NOTE IMDb
5,2/10
3,2 k
MA NOTE
Ajouter une intrigue dans votre langueA young heiress finds evidence suggesting that at night she acts under the influence of a family curse and has begun committing ghastly murders in a nearby park.A young heiress finds evidence suggesting that at night she acts under the influence of a family curse and has begun committing ghastly murders in a nearby park.A young heiress finds evidence suggesting that at night she acts under the influence of a family curse and has begun committing ghastly murders in a nearby park.
- Récompenses
- 1 nomination au total
Frederick Worlock
- Constable Ernie Hobbs
- (as Frederic Worlock)
Clara Blandick
- Mrs. McBroom
- (non crédité)
James Finlayson
- Constable With Hobbs and Latham
- (non crédité)
Olaf Hytten
- Constable Alfred
- (non crédité)
Warren Jackson
- Constable
- (non crédité)
William H. O'Brien
- Constable
- (non crédité)
Brick Sullivan
- Constable
- (non crédité)
David Thursby
- Constable Herbert
- (non crédité)
Joan Wells
- Phyllis - as a Child
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesReleased on May 17, 1946 as part of a double bill with The Cat Creeps (1946). Universal Pictures, unlike most major studios, lacked a proprietary theater chain and often sold it's B-picture horror/mystery pictures as double bills, making weak pictures more attractive and economical for independent theaters to advertise.
- GaffesThe first time Martha Winthrop brings up a glass of milk to Phyllis Allenby, the glass is half full as she walks up the stairs to the bedroom, but after she opens the door and enters the room, the glass is nearly full to the top.
- Citations
Phyllis Allenby: I feel terribly sleepy as if I'd been drugged.
Martha Winthrop: You're right. I drugged you.
Phyllis Allenby: So I wouldn't hear the dogs?
Martha Winthrop: No Phyllis. I'm going to kill you.
- Crédits fousOn the original trailer, June Lockhart is given top billing. On the film itself, Don Porter is given top billing.
- ConnexionsFeatured in Shock Theater: She-Wolf of London (1958)
Commentaire à la une
London at the turn of the century---The legend of the Allenby Curse was almost forgotten until------
She-Wolf of London is produced by that bastion of classic horror, Universal Pictures. Directed by Jean Yarbrough and starring June Lockhart and Don Porter, the title clearly evokes the earlier Werewolf of London (1935) and conjures up images of either a girlfriend of Larry Talbot or Wilfred Glendon running amok. As history now tells us, She-Wolf of London is more concerned with mystery and suspense than the supernatural themes that ran thru other Universal wolf based movies.
Running at a brisk 61 minutes, She-Wolf feels more like a Sherlock Holmes picture minus that particularly intrepid sleuth actually being in it. Grizzly murders are being committed and it's all pointing to poor Phyllis Allenby, who herself is convinced that she is turning lycanthropic at nights due to the family curse. But is it her? If not her then who? These are the key issues asked as the film evolves amid swirling fog and lamp lighted parks and streets. The production is very good, the set designs adds to the atmosphere and the cast by and large are safe as houses. The ending also has a nice little trick up its sleeve.
It's not a bad picture at all, and being armed with the prior knowledge of its mystery over horror heart will aid any new prospective viewers. Best to view it as a standalone Universal picture rather than a classic horror entry. On reflection if it had been called The Allenby Curse or some other such name then that surely would have helped. But one gets the feeling that someone at Universal sniffed an opportunity to get people into the cinema on the back of its already garnered Wolfie reputation. 6/10
She-Wolf of London is produced by that bastion of classic horror, Universal Pictures. Directed by Jean Yarbrough and starring June Lockhart and Don Porter, the title clearly evokes the earlier Werewolf of London (1935) and conjures up images of either a girlfriend of Larry Talbot or Wilfred Glendon running amok. As history now tells us, She-Wolf of London is more concerned with mystery and suspense than the supernatural themes that ran thru other Universal wolf based movies.
Running at a brisk 61 minutes, She-Wolf feels more like a Sherlock Holmes picture minus that particularly intrepid sleuth actually being in it. Grizzly murders are being committed and it's all pointing to poor Phyllis Allenby, who herself is convinced that she is turning lycanthropic at nights due to the family curse. But is it her? If not her then who? These are the key issues asked as the film evolves amid swirling fog and lamp lighted parks and streets. The production is very good, the set designs adds to the atmosphere and the cast by and large are safe as houses. The ending also has a nice little trick up its sleeve.
It's not a bad picture at all, and being armed with the prior knowledge of its mystery over horror heart will aid any new prospective viewers. Best to view it as a standalone Universal picture rather than a classic horror entry. On reflection if it had been called The Allenby Curse or some other such name then that surely would have helped. But one gets the feeling that someone at Universal sniffed an opportunity to get people into the cinema on the back of its already garnered Wolfie reputation. 6/10
- hitchcockthelegend
- 19 oct. 2009
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Curse of the Allenbys
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 1 minute
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was She-Wolf of London (1946) officially released in Canada in English?
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