En route vers Rio

Presently available on DVD packaged with the DVD for the next Road series: "The Road to Bali" Expect the same basic format as in the previous films of this series. As in most of these films, the boys(Bing and Hope) begin as ne'er-do-well struggling entertainers. This time they begin as a song and dance team, singing "We're on our way to Apalachicola". Next, Hope rides a bicycle on a high wire, with disastrous results. He falls and, in the chaos, a fire is started that consumes the circus tent. They flee as stowaways on a liner to Rio. After stealing a suit of clothes, they encounter Lucia(Dorothy Lamour) leaning over the deck railing, as if she's ready to jump in the ocean. They dissuade her and make friends with her. They hide in a lifeboat, then duck into a barber shop, where they trick the barber into a closet and continue working on his customer, especially clipping his mustache. This is very similar to the episode in the prior Marx Brother's "Monkey Business", and I would imagine some other films. In both cases, the situation could have been further exploited for more laughs. Meanwhile, an evil middle-aged woman: Mrs. Vail, has hypnotized Lucia with her star sapphire necklace, into identifying the boys as the stowaways, and to say she despises them. They are given an opportunity to join the ship's orchestra, with "Hot Lips" Hope playing the trumpet and Bing the clarinet and singing. Mysteriously, soap bubbles emerge from Hope's trumpet when he plays(yes, stupid). The Andrew Sisters team with Bing, singing "You Don't Have to Know the Language.

Mrs. Vail continues to try to get rid of the boys as romantic rivals to her brother whom she wants to force Lucia to marry so that she can obtain some important papers and control Lucia, presently being her guardian. Thus, the boys and 2 goons hired by Mrs. Vail play cat and mouse. She offers them $10,000. to scram, then hypnotizes them to fight a pistol duel with each other. I will leave their further adventures for you to see.

The circus fire event near the beginning recalls the circus tent fire in "Road to Zanzibar", which also induced them to flee.

I don't understand why the cavalry unit riding toward the wedding celebration was included periodically. They have no role in the boys' escape from their predicament.

At one point, Hope is assumed dead of a gun wound, then 'wakes up' after a while. This reminds me of some cheap westerns where the hero is apparently dead, then 'wakes up'.

"Road to Rio" is perhaps not the best of the "Road" films but I think it has the most entertaining interludes. Bing and the Andrews Sisters' rendition of "You Don't Have to Know the Language" is my favourite "Road" musical interlude. I love Bing's seemingly effortless movements and singing. Bing apparently rehearsed for many hours in order to make his dance movements look as though he had made them up on the spot. Of his singing he once said that he tried to make it seem to any man that he could sound as good whilst in the shower.His casual style masks his dedication to his craft. The Andrews Sisters performance is a match for Bing's class and style. Has any singing group sounded so right?

The second interlude is performed by the Wiere Brothers. I have never seen anything as charmingly eccentric and clever. Their routine has you guessing what they will come up with next and what comes next is unexpected and delightfully witty. I am so glad to have seen the brothers in "Road to Rio" because apparently there is very little of their routines on film.

It is also good to see Gale Sondergaard in a type of role she made her own - mysterious evil with a beautiful face and body. Disney used her as the model for the evil Queen in Sleeping Beauty. Sondergaard was to play the Wicked Witch of the West in "The Wizard of Oz" until it was decided that the witch should be ugly. Sondergaard rejected the role and she was right. Her portrayals of evil were not the ugly kind; they were sensual, sophisticated, dark and hypnotic.

Road to Rio is directed by Norman McLeod and written by Edmund Beloin and Jack Rose. It stars Bob Hope, Bing Crosby, Dorothy Lamour, Gale Sondergaard and Frank Faylen. Music is by Robert Emmett and cinematography by Ernest Laszlo.

Hope and Crosby star as two vaudevillians, who after setting a circus on fire, stow away on a liner bound for Brazil. Once there they encounter a distressed woman (Lamour) who is being coerced into an unwanted marriage by her scheming guardian.

The fifth in the hugely popular "Road To" series of films, Rio follows the same trajectory as before. For fans such as myself this is OK, other film fans venturing in for a first time look may be a bit bemused by it all. In fairness this one does have a solid story at its core, with hypnotism the dastardly weapon of choice, while McLeod neatly blends the comedy and musical numbers and keeps the pace brisk. Hope gets some well written topical gags to deliver and Crosby croons whilst also getting to do a number with The Andrews Sisters. In support the wonderful Sondergaard turns in another one of her memorable villainess performances, and The Wiere Brothers form part of the narrative to produce great comedic results.

With a blazing first quarter, a jovial middle section and a genuinely hilarious finale, Road to Rio achieves everything a "Road To" fan could wish for. 7.5/10

Dorothy Lamour, Bob Hope,Bing Crosby. and an old fashion musical in clothes of commedy. seductive, exotic, nice, hilarious, romantic and slice of an age of Hollywood in which the entertainment was more than a superficial duty. sure, for our time, clear expression of naivety. but the truth remains in the "Road to Rio" area. one of motifs - it has an easy but smart story, the Wiere Brothers in adorable performances and, sure, Gale Sondergaard as the perfect evil woman from a glorious tradition. so, just "Road to Rio".

Although Hope, Crosby and Lamour were teaming together for the fifth time in a Road movie, the format and style remain fresh, with a greater emphasis on song and a more rigid plot-line than in its four predecessors. The interplay between the three stars continues to be a delight, and Gale Sondergaard makes for a wonderful villain, whilst the Wiere Brothers almost steal the show as a trio of Rio street entertainers whom Bing and Bob persuade to impersonate the last three members of the five-piece all-American band that they have promised to deliver into Nestor Paiva's nightclub. There are a number of hilarious set-pieces, particularly with Hope cycling on a tightrope, and a rousing and manic climax. As a result of all these fine features, "Road to Rio" is only a notch down from my favourite Road picture, "Road to Utopia".