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La jolie métisse Pearl Chavez devient la pupille du premier amour de son père décédé et se retrouve déchirée entre ses deux fils, l'un bon, l'autre méchant.La jolie métisse Pearl Chavez devient la pupille du premier amour de son père décédé et se retrouve déchirée entre ses deux fils, l'un bon, l'autre méchant.La jolie métisse Pearl Chavez devient la pupille du premier amour de son père décédé et se retrouve déchirée entre ses deux fils, l'un bon, l'autre méchant.
- Nommé pour 2 Oscars
- 3 victoires et 4 nominations au total
Griff Barnett
- The Bordertown Jailer
- (non crédité)
John Barton
- Party Guest
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAccording to King Vidor, director Josef von Sternberg was hired only as a lighting expert by David O. Selznick in order to give his wife--and the film's star--Jennifer Jones a more glamorous look.
- GaffesThe opening shows saguaro cacti in the valley. The film is supposed to take place in Texas, but southern Arizona is the only place in the US with saguaro cacti, unless they've been transplanted.
- Citations
The Sinkiller: Under that heathen blanket, there's a full-blossomed woman built by the devil to drive men crazy.
- Versions alternativesThe original "roadshow" version ran 144 minutes. The additional 16 minutes, over the commonly-shown 128 minute version, consisted of a musical "prelude," an "overture" (which contained a spoken prologue, by Orson Welles), and exit music, but no additional scenes in the film. The two additional opening sequences were each inadvertently given the other's label.
- ConnexionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
Commentaire à la une
A half-Indian girl named Pearl Chavez (Jennifer Jones) is torn between the two sons of a wealthy cattle baron. Jesse (Joseph Cotten) is the educated, mannered 'nice' one. Lewt (Gregory Peck) is a ladies' man and a bad boy. We can tell which is which because the good one typically wears lighter colors and the bad one wears darker colors. Helpful. Pearl just can't resist Lewt no matter how bad he treats her. Leave your political correctness at the door, folks. This one's got a little something to offend almost everybody.
Extravagant "epic" western from David O. Selznick was an attempt to achieve the same success of Gone with the Wind. It's pure tawdry hokum. Yet another starring vehicle for Selznick's protégé (and future wife), Jennifer Jones. I've never been a huge fan of hers. She's certainly attractive enough, with her high cheekbones and radiant smile. I even find her lisp endearing. But she was a very limited actress. Usually she was cast in sensitive parts where she spoke most of her lines in a whispery tone while soft music played. Here she plays to the rafters, hamming it up so loudly she makes Hedy Lamarr's performance in White Cargo seem subtle. Starring with Jones are Gregory Peck and her frequent costar, Joseph Cotten, one of the few male leads the jealous Selznick trusted around his lady love. Cotten is perfect (when wasn't he?) but Peck is miscast and overacts even worse than Jones. The absurd ending with those two is justifiably infamous. The rest of the cast is made up of exceptional talents like Lionel Barrymore, Lillian Gish, Walter Huston, Harry Carey, and Herbert Marshall. The Dimitri Tiomkin score is fantastic. The sets and costumes are lavish, as they should be given the high production values this one had. The Technicolor is gorgeous. The script is laughably awful. Some of the dialogue these poor people have to say is just cringeworthy. Overall, it's a movie low on substance but high on spectacle. It keeps you interested throughout, despite its flaws (and maybe because of them). Definitely warrants a look but not everybody's cup of tea, for sure.
Extravagant "epic" western from David O. Selznick was an attempt to achieve the same success of Gone with the Wind. It's pure tawdry hokum. Yet another starring vehicle for Selznick's protégé (and future wife), Jennifer Jones. I've never been a huge fan of hers. She's certainly attractive enough, with her high cheekbones and radiant smile. I even find her lisp endearing. But she was a very limited actress. Usually she was cast in sensitive parts where she spoke most of her lines in a whispery tone while soft music played. Here she plays to the rafters, hamming it up so loudly she makes Hedy Lamarr's performance in White Cargo seem subtle. Starring with Jones are Gregory Peck and her frequent costar, Joseph Cotten, one of the few male leads the jealous Selznick trusted around his lady love. Cotten is perfect (when wasn't he?) but Peck is miscast and overacts even worse than Jones. The absurd ending with those two is justifiably infamous. The rest of the cast is made up of exceptional talents like Lionel Barrymore, Lillian Gish, Walter Huston, Harry Carey, and Herbert Marshall. The Dimitri Tiomkin score is fantastic. The sets and costumes are lavish, as they should be given the high production values this one had. The Technicolor is gorgeous. The script is laughably awful. Some of the dialogue these poor people have to say is just cringeworthy. Overall, it's a movie low on substance but high on spectacle. It keeps you interested throughout, despite its flaws (and maybe because of them). Definitely warrants a look but not everybody's cup of tea, for sure.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Duelo al sol
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 408 163 $US
- Montant brut mondial
- 20 428 771 $US
- Durée2 heures 26 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Duel au soleil (1946) officially released in India in English?
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