Un'antica cattedrale gotica costruita su una fossa comune ha strani poteri che intrappolano un numero di persone all'interno con i fantasmi di un massacro del XII secolo che tentano resuscit... Leggi tuttoUn'antica cattedrale gotica costruita su una fossa comune ha strani poteri che intrappolano un numero di persone all'interno con i fantasmi di un massacro del XII secolo che tentano resuscitare un antico demone dalle viscere della Terra.Un'antica cattedrale gotica costruita su una fossa comune ha strani poteri che intrappolano un numero di persone all'interno con i fantasmi di un massacro del XII secolo che tentano resuscitare un antico demone dalle viscere della Terra.
- The Bishop
- (as Feodor Chaliapin)
Trama
Lo sapevi?
- QuizOriginally, Soavi and Argento wanted to shoot the movie in the Lorenzkirche of Nuremberg (Germany), and even did some test shots there. However, it was abandoned because the town of Nuremberg didn't want a horror movie to be shot there.
- BlooperAt the end of the movie, when Gus grabs the thing from architect's mouth, he is holding it and looks away and a different shot of him is shown, but he is not holding the thing. In the next shot, he is holding it again.
- Citazioni
Hermann, the Sacristan: [to Lottie] Filthy liar! Here we'll wash your mouth out with soap, here!
Lottie's Mother: Don't make me wait for those onions Hermann
- Versioni alternativeAll videos for The Church in the USA come in two formats: R Rated or Unrated/Uncut. There are mistakes on all boxes and tapes about the running times: All videotapes and boxes say 110 minute running time on the back cover and 102 minute running time on the cassette no matter if its the rated R version or the 110 minute unrated version. It will correctly state on the box & tape that it is rated or uncut/unrated.
- ConnessioniFeatured in Dario Argento: Master of Horror (1991)
It starts of well enough. Medieval knights massacre a village they fear is possessed by demonic spirits and the priest orders that a church should be built on their buriel ground. Fastforward to the present, something weird is going on in that church; some evil seems to be lurking about and possessing people. A showdown between good and evil is unavoidable.
The film has style to burn. Michele Soavi is a master at creating surreal imagery and his camera knows no limits. This is the film's high point along with some terrific set pieces, one in particular involving a subway and a teenage girl. Another thing I must mention in the film's favour; the music score. It's always wonderful to hear Goblin and Keith Emerson also provides some good music. But good music is simply something you can always count on in these Italian productions.
The thing that doesn't work here, and it's a big thing, is the plot. It's practically nonexistent. The film doesn't make any sense, jumps from one setpiece to another (though some are brilliantly executed), with only so little to tie them together. It's got wooden characters, none you really care about (Tomas Arana in particular). The final showdown in the Church, although well done in terms of effects, is a real letdown, nothing much happens and in the end, well...I felt cheated in a big way.
As it was originally conceived of as the second sequel in the Demons saga, I expected this to be full of violence. It's not, apart from the rather gory opening. I guess Soavi wanted to do a more serious film, with some philosophical input or something. He should have had a better script to work with.
Although it's disappointing, it's certainly not without interest.
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Dettagli
Botteghino
- Budget
- 3.500.000 USD (previsto)
- Tempo di esecuzione1 ora 42 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1