Un voleur de bijoux à la retraite cherche à prouver son innocence après avoir été soupçonné de vol.Un voleur de bijoux à la retraite cherche à prouver son innocence après avoir été soupçonné de vol.Un voleur de bijoux à la retraite cherche à prouver son innocence après avoir été soupçonné de vol.
RENT/BUY
- Récompensé par 1 Oscar
- 1 victoire et 5 nominations au total
George Adrian
- Detective
- (non crédité)
John Alderson
- Detective at the Costume Ball
- (non crédité)
Martha Bamattre
- Kitchen Helper
- (non crédité)
René Blancard
- Commissaire Lepic
- (non crédité)
Eugene Borden
- French Waiter
- (non crédité)
Nina Borget
- Frenchwoman
- (non crédité)
George Boyce
- Party Guest
- (non crédité)
John Breen
- Party Guest
- (non crédité)
Margaret Brewster
- Cold-cream Woman
- (non crédité)
Ralph Brooks
- Casino Patron
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesCary Grant had announced his retirement from acting in February 1953, stating that, since the rise of Method actors like Marlon Brando, most people were no longer interested in seeing him. He was also angry at the way Sir Charles Chaplin had been treated by the HUAC. He was lured out of his retirement to make this movie, and thereafter continued acting for a further eleven years.
- GaffesJohn says he'll leave his clothes with Danielle, but later, when he is at the flower market, he's in the same clothes.
However it is quite likely that he met up with her before going to the market and this meeting was simply omitted as it contributes nothing else to the story. This is the only plausible explanation, since he was unlikely to be concealing money in his swimming trunks either, and it's improbable that he walked the 20 miles from Cannes to Nice for the meeting, barefoot in just his trunks.
- Citations
Frances Stevens: Mother, the book you're reading is upside down!
- Crédits fousThe opening title sequence shows the window of a travel agent, with the text of the titles superimposed. The bottom of the window is not quite horizontal because the window is seen from a slight angle to perpendicular. The text of the titles is given slight parallelogram distortion so the bottom line of text is parallel to the window-sill, and therefore it is not horizontal and parallel with the film frame.
- ConnexionsEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
Commentaire à la une
A bit of a departure for Alfred Hitchcock, somewhat lighter and with less of the trademark suspense. Thoroughly enjoyable, though. Cary Grant was playing Cary Grant by this time, and no one could do it better. And Grace Kelly, what eye-candy! The snappy dialog with the sexual innuendo was done perfectly. And huge kudos to Brigitte Auber, who was gorgeous and very good. An interesting aside was that Grant's character, while pretending to be someone else, claimed to have been an American circus acrobat, which Grant sort of was early in life (albeit English, not American.) Grant (with his accent) could really never be mistaken for an American, even though he usually played one. Also it was a little eerie to see Grace Kelly driving so fast on those French Riviera cliffside roads, in light of what happened to her later. (Of course, she obviously wasn't doing so, they were using back-projection) Anyway, this film is a must for fans of Hitchcock, Kelly or Grant. Grade: A
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Détails
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut mondial
- 7 117 $US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was La main au collet (1955) officially released in India in Hindi?
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