film & TV Music
Recensione in evidenza
So its fluffy and predictable. It's unrealistic and sickly sweet. Who cares...this film pretends to be nothing more than what it is intended to be. Light romantic comedy.
Since stars like Cary Grant, Kathrine Hepburn and Irene Dunne, lit up our cinema screens in the 1930's with films like The Awful Truth, Bringing up Baby and My Favorite Wife, Hollywood and of course the movie going public have reserved a special place in their hearts for RomComs, screwballs and battle of the sexes comedies.
Identical plots, Identical jokes but none the less jokes and plots that will never go out of style and will always be relevant in any age or location, whether it be New York of the 30's or New York in the present day.
Hollywood has always worked on the basis that they stick to what has been tried and tested and has proved to work, that is why with a small plot change and a rehash of old jokes and situations they are able to reinvent their movies for a new generation of film buffs. It was through this formula that Doris Day and friends were able to continue RomCom history throughout the 60's and every one of them box office winners.
A recent example of this would be Down With Love starring Ewan McGregor and Rene Zelwegger. Who could not see plot comparisons to Pillow Talk or Lover Come Back? Yet it did not make this film any less enjoyable. Our entertainment lies in seeing our actors of the day fill the roles of the great actors of yesterday and how the scripts and jokes are adapted and told within a backdrop of 21st century life etc.
Matthew McConaughey and Kate Hudson made this film with impeccable comic timing and enjoyable performances. Of course with Goldie Hawn for a mother, Hudson comes straight from comic stock so I would have been disappointed if she failed to meet the challenge but she didn't. Some of her facial expressions and mannerisms almost had me convinced I was watching an old episode of "Laugh In"
McConaughey also held his own and proved himself to be a gifted comic as he did in the Wedding Planner.
This plot seemed quite original and as a battle of the sexes comedy, they seldom come as good as this. Again the formula was followed and we were under no illusion on what the final outcome would be, but their journey to this ultimate destination is what we find entertaining.
This type of film has been popular for seventy plus years and their simularities are what makes them so. Instead of slamming them..watch some of the predecessors and appreciate their origins.
Be thankful they are still making these types of movies today as in an era which is threatening to be devoured by action thrillers, fantasy adventure and shoot 'em ups this seems to be the only diversity left in motion pictures.
Since stars like Cary Grant, Kathrine Hepburn and Irene Dunne, lit up our cinema screens in the 1930's with films like The Awful Truth, Bringing up Baby and My Favorite Wife, Hollywood and of course the movie going public have reserved a special place in their hearts for RomComs, screwballs and battle of the sexes comedies.
Identical plots, Identical jokes but none the less jokes and plots that will never go out of style and will always be relevant in any age or location, whether it be New York of the 30's or New York in the present day.
Hollywood has always worked on the basis that they stick to what has been tried and tested and has proved to work, that is why with a small plot change and a rehash of old jokes and situations they are able to reinvent their movies for a new generation of film buffs. It was through this formula that Doris Day and friends were able to continue RomCom history throughout the 60's and every one of them box office winners.
A recent example of this would be Down With Love starring Ewan McGregor and Rene Zelwegger. Who could not see plot comparisons to Pillow Talk or Lover Come Back? Yet it did not make this film any less enjoyable. Our entertainment lies in seeing our actors of the day fill the roles of the great actors of yesterday and how the scripts and jokes are adapted and told within a backdrop of 21st century life etc.
Matthew McConaughey and Kate Hudson made this film with impeccable comic timing and enjoyable performances. Of course with Goldie Hawn for a mother, Hudson comes straight from comic stock so I would have been disappointed if she failed to meet the challenge but she didn't. Some of her facial expressions and mannerisms almost had me convinced I was watching an old episode of "Laugh In"
McConaughey also held his own and proved himself to be a gifted comic as he did in the Wedding Planner.
This plot seemed quite original and as a battle of the sexes comedy, they seldom come as good as this. Again the formula was followed and we were under no illusion on what the final outcome would be, but their journey to this ultimate destination is what we find entertaining.
This type of film has been popular for seventy plus years and their simularities are what makes them so. Instead of slamming them..watch some of the predecessors and appreciate their origins.
Be thankful they are still making these types of movies today as in an era which is threatening to be devoured by action thrillers, fantasy adventure and shoot 'em ups this seems to be the only diversity left in motion pictures.
- Scaramouche2004
- 3 lug 2004
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Cómo perder a un hombre en 10 días
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 105.813.373 USD
- Fine settimana di apertura Stati Uniti e Canada
- 23.774.850 USD
- 9 feb 2003
- Lordo in tutto il mondo
- 177.503.042 USD
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
What was the official certification given to Come farsi lasciare in 10 giorni (2003) in Japan?
Rispondi