NOTE IMDb
7,8/10
35 k
MA NOTE
Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.Un directeur sournois et les deux amis loufoques de deux chanteurs d'opéra aident ceux-ci à obtenir la gloire tout en humiliant leurs ennemis guindés et snobs.
- Récompenses
- 3 victoires au total
Walter Woolf King
- Rudolfo Lassparri
- (as Walter King)
Sig Ruman
- Herman Gottlieb
- (as Siegfried Rumann)
Robert Emmett O'Connor
- Police Sergeant Henderson
- (as Robert Emmet O'Connor)
Enrique Acosta
- Nightclub Guest
- (non crédité)
Harry Adams
- Opera Spectator
- (non crédité)
Harry Allen
- Doorman
- (non crédité)
Sam Appel
- Dungeon Guard
- (non crédité)
King Baggot
- Dignitary
- (non crédité)
Marion Bell
- Lady looking for 'Aunt Minnie'
- (non crédité)
Edna Bennett
- Maid
- (non crédité)
Dolly Blackburn
- Little Girl watching Harpo playing
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesIn exasperation after several attempts to have Groucho Marx read one of his lines in the manner director Sam Wood had requested, Wood exclaimed, "I guess you just can't make an actor out of clay." Groucho Marx instantly responded, "Nor a director out of Wood."
- GaffesRicardo is clearly standing on the dock as the ship pulls away, yet he turns up on board later as a stowaway.
- Citations
Otis B. Driftwood: It's all right, that's in every contract. That's what they call a sanity clause.
[Fiorello laughs loudly]
Fiorello: You can't fool me! There ain't no Sanity Claus!
- Versions alternativesAll references to the first portion of the film taking place in Italy were edited from the original negative sometime after the original release. There is speculation that this was done during WWII when Italy was as Axis power, but it also may have been done in the late 1930's to appease Mussolini, who didn't like the way Italians were being portrayed. Either way, the film's first scene begins rather abruptly and is missing a musical number and references to Milan, Italy.
- ConnexionsEdited into Apaga y vámonos: Épisode #1.5 (2013)
- Bandes originalesIl Trovatore: Di quella pira
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Leone Emanuele Bardare and Salvatore Cammarano
Sung by Walter Woolf King
with The MGM Symphony Orchestra
Commentaire à la une
I must admit that I am very light in personal knowledge of MArx Brothers films,and aside from the general information,imagery and quotes(the majority of which came from the irrepressible Groucho)that have been used and attributed in Western culture over the last seventy or eighty odd years,I have a very scant referential knowledge of their legendary body of film work.
With that in mind,when I saw the public library had a copy of this film in its stacks,it was a no-brainer for me. And it was a largely pleasing film experience as well.
The storyline seems to be somewhat insignificant: Brothers MArx are scattered about the goings on at a Venetian Opera company as it moves from Europe to New York City. They conspire to break a humble but talented tenor into the main role of the traveling show,as he is mooning over the young ingénue(Kitty Carlisle Hart,WELL before becoming the grand dame of TV Panel game shows!). But aside from the fair amount of music(hey,this IS,after all set in an Opera,so it goes to reason),this is mostly a physical comedy,laced with plenty of Groucho's standard one-liners. From watching his dealings with various straight people,from old stand-by MArgaret Dumont as his society-climbing wife,to the various lugs who signify authority(Theater directors,producers,society bigwigs,ship crew,policemen,local magistrates,etc.),Groucho is not only able to keep the humor legendarily fast and loose but also keeps the tempo of the dialog from bogging(I even noticed a sort of inspiration the creators at WArner Brothers got for Bugs Bunny from Groucho's witticisms!).
Maybe not the best of the Marxes films--though I still don't have a real gauge of opinion on this yet--but it's a fantastic starter film to build familiarity.
With that in mind,when I saw the public library had a copy of this film in its stacks,it was a no-brainer for me. And it was a largely pleasing film experience as well.
The storyline seems to be somewhat insignificant: Brothers MArx are scattered about the goings on at a Venetian Opera company as it moves from Europe to New York City. They conspire to break a humble but talented tenor into the main role of the traveling show,as he is mooning over the young ingénue(Kitty Carlisle Hart,WELL before becoming the grand dame of TV Panel game shows!). But aside from the fair amount of music(hey,this IS,after all set in an Opera,so it goes to reason),this is mostly a physical comedy,laced with plenty of Groucho's standard one-liners. From watching his dealings with various straight people,from old stand-by MArgaret Dumont as his society-climbing wife,to the various lugs who signify authority(Theater directors,producers,society bigwigs,ship crew,policemen,local magistrates,etc.),Groucho is not only able to keep the humor legendarily fast and loose but also keeps the tempo of the dialog from bogging(I even noticed a sort of inspiration the creators at WArner Brothers got for Bugs Bunny from Groucho's witticisms!).
Maybe not the best of the Marxes films--though I still don't have a real gauge of opinion on this yet--but it's a fantastic starter film to build familiarity.
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Détails
Box-office
- Montant brut mondial
- 5 320 $US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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Lacune principale
By what name was Une nuit à l'opéra (1935) officially released in India in English?
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